Flypacks
Flypacks
With more than 34 flypack systems that can be sourced from four different continents, our flypacks can be configured to suit your exact production needs, wherever they’re needed. No other supplier has more flypack options or more flexibility than NEP. As the largest provider of flypacks in the world, we have it all.
POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.
UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team’s experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.
MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.
PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.
Additional information
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LTN LEAF Flypack
A complete IP solution for any live event, Flypack features plug-and-play setup, offers encryption capabilities, and encodes and decodes at up to 20 mbps with SD and HD support.
By connecting Flypack to the LTN Network, you can manage and control video from origin to destination, monitoring every signal with LTN Portal and always-on NOC support.
Power the future of video with LTN Leaf Flypack.
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LTN Flex
From LTN’s state-of-the-art, 30,000-sq-ft production facility, our dedicated team of broadcast industry leaders eliminates the variables associated with on-site crews and equipment. And we’re always available to carry our knowledge and expertise from your first job to your next.
LTN Transport transmits signals from your production at lightning speed to our centralized facility, where we handle all aspects of production and deliver feeds out to every destination — with eyes-on-glass monitoring and 99.999% reliability, backed by the LTN Network.
Simplify complex productions, scale major events, optimize production quality, and monetize more possibilities with LTN Flex.
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Telos Infinity® Virtual Intercom Platform (VIP)
Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.
Telos Infinity VIP
- Cost-Efficient - Less Maintenance, Infrastructure, Space Required
- Scaleable - Pay for Only What you Need
- Ease of Use – Virtual Panels on Familiar Devices (Smartphone, Computer, Tablet)
- Workflow Flexibility - At Home, On-Prem, Site-to-Site, In the Cloud
- Reliable, Proven Cloud Workflows Flexible Deployment Options
- TelosCare™ PLUS Service Option for Premium Service & Support
Deployment Options
Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.
- On-Prem – Use Telos Infinity VIP hardware appliance or your own server for on-prem installations.
- Integrated – For both On-Prem or Cloud versions, Telos Infinity VIP can be integrated with Telos Infinity hardware comms, or any third-party intercom or audio subsystem using AES67 or SMPTE 2110-30 connectivity.
- Cloud Server – Software for supported Cloud platform installations. A complete communications infrastructure in the Cloud with connectivity options for integration with third-party Cloud-based and On-Prem audio subsystems.
- Software as a Service (SaaS) – Various third-party Telos Alliance partners will offer a Telos Infinity VIP SaaS option, allowing users to lease it in a virtual environment.
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Zynq™ UltraScale+™ MPSoC EV
The Zynq UltraScale+ MPSoC EV devices are particularly suited to a wide range of broadcast and media applications, from camera encoding to mobile wireless video systems, and contribution IRDs to live streaming encoders:
- Configurable and dynamically adjustable codec
- Integrate with a wide portfolio of AMD and partner IP cores such as 12G-SDI, ST 2110, IPMX, NDI, Dante AV Ultra, HDMI, DisplayPort etc.
- Up to 4K60 4:2:2 10-bit H.264/H.265 simultaneous encode + decode
- Multichannel support up to 4K60 (e.g. 2x 1080p60 or 4x 1080p30...)
- Ultra-low-latency mode of <35ms glass-to-glass
- Total device power for a single pipeline as low as 8.5W
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Signature U2B4
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B4 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The two stereo audio inputs (which can work as quad monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to two pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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UBBU4
The Signature UBBU4 is a broadcast specification twin stereo unbalanced to balanced, and balanced to unbalanced analogue audio interface that is equally suitable for professional & home studio use.
It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.
As well as providing the balancing interface the UBBU4 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.All the stereo circuits can both work as dual mono. All the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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Signature U2B2
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B2 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The stereo audio input (which can work as dual mono) is on gold plated RCA phono connectors. This input is electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to a pair of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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Signature ADDA 1
The analogue inputs and outputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital inputs and outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
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Signature ADC 1
The analogue inputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
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Signature DAC 1
The digital inputs are available separately in three formats:- 3 pin XLR using AES- RCA phono plug using S/PDIF- optical connectors using TOSLINK
The analogue outputs are available separately in two formats:- balanced XLR connections- unbalanced RCA phono connections
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level.
A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range.
There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
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Signature HA6+
The HA6+ has 2 x XLR inputs that are used as the primary programme audio input, and 2 x XLR inputs that are used for the secondary aux audio input. These can be stereo, or, if a mono input, can be switched to appear on both sides of the headphones. There are left and right primary input gain controls on the rear panel, and they are on recessed screw terminals.
On the front panel there is a source control for each headphone output that allows a mix between the programme and aux input. Full left is programme only, full right is aux only, and anywhere in between is a variable mix.
Each of the six headphone amplifiers has its own volume level pot. There is also a master volume pot that controls the overall level of all amplifiers. This can be defeated via a rear panel dip switch.
Each of the six headphone outputs are available via front panel 6.35mm jack sockets, and in parallel on rear panel XLR connectors.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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Signature HA1M
The Signature HA1M is a broadcast specification 2 channel headphone amplifier, designed to operate in a mono or a stereo mode.
The HA1M has 2 x XLR inputs that can be used as either a stereo input, or as 2 x mono inputs. There is a selector switch to change between mono and stereo modes.
In stereo mode, the left input goes to the left ear, and the right input goes to the right ear. Each input has its own level pot for adjusting the volume level in the left or right ear.
In the mono mode, each input goes to both headphone outputs. The level pots adjust the relevant input levels in both ears.
There are 2 x headphone outputs on jack sockets. One is 6.35mm and the other is 3.5mm. The headphone circuits can accept stereo connections, or mono connections from single earpieces. The headphone drivers are independent and so varying impedance connections can be used in either socket at the same time.
The rear panel has a single XLR output that is a mix of both inputs.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
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Signature HA2+
The HA2+ has 2 x XLR inputs that are used as the primary programme audio input. This can be stereo, or, if mono, can be switched to appear on both sides of the headphone outputs. There are left and right programme input gain controls on the front panel, and they are on recessed screw terminals.
There are also secondary, mono cue inputs. Connections are via one of 3 x 6.35mm jack sockets on the rear panel. This allows a single cue input to be connected to both headphone outputs, or each headphone amplifier can receive an individual cue input.
On the front panel there is a source control for each headphone output that allows a mix between the programme and cue input. Full left is programme only, full right is cue only, and anywhere in between is a variable mix.
Each of the two headphone amplifiers has its own volume level control. There is also a master volume control that affects the overall level of both amplifiers. This can be defeated via a rear panel dip switch.
The headphone outputs are available via 2 x front panel 6.35mm headphone sockets, and in parallel on 2 x rear panel XLR connections.
The Expedition uses Glensound’s propriety CAN headphone system. This allows multi impedance headphones to be used, from 32-1000ohm, with the same perceptual level in the headphones when the volume control is kept in a fixed position. Stereo or mono connections can also be made to the headphone sockets, including mono earpieces.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12V DC power. The 12V DC input can be connected to the optional Signature Ps1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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Signature PS1
Master And Back Up PowerAs well as providing a backup DC supply for up to six Signature Series units, the PS1 can also act as master DC power distribution to six Signature units.
Safety FeaturesAll outputs are individually fused so a short circuit on one will not affect any of the others.
InstallationFor ease of installation and to allow quick connectivity to other Signature Series units, every Signature PS1is shipped with 6 x 4 pin XLR DC cables which are each two metres long.
As the PS1 is only 336mm wide without the rack ears, it can easily be installed inside equipment racks, and fixed vertically via the flush mounting side wings. This will provides the convenience of power distribution or backup, without taking up any rack space.
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Signature SD1+
The Signature SD1+ is a silence detector used to switch audio to a backup source when the primary audio source falls below accepted silence thresholds in level or time. These are often used on a broadcast path to prevent dead air should a technical problem occur with the audio.
The audio connections are stereo, on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The SD1+ can also be configured as a twin single channel silence detector. The backup source is usually coming from an audio player which can be remotely started by the SD1+ via a GPO should silence be detected.
Each channel can have the configuration parameters set independently. The threshold at which the unit detects a low level is configurable, as is the amount of time that the audio needs to be under this level before an alarm condition is triggered and the audio is switched to the backup input.
A comprehensive set of GPIOs allow for triggering external devices when the secondary input has been triggered.
Intelligent modes can be set to allow for switching back to the primary audio source once a sustained audio level has returned.
With a stereo audio source, if one channel should fail, the SD1+ can be set to switch this single input to both outputs, making a problem unnoticeable to any listeners, whilst at the same time still providing alarm outputs so the engineers can be alerted.
An internal switch mode power supply is provided along with an external ±12v DC input for the main or backup power supply of the Signature PS1 Power Station.
Silence Detection ParametersFor the detection of drops in audio level, a threshold can be specified between -60dB to -10dB. If the audio level is under this level for a set amount of time, then the SD1+ will switch to the backup source, preventing any dead air situations. The fail delay time is configurable between 5 seconds and 5 minutes. When the audio switches to the backup source, a GPO is triggered to start a backup audio source which is connected to the backup input. A GPO is created so that the engineering department are alerted. All switching between the primary and backup source is silent.
When primary audio has returned, the SD1+ can be used in manual or automatic mode. In automatic, the SD1+ switches back to the main input after a recovery delay, that’s configurable between 5-60 seconds. In manual mode, the main input must be selected via the front panel or via a GPI switch.
Stereo Or Dual MonoThe SD1+ can monitor a single stereo source and switch the output to a backup source if a silence condition is triggered. It can also act as a dual mono silence detector, taking in 2 mono sources and switching them independently, to their own backup audio in the event of a silence condition trigger.
In stereo mode, if one channel becomes silent, the SD1+ can perform two configurable functions. It can either feed the one good primary input to both primary outputs, or trigger the silence detect to switch to the backup input.
Audio ConnectionsThe audio connections are stereo on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The backup source can be selected to be at 0dB or +10dB. The +10dB option allows for the connection of a domestic level audio source, such as a CD or a memory card player, that may be used as the backup.
Smart Fail & Smart RecoverySmart recovery mode prevents pops and clicks from triggering the recovery switch back to the main input, and waits for a configurable period of time. This allows full recovery of the audio before switching back to the primary source.
LoopsA 25way d type connector contains all of the available GPIO, for output remote starts and alarms, and for input switching. There are GPOs to indicate if the primary or backup input is active, which can be used as an alarm that a backup switch has been activated.
Configuration ScreenA front panel screen shows visual feedback of the status of each input, and the value of the fail or recovery timer. This screen also access’s the menu for configuration.
Bypass RelaysIn event of power failure the primary audio input is switched directly to the audio output via relays, so that there is no loss of audio.
Power SupplyThe SD1 has an internal switch mode 100-240v AC power supply using an IEC connection. There is also an external ±12v DC input to connect to the Signature PS1 Power Station as the primary or backup power supply.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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Signature ADA 1:8G
The ADA 1:8G has 1 x single channel input that is distributed to 8 x mono outputs, each with its own gain control.
The audio input and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required. The output gains are on front panel multi turn potentiometers (recessed to prevent accidental operation). They provide a wide gain range to cope with the different gain level requirements of broadcast or domestic level equipment.
All outputs are protected, so a short circuit on one will not affect any of the others.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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Signature ADA 2:6g
The Signature ADA 2:6G is a broadcast specification 6 way stereo analogue distribution amplifier, designed to distribute one or two audio channels to multiple destinations.
The ADA 2:6G has 1 x stereo input that is distributed to 6 x stereo outputs, each with its own gain control. A front panel toggle switch changes the operation of the unit to a mono distribution amplifier with 1 input and 12 outputs. The mono/ stereo front panel toggle switch is recessed to prevent accidental operation and also provides the user with clear visual indication of the current mode.
Audio inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required. The output gains are on front panel multi turn potentiometers (recessed to prevent accidental operation). They provide a wide gain range to cope with the different gain level requirements of broadcast or domestic level equipment.
All outputs are protected, so a short circuit on one will not affect any of the others.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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U2B8
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B8 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The four stereo audio inputs (which can work as eight off monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to four pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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UBBU2
It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.
As well as providing the balancing interface the UBBU2 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.
The two stereo circuits can both work as dual mono. Both the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
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Signature DDA 1:6
The DDA 1:6 is a cost effective distribution amplifier for digital AES signals. Via rear panel XLRs there is a single input and 6 outputs.
The output signals can pass straight through without any normalising. This is useful if you need syncronisation to be maintained. There is also an option to re-normalise all of the output signals to ensure that all outputs are at the full digital level again. It is important to realise that re-normalising a digital signal while often desirable, does cost one sample.
A headphone monitoring position is also provided on the front panel via a 6.35mm stereo jack socket. This allows monitoring of the incoming audio signal via a variable level pot.
LEDs indicate AES lock or if there is an AES error.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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Signature SW 8:2+
There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.
On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2+ is set to stereo.
Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.
Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.
The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level. This headphone circuit monitors the output audio.
A stereo 28 LED Peak Programme Meter (PPM) is also provided on the front panel for a visual indication of the audio currently being routed/ mixed to the output. The PPM provides a 1 dB resolution per LED.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external +/-12v DC power. The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
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Signature SW 8:2
There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.
On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2 is set to stereo.
Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.
Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.
The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level. This headphone circuit monitors the output audio.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external +/-12v DC power. The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
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GS-FW021
- Battery powered from 9volt PP3
- Long battery life (in excess of 100 hours)
- Power on switch
- Power on LED
- Low battery indication
- 3 user selectable modes: 4 wire (for standard connection to other broadcast eqpt) Interrupt loop through (IFB) for monitoring & adding talkback over incoming audio 2 wire conference mode for connecting multiple GS-FW021 together 2 wire mode compatible with prospect C1B
- Headset connection on 3 pole 6.35mm (A/B gauge)
- Push to talk button for mic input
- Limiter circuit for mic input
- Headphone volume control
- Auxiliary audio input (on 3.5mm jack) fed to headphone circuit
- Transformer balanced 4 wire input/ output
- Maximum dimensions just 152 x 42 x 72mm (l x w x d)
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FreeSpeak Edge
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KATHREIN Smart Monitoring
The system leads to a significant decrease in the time and costs normally required for the maintenance, as routine checks on transmitter stations can be avoided or reduced. The Kathrein Smart Monitoring system can be integrated into new antenna systems as well as be retrofitted into an existing system.
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KATHREIN Signal Analyzer
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KATHREIN Dual Polarized UHF Plug & Play Omni Antenna
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VSN NewsConnect
Main features:
Access from a single interface: Journalists and editors can access their NRCS, CG, NLE, studio playout and MAM systems from a single window, the NRCS system interface of their choice, without installing any additional software or hardware. This breakthrough allows them to make the most of their time and become more competitive in the execution of their tasks.
Cloud solution: VSN NewsConnect can be implemented in 100% Cloud environments thanks to its HTML5 development. This is a great added value to enhance collaborative work and remote production, allowing multiple users to create and produce news and live shows simultaneously from any geographical location.
Maximum compatibility: VSN NewsConnect is compatible via MOS with most NRCS and CG systems available in the market to allow reading the graphics template catalog and synchronizing the search and editing of graphics and media in a unified way. The system also features advanced integrations with most of the studio automation systems and Non-Linear Editors.
Remote interoperability: This plugin provides journalists with maximum freedom when creating a news story for any broadcast studio, since it is capable of adapting the media format and distribute it automatically to the different available receiving systems, even when these systems are from different brands or vendors.
Improved user experience: VSN offers broadcast and media companies the possibility to design their news production environment their way, so that users have at their disposal the best working tools that perfectly adapt to their needs from a single centralized environment. In this way, they can improve their efficiency and meet tight deadlines.
Access to an advanced MAM: With VSN NewsConnect, users have at their disposal one of the most complete MAM systems in the market within the interface of their NRCS, including powerful Artificial Intelligence (AI) tools for cataloging and advanced content searches, as well as one of the most agile web video editors available on the market, Wedit.
Latest updates (09/2020): Support for growing files for remote work environments. This development allows users to visualize the low resolution of a recording and start editing and working with it instantly, while it is still being ingested into the system. That is, they can simultaneously select video fragments of their interest, add them to the editing timeline, make quick video edits and consolidate the final piece in low resolution to send it to FTP or any destination for broadcast or publication.
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YourStoryz
Combine clips, add titles, voice-overs, transitions, then publish #YourStoryz from the app - all within minutes! It was never so easy to create professional videos with your smartphone and publish on your preferred channel right away.
Metadata
Adding information to your video is super important. A precise description helps to classify articles correctly, to find them quickly and to distinguish true from fake stories. Our app supports you by adding a title and description to the story.
Graphic Overlay
On top of essential editing functions, the YourStoryz app includes additional features, which you can add to your video, like voiceovers, titles, lower thirds, and your brand logo. Lowerthirds provide crucial information to the viewer. It summarizes the topic of your video, or can describe the role of the subject with names, job titles, and location. With YourStoryz, users can easily add a lower third to their video and customize it to their needs.
Publishing
The edited material can easily be uploaded according to the predefined workflows to the major social platforms or your company newsroom.
YourStoryz allows you to create, edit, brand and share videos up to 10 minutes in real time without missing a moment. It gives an opportunity to support and develop close relationships with customers, build brand image through one framework and grow a loyal customer base.
Key features:
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
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TR12
he TR12 provides a large and clear timecode display for situations where the size of the display needs to be as large as possible in a 1u space. The red display is in hours, minutes, seconds, and frames. The timecode input is via an analogue XLR connection or is switchable between two optional Dante network sources.
There is also a further timecode distribution function. There are four analogue outputs on XLR and a further 7 outputs on a dtype connection. The XLR and dtype outputs have separate trim adjustment. There is a brightness adjustment for the display and AC mains power supply.
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Signature ADA 2S12MGT
The ADA 2S12MGT has 1 x stereo input that is distributed to 12 x mono outputs. The two audio inputs (1 stereo circuit) each have their own input gain preset controls. These allow an engineer to set the inputs up to work with levels that suit you, such as mono out = A+B-3 or A+B-6 or 0dB in = 0dB out, or even adjust the inputs for accepting unbalanced domestic levels.
Each of the 12 outputs also have preset gain controls, this allows different outputs to be connected and lined up with different systems.
Audio inputs and outputs are transformer balanced on XLRs and can accommodate unbalanced connections if required. The input & output gains are on front panel multi turn potentiometers (recessed to prevent accidental operation). They provide a wide gain range to cope with the different gain level requirements of broadcast or domestic level equipment.
All outputs are protected, so a short circuit on one will not affect any of the others.
Audio transformers help to make this unit an ultra reliable broadcast distribution amplifier suitable for the heart of your operation.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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VB440 40 Gigabit IP probe w/Instrument View
The VB440 40 Gigabit IP probe provides a breakthrough for the monitoring and analysis of high-bitrate broadcast media traffic as defined in ST2110 and ST2022-6 for core broadcasting networks, production studios, master control centres and outside broadcast vehicles and venues. It enables production teams to continuously survey all layers of media transportation on an IP network and facilitates quick rectification of potential problems, helping to maximise Quality of Service (QoS).
With support for interface speeds from 10, 25, 40, 50 and up to 100 Gigabit on dual interfaces, even the largest of media networks can be accommodated with analysis of SD, HD, HD HDR, 4K and 4K HDR and above. ST2022-7 redundancy is also monitored and analysed when connected to both primary and secondary networks. PTP is provided with ST2059-2 clock analysis, clock source detection/listing and clock accuracy and class, providing troubleshooting and continuous monitoring of this critical infrastructure in a production network – including accurate path-delay for individual flows.
The VB440 can accommodate eight simultaneous users, from local or remote locations over secure https. It features a user interface provided by a standard web browser, and can be provided with Instrument View aluminium kits in broadcast form factors that enable touch screen operation. This gives production teams access to an analytics solution for large numbers of streams and multiple resolutions in real-time and in parallel in multiple locations.
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AoIP4I
The AoIP4I unit is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
AoIP4I provides 4 balanced analogue audio inputs to a Dante®/AES67 audio network.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
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AoIP4O
The AoIP4O unit is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
AoIP4O provides 4 balanced analogue audio Outputs from a Dante®/AES67 audio network.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
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AoIP22 MKII
Packaged in a small & rugged format and designed for outside broadcast, theatre and location applications.
The AoIP22 is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
EASY TO USEDante® Controller by Audinate is a free application that controls all your Dante® enabled devices on your network.
It will automatically find the AoIP22 and allow you, just by the click of a mouse, to route audio circuits to/ from it.
Dante® network audio has become very popular because it just works and it’s so easy to use. Yet underneath the simple trouble free setup is a very sophisticated Audio over IP (AoIP) protocol working in real time across standard network switches with clever digital clock synchronisation to keep all equipment working in perfect harmony.
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AoIP22 AES3
The AoIP22 AES3 is designed to easily and quickly interface existing AES3 equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
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AoIP44
The AoIP can be used as a simple low cost audio I/O break out unit on a large Dante audio network where it can be integrated extremely easily using the Dante controller and is fully compatible with any manufacturers Dante equipment. It can also be used in very simple audio over IP scenarios where just 4 bi-directional audio circuits are needed to be distributed across a building's network infrastructure, in which case 2 x AoIP44 units can be used connected together across the network. The AoIP44 is equally suited for high integrity broadcast purposes, intercom, just simple paging facilities or simple distribution of non-critical audio.
Being part of our Signature Range the AoIP44 comes as standard with removable rack ears (to allow front or rear mounting in 19" racks), mounting holes to allow under desk mounting (the holes are equally suited for screwing the unit into odd places!) and an optional external DC power supply for applications requiring redundant power supplies. It is housed in an all anodised aluminium chassis.
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AoIP44 AES3
The AoIP44 AES3 is designed to easily and quickly interface existing AES3 equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
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DARK8MAIR
Having 8 of low noise high quality microphone inputs makes the DARK8MAIR perfect for transporting audio circuits from a stage or a pitch side position to a mixer or other location within an audio network.
The rugged design, PoE/ Mains powering & remote control facility of the unit means that it can easily be placed and left unattended wherever audio sources are required.
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Divine
Internally a Digital Signal Processor (DSP) takes careful care of the audio signals, including state of the art compression and limiting circuits, while a microprocessor provides full setup and control via a small rear panel LCD. Control of setup and day
to day operation of the Divine will also be available on our Windows 10 application GlenController including the ability to group multiple Divines together and control their level simultaneously.
Divine can receive up to four* Dante (AES67 compliant) audio over IP (AoIP) inputs. These inputs can be selected by the user on a large clear front panel select switch. The four audio inputs can also be easily mixed together and their individual levels adjusted.
A priority system is provided to allow one (or more) of the inputs to automatically duck another. This can be very useful if you want to monitor one source but also listen to another when audio is present, such as sending show relay to dressing rooms in a theatre but having the stage manager's call and building fire alarm take precedence when they’re active.
The die cast enclosure has been carefully designed to provide full protection of all control knobs, switches and ports to prevent damage. Uniquely, the housing also features a standard PC screen Vesa mount, meaning that you can purchase any standard Vesa mounting solution to hang/ mount your Divine on, saving you lots of money. Standard microphone stand threads are also provided in the base for an alternative support solution.
Different preset EQs and an LF cut can all be set in the user menu to allow the Divine to be used for a variety of applications.
Divine is so much more than just another powered loudspeaker.
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STYX
The front panel features 24 x assignable rotary encoders and 24 x assignable illuminated switches, plus a mono assignable PPM and LED graph to indicate positioning of the encoders when they are used.
The real power of STYX is its Windows 10 application which in real time can adjust any of the 2208 mixer cross point levels, provides many setup options, and importantly, allows presets to be stored and recalled.
Reliability is key, STYX has multiple redundant power supply sources and redundant network interfaces.
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Inferno
There are primary and secondary Dante network connections
Inferno can also be used outside of a dedicated Dante network when connected to one of our DARK or AoIP44 break out boxes. This connection can be direct or across a structured network. The DARK or AoIP44 units allow all of the audio inputs and outputs to be located in a place separate from the Inferno.
Programmable On A Dante Audio NetworkWhen connected to a Dante network, sources and destinations can be configured from any part of the network using the free Dante controller software. Details are available at www.audinate.com.
Seven Talkback CircuitsThe seven illuminated talkback buttons route the audio input to 7 different destinations and remove the audio from the main programme output.
Eight Input Headphone MixerSeven external sources plus sidetone are presented on eight level controls allowing the user to create their own required monitoring mix of all sources. Each input can be independently selected to be on the user's left ear, right ear or both ears. The headphone connection is available on a 3.5mm and a 6.35mm jack socket.
Single InputThe single input is switchable on the rear panel to be line/mic/48v and has adjustable input gain. The input also features Glensound’s Referee compressor limiter system. This applies a variable rate compressor to the input peaks so that no clipping occurs, without affecting the rest of the audio signal.
Remote ControlThe Inferno contains a web server, allowing remote functionality to an engineer from any PC connected to the network via any web browser. Enter the IP address of the Inferno in the browser for remote control of the front end mic gain. It also allows configuration of each push button on the unit to be on/off latching, momentary (push to talk), always on, and off when pushed (cough), or in an intelligent mode where a short press latches or a longer press is just momentary.
15 segment LED PPM Meter Audio input level is indicated on the 15 segment PPM meter.
Power On Dante Link Or LocallyInferno can be powered via the network audio connection if it conforms to the PoE standard. There is also an internal 100v-240v mains supply.
Scalable Commentary~Start with one Inferno into a Dante network~Add Multiple Inferno at any time for 2, 3, 4 ,5 or more commentator system~Use DARK units for a simple point to point networked audio break out box
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Signature ADA 2:6
The ADA 2:6 has 1 x stereo input that is distributed to 6 x stereo outputs. A front panel toggle switch changes the operation of the unit to a mono distribution amplifier with 1 input and 12 outputs. The mono/stereo front panel toggle switch is recessed to prevent accidental operation and also provides the user with clear visual indication of the current mode.
Input gains controls are provided for both left and right inputs. These gain controls are accessed from the front panel and are multi turn preset pots (recessed to prevent accidental operation).
Audio inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required. All outputs are protected, so a short circuit on one will not affect any of the others.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
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GS-CU001B
The MkII VersionThe MkII version now adds the following as standard features:
- 48v phantom power
- upgraded input gain pot
- input gain range increased from -20 to +10 dB
- GPOs on Mic and talkback buttons to allow integration with main intercom or talkback system
VERSION 3 (TT): This version has transformer balanced inputs & outputs with high quality Llundhall transformers on the individual mic outputs.
InputsThree front panel inputs are mic/line switchable with selectable 48v phantom power. The front panel also has a small gain adjustment pot. Mic on/off switches can be selected in on/off mode or in cough mode. There is a global low frequency cut that can be selected on or off, and a preset compressor/limiter per input.
Outputs/TalkbackEach input has a direct discrete output on the rear panel along with a mixed output of all of the inputs, all on XLR. The mixed output is also available on an un-balanced 3.5mm jack socket as a local record. The direct output levels can be set in 3 positions:
1: 0dB + limiter: This is the normal operation and it limits peak levels.
2: 0dB: This feeds the output with an un-compressed nominal level of 0dB, for when the peak signal level will be controlled by outboard equipment.
3: -20dB: This feeds the output with a nominal level of -20dB providing extra headroom.
There are 3 common talkback circuits with individual buttons on the two main commentators’ sections (Position B's input cannot be switched to a talkback output). The operation of the talkback buttons features Config+ for configuring in different modes.
MonitoringThere are two main commentator monitoring sections, each with two separate 6.35mm A or B gauge jack sockets for headphones. In this way, the centre position B commentator can choose to share the monitoring of commentator A or C. There are 5 common external sources available for monitoring, plus an additional control which is the sum of the other 2 commentators/inputs. Each of the 6 pots has variable level control and left/both/right switching allowing commentator A and C to achieve their desired mix and balance levels. The sidetone control is located on the rear panel for commentator A and C to adjust the level of their own voice. There is a 7 segment LED PPM meter.
PowerThere is an internal switch mode power supply 100-250v AC, with external power via a 4 pin XLR 9-18v DC.
ModificationsThe GS-CU001 is a complete and versatile base system, and Glensound's most popular commentary unit. It is therefore a perfect starting point for custom requirements. This has resulted in many custom modified units, some listed above, and some not. We are always happy to investigate a particular requirement that you may have. To give you an idea of what is possible, these are some of the modifications, we have designed previously for others:
Added GPIO on a 9 pin D-typeMoved the sidetone control to the top panel on a full size potAdded a talkback channel and monitor between the A and C commentary positions (GS-CU001D and E)Independent monitoring inputs for commentator A and C (GS-CU001E)Additional mic passive outputs (GS-CU001E)Added an additional headphone monitoring input (GS-CU001G)Added two mic inputs for commentator A and C with a simple toggle switch between them (GS-CU001L)
Other Versions are available:
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Vita MINI
The high quality microphone input, with the Glensound Referee compressor, makes the Vita Mini suitable for on air commentary use, particularly when pitch side.
The flexibility of the talk button configurations, means that the Vita Mini can also be used as a talkback unit as part of a Dante® or AES67 network.
VITA Mini is a low cost yet high quality broadcast tool, designed to keep both the company accountant and engineering department happy.
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Vita BB Plus
The high quality microphone input, with the Glensound Referee compressor, makes the Vita BB Plus suitable for on air commentary use, perfect for a small OB or in an off-tube booth.
The flexibility of the talk button configurations, means that the Vita BB Plus can also be used as a talkback unit as part of a Dante / AES67 network.
The Vita BB Plus can connect to any Dante or AES67 network, or to other audio equipment via Glensound’s own Dante interface units.
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Vita
Outputs/TalkbackThere are two output circuits. One is used as the main programme audio, the other as a talkback circuit. There are separate button controls for each of these using Config+. They can each can be independently configured for latching or momentary, with the programme button also having a 'cough' feature. All talkback I/O connections are via the RJ45/CAT5 Dante network audio connection.
MonitoringThere are two monitoring inputs each with independent level control. Each of these inputs can be switched from the left ear, right ear, or both ears to the stereo headphone amplifier. The headphone amplifier is our high performance intelligent circuit which automatically adjusts its output level for high or low impedance headphones and can also drive mono earpieces and headphones.
There are 2 off 4 LED level meters both indicating -12 to +6 dB. One LED meter is located on the front panel to enable easy visualisation of the audio levels if the VITA is being used as a table top device and the other meter is located on the top panel facing the operator when used by its beltclip.
PowerVia PoE on the network connection, or via an external DC power supply.
The VITA is often used as a remote link to the main commentary unit. It is favoured by pitch side interviewers, and is popular in combinations with wireless systems.
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Virgil OB
Packaged in a small & robust format and designed for outside broadcast & theatre applications wherever a headphone circuit or analogue output is required, the Virgil OB provides a simple interface between Dante / AES67 network audio systems and users headphones or other analogue audio equipment.
The Virgil OB encompasses our unique headphone amplifier circuit which automatically provides the correct output level to match the impedance of the attached headphones (to produce the same volume high impedance headphones require a much greater output level than low impedance).
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Virgil
Packaged in a small & robust format and designed to be permanently mounted in studios wherever a headphone circuit is required, the Virgil provides a simple interface between Dante network audio systems and users headphones.
The Virgil encompasses our unique headphone amplifier circuit which automatically provides the correct output level to match the impedance of the attached headphones (to produce the same volume high impedance headphones require a much greater output level than low impedance).
Virgil receives 2 x audio circuits from a Dante network and routes one to the left and the other to the right channel of the headphone amplifier. A front panel volume control allows the user to adjust the output volume.
Three mounting holes are supplied to enable the Virgil to be mounted underneath a studio desk in a suitable location for the users headphones. Needing just 1 single network cable to carry both power & audio to the Virgil makes installation very simple.
As well as being suitable for low & high impedance headphones our unique headphone amplifier circuit can be connected to both stereo headphones & mono earpieces, making the Virgil suitable for driving television presenters ear pieces.
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Paradiso Lite
Audio links between the Paradiso and other equipment are by Dante (AES67 compliant) complete with redundant copper links. Analogue I/O and AES3 I/O are also provided directly from the unit for local connections and / or another layer of redundancy.
The Paradiso Lite has been designed to be intuitive & easy to use for Commentators who would rather be talking about the game than working out how the equipment works, and is also built to our exacting rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.
Fully Redundant Copper Network ConnectionsIf an IP link fails you have no broadcast! Our system provides fully redundant glitch free audio & data transport across any of the 2 copper network interfaces.
Automatic Adjustment For High or Low Impedance Headphones Our unique headphone amplifiers automatically provide the correct drive level to high or low impedance headphones.
Instinctive Mic Gain Setting InformationWhen adjusting a mic's input gain, the PPM automatically changes to display just the level of mic input currently being altered.
Multiple Power SourcesFor complete fail-safe redundancy the Paradiso can be powered from any of the following sources: PoE (2 off), Wide Range Mains or external DC.
Local Analogue & AES3 I/OFor 100% reliability local analogue & AES3 I/O is provided as complementary audio connectivity to the network audio.
Referee Compressor/ LimiterGlensound’s World renowned Referee compressor limiter system keeps even the loudest commentators sounding great.
Fully ConfigurableGlenControler remote control/ setup application allows hundreds of different parameters of the Paradiso to configured to meet the users requirements.
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MinFerno
MinFerno is designed for a single commentator/ announcer to use, and like its big brother the Inferno, it provides the very best possible commentary microphone amplifier and compressor limiter circuit for amazing on air sound.
The MinFerno is easy to use for commentators who would rather be talking about the game than figuring out how the equipment works. It is built to our exacting, rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.
Redundant Powering OptionsThe MinFerno can be powered from any of 3 different sources:1) PoE on the Primary CAT5 Network link2) PoE on the Secondary CAT5 Network link3) External 12V DCFour of rear panel LEDs show the availability of the 3 power sources.
Primary & Secondary SFP SlotsThe SFP (Small Form-Factor Pluggable) fibre slots are standard networking ports that accept standard SFP modules. This means that you decide what type of fibre and connector style you want to use just by the SFP module that you insert. The primary & secondary network circuits allow for glitch free redundancy across both the Fibre & Copper network interfaces.
Primary & Secondary Copper Network Connections with PoETwo CAT6 connections on Neutrik Ethercons (that accept standard networking cables) are provided to allow copper connections to local network switches to carry the Dante/ AES67 audio. Two connections are fitted to allow redundant circuits to be used if required.Both of these connectors can accept a PoE power source for providing the power to the MinFerno.
Input Mode & GainOne pair of push buttons selects the input type of the front panel XLR to be either microphone, line or microphone with 48V phantom power. 3 LEDs indicate which input mode is selected.Two push buttons are used to alter the gain of the input. LEDs indicate if the gain setting is above or below our pre-configured ‘lineup’ levels. The front panel PPM of course provides an accurate indication of the input level.The gain can also be altered remotely by a web browser pointing at the MinFerno's web page.
Up to 4 of Incoming Audio Volume ControlsOn the top panel are up to 5 rotary headphone volume controls. 4 of these are connected to 4 incoming audio circuits from the Dante/ AES67 network. These are normally used for such sources as mixed programme or cue, talkback to director, talkback to producer, talkback to engineer etc.
Sidetone Volume ControlThe 5th front panel rotary headphone volume control is ‘sidetone’. Sidetone is the commentator's own voice in their own ears.
Headphone RoutingEach of the 5 headphone volume controls has an associated left ear, right ear, both routing switch located next to the volume knob. This single push button switch routes the associated source to just the left, just the right or both channels of the stereo headphone amplifier. To enable the commentator to know how they are routing a circuit the first time a routing switch is pressed, a pair of LEDs on the front panel indicate its current routing arrangement. The next time the routing switch is pressed then the next routing option is selected.
Robust Mic On and Talkback ButtonsThere are up to 4 of large bright illuminated buttons (1 for programme and up to 3 for talkback). These switches route the outgoing microphone circuit onto up to 4 different Dante/ AES67 network audio circuits. The operation of these switches (momentary, latching etc) and the interaction of these switches (i.e. pressing a talkback switch mutes the main mic) can be fully configured via the web page.
15 segment LED PPM MeterAudio input level is indicated on the 15 segment PPM meter.
Low Noise Microphone Amplifier With Remote GainWe spent a long time optimising the performance of the THAT corporation microphone amplifier used in the original Inferno and used again on the MinFerno. It features very low noise & distortion circuit that we remote control the gain of in 1dB steps, which allows us to provide the remote webpage gain control as well as the rear panel gain push buttons. We also optimised the circuits to allow correct source impedance switching depending on whether the input has been set as a mic or line input.
Referee Compressor LimiterAs with all our commentary units, the MinFerno features our very popular Referee compressor limiter circuit. This circuit starts to compress the commentator’s voice gradually and slowly increases the compression ratio as the input level becomes overly high, resulting in a very natural sounding and distortion free audio output capable of taming even the loudest of commentators.
High Quality Analogue To Digital Converter (ADC)Dante/ AES67 network audio is a digital circuit and as such the best analogue microphone amplifier would be wasted if we hadn’t paired it up with the best analogue to digital converter. The ADCs job is fairly simple, and if you look at our tech spec you’ll see that we’ve made ours work incredibly well.
Unique Headphone AmplifiersThe commentator’s headphones are a vitally important tool so we take as much care with our headphone amplifiers as with our on air microphones. Our unique headphone amplifier provides the correct output level regardless of the impedance of the attached headphones, meaning that broadcasters can now pick and choose between low impedance ‘cheap’ headphones and high impedance traditional broadcast ones.
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FA-1616
Multi-channel processor series with essential video production features in a compact 1 RU enclosure. Besides its core role as a frame synchronizer for up to 16 channels, supporting IP/SDI (12G/3G/HD-SDI) and 4K, the FA-1616 series also serves as a color corrector, video processing amp, and audio remapper. Software-defined architecture enables to choose just the right configuration for your needs. Build an optimal system without unnecessary costs by adding exactly what you need with VoIP cards*1 and a range of audio (including Dante and MADI) and GPI cards.
Features
Control and monitoring
- Control from a browser and via Ember+ or NMOS IS-04/05.
- Browser-based control: No need to install a dedicated GUI.
- Ember+ control: Enables control GUI development by users＊1.
- SNMP monitoring.
- Management/control system redundancy also ensured, with 2 dedicated LAN ports (1000BASE-T).
GENLOCK input
Timecode
- LTC, ATC (LTC, VITC) time code generating and offset adjustment.
- Equipped with LTC I/O terminals; supports ancillary time code multiplexing.
Others
- Standard redundant power supply. With the fan, hot-swappable from the front.
- Compact, relatively shallow 1 RU enclosure. 430(W)×500(D)×44(H) mm.
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Flypacks
POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.
UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team's experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.
MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.
PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.
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Centralized Production
REMOTE PRODUCTION THAT’S FULLY DIRECTED
Around the globe, we offer several state-of-the-art centralized production suites that allow your entire production process to be fully-produced remotely. The studio and all essential components are securely housed in one of our own datacenters, and linked to site via IP connections.
With as little as only cameras and microphones in the field, our centralized production lets you deploy only the resources and crew you need, and only for the duration of the recording—helping you create efficiencies without lowering your standards.
NEP CENTRALIZED PRODUCTION FEATURES
100% IP-based, exclusive technical infrastructure
Resources available on demand
100% uptime dark fiber network
Hosting via exclusive Tier 3 data centers
24/7 skilled service operations center
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Host Broadcast Support Services
Whether you need us to handle everything, or you need us to partner with local organizing committees, sporting federations and broadcasters, we’re ready with the solution that works best for you. Our capabilities range from full host broadcast management to any of our extensive services.
Design, Build, Install and Manage:
Venue Technical Operation Center (TOC)
Commentary Control Room (CCR)
International Broadcast Centre (IBC)
Media Centre (MC)
Other Services:
Project management
Consulting services for bid cities and/or committees
Key management placement
Production services
Logistical support and execution
Business Continuity Planning (BCP)
Rights holding broadcaster management
Unilateral services
Rate card management and supply
Archiving services
Project website design and implementation
Venue overlay design and management
Venue broadcast facilities and crews
Venue big screens and displays
Transmission delivery solutions
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StarTracker Studio
This state-of-the-art virtual studio system provides unlimited creative freedom to generate visually impactful digital studios for every video type.
Create all your video content with a single studio
- 3-camera 4K virtual studio system – expandable to 16 cameras.
- Pre-confi gured system with pre-calibrated lenses.
- 1 vendor for supply, installation, training, and support.
- 1 day installation.
- No additional virtual studio compositing software required.
- Works with LED wall studios or green studios.
- 4K recorders included – shoot live to air, or record for post-production.
- Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.
- Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.
- Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video
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Uplink & Transmission Services
Nextologies' state-of-the-art uplink and transmission services utilizes conventional as well as Nextologies' proprietary 1MHz technology. This allows for optimal satellite capacity, while reducing cost. The technology operates in high modulations using Nextologies' 256 AES encryption with out-of-band keys, allowing for secured delivery.
Our satellite services include IP as well as bonded cellular transmission for redundancy purposes. In addition, it allows for full duplex interconnectivity between the uplink and receiving sites.
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RouteMaster Lite
RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.
Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.
No video streams are passed through the router system, instead traffic is redirected at the network level. This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.
RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.
The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering of the current video and the chosen source.
External Control
While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:
- Web Panels served by the integrated web server
- Familiar hardware panels like Blackmagic Design Smart Control
- Or, third-party software which uses the Blackmagic VideoHub protocol
You can use all these control methods simultaneously, with router status immediately visible to all users.
Video Player00:0000:15
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eStudio
Broad-Cast Level Functions. 4 channel HD control switch, virtual studio production, publication recording system. The product adopts the advanced CPU4+GPU+FPGA collaborative computing hardware sturcture and is equipped with professional interface board, providing 4 channels of SDI signal input, 6 channels of IP flow signal input, 2 channels of SDI output, 1 channel of HDMI signal output, 1 channel of IP flow network live output, 8 channels of analog audio output, 4 channels of analog audio output, and 1 channel of stereo sound monitoring output. It supports multi-camera place control switching and tuning, 4 channels of HD signal simultaneous recording, 4 tracks of virtual studio hard keying, synchronization of pre- and post-production file editing, quick editing and slow-motion playing back of collection, one-click cloud live function, hotspot and macro command function and unmanned operating process through recognition of gestures of the host. It also supports Ref signal 1 channel of input and 1 channel of Ref output, being equipped with Tally interface; It is a standard 2U short, the quiet PC of which can be equipped with redundant power supply. It can get on frame and OBVan and can be used at the spot of live broadcast. It is suitable for all levels of media users, school TV station, quality course recording, troops, hospitals, network we-media live broadcast, field portable transmission and conference, live broadcast, recording of other industrial units of enterprises.
PC Configuration: Mainboard：INTEL Z270 CPU：Intel I7 6700 3.4GHZ Memory：16G Graphic Card：GTX1060 3GB DVI-D/HDMI System Hard Disk：SSD 128G Data Hard Disk：SATA3 4TB Board：RedBridge6B server+Digital Audio Power Supply：550W Machine Case：Dayang 2U Industrial-Level Short Machine Case Size：W*L*H(mm)：430*89*440 Flight Case：Rod, Aluminum Case Body with Scroll Wheels, Size L*W*H(mm)630*580*270
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Earth Station Antenna Hot Air De-Ice Systems
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The Switch Mobile Production
The Switch has vast experience of getting live sports and entertainment content from any location to viewers around the world. We have first-mile connectivity in every major stadium, soundstage and venue in North America and are connected to leading international sports and entertainment venues around the globe.
We know how to keep live feeds running smoothly from stadium to screen – even from locations without a full-time fiber connection. Our experience handling the world’s leading sports and live events means we have the best contacts in the business, who know how to get the job done.
From connectivity and OB trucks to providing highly trained technical crew, directors and operators, The Switch can handle any aspect of your mobile production to provide high production values from start to finish.
We ensure that, once produced, your content reaches viewers without delay. The Switch sets the industry benchmark for high-quality video transport, backed by the technical know-how you need to support events of all sizes, regardless of location.
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The Switch Remote Production
Live TV events, especially sports, generate unrivalled buzz and excitement among viewers the world over, but live event production is no small undertaking. Remote production offers a smart, flexible model for success in the globalized world of live content, where surging audiences for niche sports, esports and unique entertainment are driving even more demand. The Switch’s remote production services enable broadcasters and other rights holders to continue meeting consumers’ seemingly insatiable thirst for high quality live content while maximizing resources.
The Switch has pioneered remote production for three decades and our Emmy Award-winning team has played a leading role in bringing premier sports to life for major networks and leagues. We know how to put together top-caliber productions and determine what our customers need so they can deliver the best content to viewers around the world.
With The Switch, producing content more efficiently and cost effectively – without compromising quality – is simple. Our end-to-end event production and packaging capabilities scale to meet the needs of a single event or multiple productions. As a home away from home, we support dynamic live sports, news, entertainment and event production in locations across the globe, removing the need for large amounts of equipment and big production crews on site.
With links to every major sports stadium in North America and connections to the leading international sports and entertainment venues around the world, The Switch has you covered from stadium to studio to any screen. Many of the biggest names in sports and entertainment rely on our production services and facilities to create and deliver the world’s major live events.
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MediaServicesIQ
Media ServicesIQ provides an easy-to-access portal to cloud-based AI/ML services through custom-developed workflows.
KEY FEATURES & CAPABILITIES
Metadata Generation
Cloud-based collection of speech-to-text and video intelligence applications automating the generation of speech and video-based metadata Provides off-the-shelf integration with the Avid system Easily interfaces with existing workflows using REST API Video intelligence metadata for face, logo, ad, number, on-screen text, object, and shot change detection Metadata with timecodes for tagging, enabling search and faster content retrieval.
Automatic Closed Caption/Subtitle Generation
Machine-generated, time-synced outputs in various sidecar formats for further processing Faster, scalable, reliable, and secure generation of preliminary outputs Easily ingest sidecar files into workflows for repurposing.
CC Quality Conformance for Multi-Platform publishing
Generate reports on non-conformance parameters within a CC sidecar file Automatically compares against predefined style guides standards from platforms such as Netflix Time coded error reports for easy navigation and correction Ability to ingest multiple sidecar formats.
Auto classify content for better value
Automatically create a classification for content Classify advertisements using various labels to automatically identify and ingest Automatic classification of high-points in a feature-length video Easily integrate and ingest labels into existing workflows.
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WMT AirLink
The Airlink family of mobile encoders is Mobile Viewpoint’s flagship product. With the a range of unique features and developments, the Airlink products are the most technological advanced mobile encoders available today.
In use by many global broadcasters to create high quality and low latency video feeds for outside broadcast and live remote production, the Airlink can support up to 4 cameras simultaneously, can transmit 4K, and can include internal 5G modems.
The unit is capable of supporting up to 40MB/sec over bonded networks and can transmit back to a studio or to the cloud using up to and including 8 internal 3G/4G/5G modems, Wi-Fi, LAN and/or satellite and can bond all these connections to make a single high bandwidth connection. By using adaptive bitrate, the Airlinks optimize the video feed based on the available bandwidth ensuring high quality video even in the most demanding of situations.
The lightweight and modest size encoder can fit into a backpack and is battery powered. It supports many of the features expected of a mobile encoder including both H.265 and H.264 encoding, Store & Forward for internal storage, 2-way audio IFB intercom and return video.
The Airlinks also boast a range of additional features including remote RCP control, Tally Control, IP streaming at the same time as video streaming, and the system can be used as a secure Wi-Fi hot spot even while live. It also includes a unique feature called 2Waylink allowing encoder-to-encoder streaming. All encoders in the field can be remotely managed and controlled via Linkmatrix, a free-to-use management platform that operates from a browser on any device. This means non-technical journalists and production people in the field do not need to manage the units directly. Linkmatrix can manage individual encoders, destinations, show proxies,record & go, video return, networks and other set ups and configurations.
http://www.mobileviewpoint.com/products/mobile-encoders/agile-airlink
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RouteMaster
RouteMaster uses Rascular’s proven router control and emulation technology to form a powerful yet flexible router control system. Built on tried and tested software modules, RouteMaster can be used with a wide range of video and audio routers from all major manufacturers.
It’s equally suitable for new router installations or increasing the capabilities – and lifetime – of existing systems. You can add third-party hardware panels to existing systems, add IP connectivity to older serial routers, or simply increase the number of control ports available.
The integrated web server means operators can control routers from any web browser, using custom control panels built with Helm Designer. And because it’s built on HTML5 standards, there’s no need for browser plugins.
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OB trucks/Mobile Units
With NEP, clients tap into unmatched, innovative, dedicated talent, anywhere in the world. We provide complete support through our seasoned team of engineering and technical experts, including: Broadcast Engineers, Communications Specialists, Fiber Specialists & Fabricators, Mechanical Engineers, Systems Design Engineers, Integration Specialists and more.
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