Produce » Real-Time Production » Real-Time Production Graphics » Virtual sets and chromakey »

NEP is a leading provider of augmented reality (AR) solutions that have the power to visually change the world inside your studio. By combining real life with virtual elements, our AR solutions can transform a confined area into an infinite space, or replace a green screen with a set that can be anything you can imagine to perfectly fit the content of your program.

NEXT LEVEL AUGMENTED
We have developed an augmented reality solution that combines four key elements into one workflow, creating next-level results.

TRACKING METHODS AND SCALABILITY
In order to bring augmented reality to the next level we offer the new Mo-Sys Startracker optical system. By deploying this tracking technology on any broadcast camera, we can work in an environment of mixed encoded cameras, including handheld, crane cameras, hard/pedestal cameras—even steady cams.

ADVANCED LIVE RENDERING
Creating virtual graphics that are realistic to the human eye requires live rendering capacity, realistic live shadows and realistic live reflections. All of these things were lacking in today's broadcast render engines, so we adopted the most advanced gaming technology and modified it to fit in the broadcast environment. We use Zero Density Reality Virtual Studio as a bridge between hardware and our platform CUBE.

NEXT GENERATION KEYING
High-end keying is crucial in a virtual set environment, so we have integrated the latest generation "vision" based keying into our solution. Even the most difficult circumstances are no problem.

TOTAL WORKFLOW INTEGRATION
A virtual multi-camera environment is complicated. How do you handle the delays? What do you do with clean and dirty feeds? What back up scenarios are there for the live feed? We have created a seamless integration with the entire production chain, ensuring our virtual world is reality throughout the entire production.

Produce » Post Production » Ingest » Post-production ingest »

Post production workflow is now a lot better at working and flowing. NEP’s automated production workflow solution, guides your team through every project from start to finish, and eliminates time-consuming, error-prone tasks and bottlenecks of complex processes. Through the transformative power of the cloud, our automated ingest solutions enable seamless collaboration between teams and technology, making your production simpler, faster and readily accessible to everyone from beginners to experts. Even global teams can be brought together to work faster and more efficiently than ever before.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

We offer centralized multi-camera production solutions around the globe that can help streamline the most complex productions. Our centralized production solutions can create higher efficiency, reduce on-site staff and create a central production hub that allows resources to be shared across multiple productions—all while safeguarding the quality of programs. This central-hub solution can help clear the way for creativity, flexibility and consistency across productions.

REMOTE PRODUCTION THAT’S FULLY DIRECTED
Around the globe, we offer several state-of-the-art centralized production suites that allow your entire production process to be fully-produced remotely. The studio and all essential components are securely housed in one of our own datacenters, and linked to site via IP connections.

With as little as only cameras and microphones in the field, our centralized production lets you deploy only the resources and crew you need, and only for the duration of the recording—helping you create efficiencies without lowering your standards.

NEP CENTRALIZED PRODUCTION FEATURES
100% IP-based, exclusive technical infrastructure
Resources available on demand
100% uptime dark fiber network
Hosting via exclusive Tier 3 data centers
24/7 skilled service operations center

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than 34 flypack systems that can be sourced from four different continents, our flypacks can be configured to suit your exact production needs, wherever they're needed. No other supplier has more flypack options or more flexibility than NEP. As the largest provider of flypacks in the world, we have it all.

POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.

UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team's experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.

MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.

PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than a decade of successful events on our resume from around the globe, NEP’s host broadcasting team has the resources and know-how to plan, adapt, innovate, support and deliver superior host broadcasting support solutions across all geographies. Our experience, efficiencies and ability to spot troubles before they arise carries over from one successful event to the next. Whether it’s a single venue or multiple locations, we offer end-to-end solutions that are supported entirely in-house through our extensive worldwide OB facilities, expert production and technical crews, skilled engineering and technical expertise, and leading-edge logistical software solutions.

Whether you need us to handle everything, or you need us to partner with local organizing committees, sporting federations and broadcasters, we’re ready with the solution that works best for you. Our capabilities range from full host broadcast management to any of our extensive services.

Design, Build, Install and Manage:
Venue Technical Operation Center (TOC)
Commentary Control Room (CCR)
International Broadcast Centre (IBC)
Media Centre (MC)

Other Services:
Project management
Consulting services for bid cities and/or committees
Key management placement
Production services
Logistical support and execution
Business Continuity Planning (BCP)
Rights holding broadcaster management
Unilateral services
Rate card management and supply
Archiving services
Project website design and implementation
Venue overlay design and management
Venue broadcast facilities and crews
Venue big screens and displays
Transmission delivery solutions

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

NEP's live/non-live graphics solutions include:
Live TV & Sports Graphics
Game Show Control Platforms
Virtual Advertising
Broadcast & Live Event Titles
Display Management

Produce » Post Production » Editing and Finishing » Color correction and grading »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Post-Production Services » Creative services »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Support » Design, Build, Run » Implementation Services » Design and build systems integration services »

With over three decades of experience supporting all types of productions around the world, we understand the different challenges content producers face and the varied demands they must meet. We use this insight and experience to drive the systems integration for the broadcast facilities we create for our clients. Our design and integration capabilities for permanent or long-term facilities include:
OBs
Flypacks
Studios
Control Rooms
Master Control
Broadcast Centers
Edit and Post Facilities
Playout and Media Centers

WITH YOU EVERY STEP OF THE WAY
We pride ourselves in being a true partner to all of our clients, and will help you manage your facilities infrastructure from design and scope to build – and can help you with technical support and maintenance long into the future.

PLANNING TECHNOLOGY SELECTION
As the largest client of nearly every broadcast manufacturer around the world, we not only have experience with just about everything available on the market today, we have a seat at the table when they are designing the products of tomorrow. Our technology leaders use this knowledge to help guide our clients though the ever-changing technology landscape – to choose the technology that is right for their production and their budget.

SYSTEMS DESIGN
We have skilled and experienced Systems Design Engineers who understand the ins, the outs, and how to put it all together. They work with our engineers in the field and our technology strategists to create the best work flows using the right technology to bring together top-notch systems.

CUSTOM BUILDOUT AND INSTALLATION
Our engineers work hand-in-hand with our team of technicians and craftsmen to ensure that everything from routing, to fiber systems, to the look and feel of the racks and consoles is the best it can be. Our team pride themselves in creating an exceptional finished product.

ENGINEERING SUPPORT & MAINTENANCE
With over 1600 engineers and technicians on staff around the globe we will be there to support you and your facility, whenever, wherever, however you need us.

AN EYE ON THE FUTURE
We have been in the business for over 30 years – long enough to see radical shifts and changes in technology. This has helped us to learn the best ways to plan for and adapt to change, understand when technology is ready to adopt and add value in the broadcast chain, and leverage our knowledge to bring tomorrow’s technology to our clients today. We can help you build a facility today that is built to adapt to the changes tomorrow will bring.

Produce » Manage Production » Production Software » Project, resource and facilities management software »

Rapid technological innovation in the industry has helped simplify our work and push the boundaries of our creativity. But with the increased reliance on IT technology and infrastructure, the occasional failure is virtually unavoidable. So, how can you predict these failures to ensure rapid response and minimize risk? Meet GrandCentral, our intuitive monitoring system.

GrandCentral actively monitors the entire technical infrastructure online: from power supply, cooling, possible water and smoke damage to servers (Windows or Linux), processes, APIs and workflows. The custom production dashboard provides an overview of the state of the entire technological environment at a glance on your smartphone, tablet and flat screen. Plus, the dark cockpit ensures that critical information gets to the service desk and technical staff immediately and securely. It displays the very first signs of problem escalation, allowing employees to take proactive and targeted action.

Produce » Manage Production » Post-Production Software » Collaboration, review and approval »

We understand what you’re dealing with: a never-ending, never-easy river of files flowing in. Different sizes, different formats, different publishing rights and destinations and metadata... Does it have to be this complicated? Well, no. Meet NEP's Mediabank.

Mediabank's Review & Approval is an extensive collaboration tool that allows you and your team to share updates and comments clearly and quickly and move through the approval process efficiently, saving valuable time and money. Use it to communicate real-time with your team to keep the project moving, annotate on material at any point during production, or give it a final check before going to air. You can even share your content with a third party, by using our great Quicklink feature, and get real-time updates as responses come in.

COLLABORATION
EASY AND TIME-EFFICIENT
Make Collaboration between your teams easy and time-efficient. Our collaboration tools allow you to glue comments and remarks directly to in- and out points in a frame accurate player. They allow you to create and modify revisions quickly and simply. And you can use our 'Quicklink’ tool to allow anyone without a Mediabank user account to return instant feedback on comments and remarks - from any mobile device or computer.

AUTOMATION
TOTAL CONTROL OF ALL YOUR PROGRAMMING
Customize Automation just for your workflows and reduce time and human error. We offer automations for transcoding and distribution to designated destinations - which speed up the process when projects are approved. Then, before your content goes on air, it can be automatically checked for compliance with local rules and regulations - giving you total control of all your programming.

CONTROL
TAKE TOTAL CONTROL OF YOUR CONTENT
Take total Control of your content and never lose or forget important communication - it will all be saved and tagged when you use Review & Approval. You can also keep a detailed overview of all activities and versions using our ‘Logviewer’.

SO WHAT DOES REVIEW & APPROVAL GIVE YOU?
Easy tools for collaboration and real-time communication with your team
An integrated frame-accurate player
Quicklink, a fast and easy sharing feature
Automated transcoding into any format you need
Automated distribution to pre-set destinations in the specified format
Automatic compliance checks before your content hits the air
Detailed view of past versions and all activity for every file
A record of all communications, feedback and approvals

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

Mediabank is a cloud-based toolbox with an extremely intuitive and user-friendly interface that allows you to access your media from anywhere, anytime. You can search, process and distribute anything from your entire media library using your favorite browser on your own computer, tablet or phone.

Mediabank is a cloud-based toolbox that offers a series of apps that allow you to store, search, interact and share your video content. Pick and choose from the apps that meet your needs:

ADEX: YOUR NEW DIGITAL AD COURIER
Your new digital advertisement and master content courier. We’ve created this guy right here to remove the hassle of sending and versioning your deliveries. What most people want to do is to stick to what they’re good at. In your case, that is creating excellent content for your customers. Yes, we do understand that you are not enjoying the never-ending web forms. So we´ve made it a lot easier for you. Just create it, and then have AdEx send it off.

REVIEW & APPROVAL: COLLABORATION MADE EASY
This is the web application that lets you approve, comment on and/or reject material in a production or compliance process. It is an extensive collaboration tool that lets you decide whether your content is acceptable or if it needs adjustments before going on air by commenting directly on the timeline. You can include your comments in an automated email subscription to your production team, customer or similar. Once the material is approved, it is transferred ”automagiacally” in the correct format and resolution to your media outlet, badaboom!

LIBRARY: SHARE ALL OF YOUR ASSETS EASILY
Use the Library app to search, filter and access all your stored media and assets. While in Library, you can play, view and publish the content from any device. You can preview clips in your Library with the integrated media player and get detailed information about your content. Feel free to add tags and comments to any piece of stored media, as you wish.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

ANY PRODUCTION, ANYTIME, ANYWHERE Whether it’s right in your backyard or halfway around the world, we’re ready to roll. With more than 150 OB trucks/mobile units worldwide, a full line of support and specialty units, and an in-house integration team that specializes in building custom solutions, we’re ready for coverage of any event, large or small.

With NEP, clients tap into unmatched, innovative, dedicated talent, anywhere in the world. We provide complete support through our seasoned team of engineering and technical experts, including: Broadcast Engineers, Communications Specialists, Fiber Specialists & Fabricators, Mechanical Engineers, Systems Design Engineers, Integration Specialists and more.

Produce » Real-Time Production » Production Services » Studio and stage facilities »

We offer 30 complete studios ready for hire in the U.S., Australia, Belgium, the Netherlands, Norway, Finland and Sweden—with the ability to create custom studio control rooms anywhere. Offering the latest technology supported by the finest technical staff in the business, our flexible studio solutions can meet the needs of any production, no matter the size, scale or genre.

We can create a solution for any studio production—anywhere around the globe. Our expert engineers design, build and maintain our custom control rooms based on the unique needs of each show we support. Our control rooms are designed and built to be "semi permanent" with sturdy custom consoles, modular custom fabricated rack units and a spacious comfortable working environment designed to feel like home for a crew working in a daily show situation. They can be built inside any facility or in a climate controlled trailer. With our experience, resources and support behind a production, our clients know the budget and timelines will be met, technical changes can be accommodated and the producers can concentrate on the creative and other business aspects of the show.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than 34 flypack systems that can be sourced from four different continents, our flypacks can be configured to suit your exact production needs, wherever they're needed. No other supplier has more flypack options or more flexibility than NEP. As the largest provider of flypacks in the world, we have it all.

POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.

UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team's experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.

MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.

PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

We offer centralized multi-camera production solutions around the globe that can help streamline the most complex productions. Our centralized production solutions can create higher efficiency, reduce on-site staff and create a central production hub that allows resources to be shared across multiple productions—all while safeguarding the quality of programs. This central-hub solution can help clear the way for creativity, flexibility and consistency across productions.

REMOTE PRODUCTION THAT’S FULLY DIRECTED
Around the globe, we offer several state-of-the-art centralized production suites that allow your entire production process to be fully-produced remotely. The studio and all essential components are securely housed in one of our own datacenters, and linked to site via IP connections.

With as little as only cameras and microphones in the field, our centralized production lets you deploy only the resources and crew you need, and only for the duration of the recording—helping you create efficiencies without lowering your standards.

NEP CENTRALIZED PRODUCTION FEATURES
100% IP-based, exclusive technical infrastructure
Resources available on demand
100% uptime dark fiber network
Hosting via exclusive Tier 3 data centers
24/7 skilled service operations center

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than a decade of successful events on our resume from around the globe, NEP’s host broadcasting team has the resources and know-how to plan, adapt, innovate, support and deliver superior host broadcasting support solutions across all geographies. Our experience, efficiencies and ability to spot troubles before they arise carries over from one successful event to the next. Whether it’s a single venue or multiple locations, we offer end-to-end solutions that are supported entirely in-house through our extensive worldwide OB facilities, expert production and technical crews, skilled engineering and technical expertise, and leading-edge logistical software solutions.

Whether you need us to handle everything, or you need us to partner with local organizing committees, sporting federations and broadcasters, we’re ready with the solution that works best for you. Our capabilities range from full host broadcast management to any of our extensive services.

Design, Build, Install and Manage:
Venue Technical Operation Center (TOC)
Commentary Control Room (CCR)
International Broadcast Centre (IBC)
Media Centre (MC)

Other Services:
Project management
Consulting services for bid cities and/or committees
Key management placement
Production services
Logistical support and execution
Business Continuity Planning (BCP)
Rights holding broadcaster management
Unilateral services
Rate card management and supply
Archiving services
Project website design and implementation
Venue overlay design and management
Venue broadcast facilities and crews
Venue big screens and displays
Transmission delivery solutions

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

ANY PRODUCTION, ANYTIME, ANYWHERE Whether it’s right in your backyard or halfway around the world, we’re ready to roll. With more than 150 OB trucks/mobile units worldwide, a full line of support and specialty units, and an in-house integration team that specializes in building custom solutions, we’re ready for coverage of any event, large or small.

With NEP, clients tap into unmatched, innovative, dedicated talent, anywhere in the world. We provide complete support through our seasoned team of engineering and technical experts, including: Broadcast Engineers, Communications Specialists, Fiber Specialists & Fabricators, Mechanical Engineers, Systems Design Engineers, Integration Specialists and more.

Connect » Real-Time Signal Transfer » Intra-Facility Connectivity » IP networks and switches and SDVN »

LTN Leaf Flypack™ is a portable connection to the LTN Network that enables professional broadcasters to deliver flawless live events — easily, at scale, and from any location. Packing the power of a satellite truck in a cost-efficient carry-on, Flypack provides broadcast quality, ultra-low latency, and global reach, backed by our fully managed and monitored multicast IP network.

A complete IP solution for any live event, Flypack features plug-and-play setup, offers encryption capabilities, and encodes and decodes at up to 20 mbps with SD and HD support.

By connecting Flypack to the LTN Network, you can manage and control video from origin to destination, monitoring every signal with LTN Portal and always-on NOC support.

Power the future of video with LTN Leaf Flypack.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

LTN Flex is a centralized remote production service that helps you ensure consistent standards and streamline your spend. With unprecedented video production quality and scalability, Flex workflows enable you to deliver more content, more often — without investing your own capital.

From LTN’s state-of-the-art, 30,000-sq-ft production facility, our dedicated team of broadcast industry leaders eliminates the variables associated with on-site crews and equipment. And we’re always available to carry our knowledge and expertise from your first job to your next.

LTN Transport transmits signals from your production at lightning speed to our centralized facility, where we handle all aspects of production and deliver feeds out to every destination — with eyes-on-glass monitoring and 99.999% reliability, backed by the LTN Network.

Simplify complex productions, scale major events, optimize production quality, and monetize more possibilities with LTN Flex.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The X10 DSNG is a tailor-made solution dedicated to digital satellite news gathering (DSNG) and supports encoding, decoding and satellite uplink and downlink in a single chassis. With increasing demands for live event coverage, the X10 DSNG is a compact, powerful solution that meets the very specific and challenging needs of DSNG and mobile production.

As DSNG vans have limited space, equipment size and power consumption, these are important factors for operators when selecting compact technology solutions. Appear’s X10 DSNG gives operators all the functionality they need to support encoding, decoding and satellite uplink and downlink, all within a single chassis.

The X10 DSNG supports an array of compression technologies and protocols, is able to support the use of satellite and fibre delivery simultaneously and has built-in security and redundancy features to ensure all live broadcasts are not only secure, but reliable.

With a programmable interface that can be tuned and upgraded to support new video protocols as they are defined, the X10 DSNG is a solution that not only meets the needs of DSNG operators today, but will continue to support them for years to come.

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – television production »

First, we broke the matrix.Now, we’re putting intercom in the Cloud.

Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.

 

Telos Infinity VIP

• Cost-Efficient - Less Maintenance, Infrastructure, Space Required


• Scaleable - Pay for Only What you Need


• Ease of Use – Virtual Panels on Familiar Devices (Smartphone, Computer, Tablet)


• Workflow Flexibility - At Home, On-Prem, Site-to-Site, In the Cloud


• Reliable, Proven Cloud Workflows Flexible Deployment Options


• TelosCare™ PLUS Service Option for Premium Service & Support

 

Deployment Options

Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.

• On-Prem – Use Telos Infinity VIP hardware appliance or your own server for on-prem installations.


• Integrated – For both On-Prem or Cloud versions, Telos Infinity VIP can be integrated with Telos Infinity hardware comms, or any third-party intercom or audio subsystem using AES67 or SMPTE 2110-30 connectivity.


• Cloud Server – Software for supported Cloud platform installations. A complete communications infrastructure in the Cloud with connectivity options for integration with third-party Cloud-based and On-Prem audio subsystems.


• Software as a Service (SaaS) – Various third-party Telos Alliance partners will offer a Telos Infinity VIP SaaS option, allowing users to lease it in a virtual environment.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Dejero LivePlus for Windows is the only all-in-one solution for broadcasting from home — designed to simplify the news presenter's workflow and provide flexibility for a broader range of live remote scenarios.

With return video and teleprompter feeds viewable on one customizable screen at eye-level, and the choice of a built-in or external camera to go live, LivePlus for Windows enables broadcast-quality video from home, or any remote location with access to a wired or wireless broadband connection.

Less equipment.

Less hassle.

More great content from anywhere. 

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With advanced technology, eStudio has combined Switcher, IP Signal Plug and Pull Flow, Multi-Screen , Tuner, Multi-Channel Recording, Multi-Camera Replacemetn Real 3D virtually, Subtitle and Graphics, Non-Linear Editor, Convergence Media Interaction, Artificial Intelligence, Resource Searching and Streaming Media Live in it ----the epoch-making Dayang eStudio, overturning the traditional concept of the product. EStudio is a cost-saving and portable machine with functions of both studio and OB Van.

Broad-Cast Level Functions. 4 channel HD control switch, virtual studio production, publication recording system. The product adopts the advanced CPU4+GPU+FPGA collaborative computing hardware sturcture and is equipped with professional interface board, providing 4 channels of SDI signal input, 6 channels of IP flow signal input, 2 channels of SDI output, 1 channel of HDMI signal output, 1 channel of IP flow network live output, 8 channels of analog audio output, 4 channels of analog audio output, and 1 channel of stereo sound monitoring output. It supports multi-camera place control switching and tuning, 4 channels of HD signal simultaneous recording, 4 tracks of virtual studio hard keying, synchronization of pre- and post-production file editing, quick editing and slow-motion playing back of collection, one-click cloud live function, hotspot and macro command function and unmanned operating process through recognition of gestures of the host. It also supports Ref signal 1 channel of input and 1 channel of Ref output, being equipped with Tally interface; It is a standard 2U short, the quiet PC of which can be equipped with redundant power supply. It can get on frame and OBVan and can be used at the spot of live broadcast. It is suitable for all levels of media users, school TV station, quality course recording, troops, hospitals, network we-media live broadcast, field portable transmission and conference, live broadcast, recording of other industrial units of enterprises.

PC Configuration: Mainboard：INTEL Z270 CPU：Intel I7 6700 3.4GHZ Memory：16G Graphic Card：GTX1060 3GB DVI-D/HDMI System Hard Disk：SSD 128G Data Hard Disk：SATA3 4TB Board：RedBridge6B server+Digital Audio Power Supply：550W Machine Case：Dayang 2U Industrial-Level Short Machine Case Size：W*L*H(mm)：430*89*440 Flight Case：Rod, Aluminum Case Body with Scroll Wheels, Size L*W*H(mm)630*580*270

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature SW 8:2+ is a broadcast specification, 8 mono/ 4 stereo source selector switch/ mixer with PPM.

There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.

On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2+ is set to stereo.

Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.

Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.

The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level.  This headphone circuit monitors the output audio.

A stereo 28 LED Peak Programme Meter (PPM) is also provided on the front panel for a visual indication of the audio currently being routed/ mixed to the output. The PPM provides a 1 dB resolution per LED.

Power is provided by an internal switch mode power supply, with a wide input range.  There is also an input for external +/-12v DC power.  The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Power SuppliesThe Signature PS1 Power Station provides a fully resilient back up power supply to your Signature Series units. It contains two switch mode power supplies, each capable of powering up to three separate Signature Series units. A pair of bright front panel LEDs indicate that each power supply is on and active. The master AC power input accepts 100-240 VAC for worldwide compatibility.

Master And Back Up PowerAs well as providing a backup DC supply for up to six Signature Series units, the PS1 can also act as master DC power distribution to six Signature units.

Safety FeaturesAll outputs are individually fused so a short circuit on one will not affect any of the others.

InstallationFor ease of installation and to allow quick connectivity to other Signature Series units, every Signature PS1is shipped with 6 x 4 pin XLR DC cables which are each two metres long.

As the PS1 is only 336mm wide without the rack ears, it can easily be installed inside equipment racks, and fixed vertically via the flush mounting side wings. This will provides the convenience of power distribution or backup, without taking up any rack space.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature HA2+ is a broadcast specification, twin headphone amplifier, designed to operate in a mono or a stereo mode.

The HA2+ has 2 x XLR inputs that are used as the primary programme audio input. This can be stereo, or, if mono, can be switched to appear on both sides of the headphone outputs. There are left and right programme input gain controls on the front panel, and they are on recessed screw terminals.

There are also secondary, mono cue inputs. Connections are via one of 3 x 6.35mm jack sockets on the rear panel. This allows a single cue input to be connected to both headphone outputs, or each headphone amplifier can receive an individual cue input.

On the front panel there is a source control for each headphone output that allows a mix between the programme and cue input. Full left is programme only, full right is cue only, and anywhere in between is a variable mix.

Each of the two headphone amplifiers has its own volume level control. There is also a master volume control that affects the overall level of both amplifiers. This can be defeated via a rear panel dip switch.

The headphone outputs are available via 2 x front panel 6.35mm headphone sockets, and in parallel on 2 x rear panel XLR connections.

The Expedition uses Glensound’s propriety CAN headphone system. This allows multi impedance headphones to be used, from 32-1000ohm, with the same perceptual level in the headphones when the volume control is kept in a fixed position. Stereo or mono connections can also be made to the headphone sockets, including mono earpieces.

Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12V DC power. The 12V DC input can be connected to the optional Signature Ps1 external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature HA1M is a broadcast specification 2 channel headphone amplifier, designed to operate in a mono or a stereo mode.

The HA1M has 2 x XLR inputs that can be used as either a stereo input, or as 2 x mono inputs. There is a selector switch to change between mono and stereo modes.

In stereo mode, the left input goes to the left ear, and the right input goes to the right ear. Each input has its own level pot for adjusting the volume level in the left or right ear.

In the mono mode, each input goes to both headphone outputs. The level pots adjust the relevant input levels in both ears.

There are 2 x headphone outputs on jack sockets. One is 6.35mm and the other is 3.5mm. The headphone circuits can accept stereo connections, or mono connections from single earpieces. The headphone drivers are independent and so varying impedance connections can be used in either socket at the same time.

The rear panel has a single XLR output that is a mix of both inputs.

Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature HA6+ is a broadcast specification, six way headphone amplifier, designed to operate in a mono or a stereo mode.

The HA6+ has 2 x XLR inputs that are used as the primary programme audio input, and 2 x XLR inputs that are used for the secondary aux audio input. These can be stereo, or, if a mono input, can be switched to appear on both sides of the headphones. There are left and right primary input gain controls on the rear panel, and they are on recessed screw terminals.

On the front panel there is a source control for each headphone output that allows a mix between the programme and aux input. Full left is programme only, full right is aux only, and anywhere in between is a variable mix.

Each of the six headphone amplifiers has its own volume level pot. There is also a master volume pot that controls the overall level of all amplifiers. This can be defeated via a rear panel dip switch.

Each of the six headphone outputs are available via front panel 6.35mm jack sockets, and in parallel on rear panel XLR connectors.

Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature DAC 1 is a broadcast specification, stereo digital to analogue audio converter.

The digital inputs are available separately in three formats:- 3 pin XLR using AES- RCA phono plug using S/PDIF- optical connectors using TOSLINK

The analogue outputs are available separately in two formats:- balanced XLR connections- unbalanced RCA phono connections

The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level.

A front panel screen shows current operation mode and allows configuration of all unit parameters.

Power is provided by an internal switch mode power supply, with a wide input range.

There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature ADC 1 is a broadcast specification, stereo analogue to digital audio converter.

The analogue inputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.

The digital outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink

The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.

The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.

The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature ADDA 1 is a broadcast specification, bi-directional, analogue to digital, and digital to analogue audio converter.

The analogue inputs and outputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.

The digital inputs and outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink

The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.

The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.

The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature U2B2 is a broadcast specification single stereo unbalanced to balanced analogue audio interface that is equally suitable for professional & home studio use.

Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.

As well as providing a balanced interface the U2B2 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.

The stereo audio input (which can work as dual mono) is on gold plated RCA phono connectors. This input is electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to a pair of electronically balanced and isolated outputs on Neutrik XLRs.

The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature U2B4 is a broadcast specification twin stereo unbalanced to balanced analogue audio interface that is equally suitable for professional & home studio use.

Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.

As well as providing a balanced interface the U2B4 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.

The two stereo audio inputs (which can work as quad monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to two pairs of electronically balanced and isolated outputs on Neutrik XLRs.

The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature U2B8 is a broadcast specification quad stereo unbalanced to balanced analogue audio interface that is equally suitable for professional & home studio use.

Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.

As well as providing a balanced interface the U2B8 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.

The four stereo audio inputs (which can work as eight off monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to four pairs of electronically balanced and isolated outputs on Neutrik XLRs.

The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature UBBU2 is a broadcast specification stereo unbalanced to balanced, and balanced to unbalanced analogue audio interface that is equally suitable for professional & home studio use.

It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.

Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.

As well as providing the balancing interface the UBBU2 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.

The two stereo circuits can both work as dual mono. Both the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.

The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature UBBU4 is a broadcast specification twin stereo unbalanced to balanced, and balanced to unbalanced analogue audio interface that is equally suitable for professional & home studio use.

It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.

Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.

As well as providing the balancing interface the UBBU4 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.All the stereo circuits can both work as dual mono. All the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.

The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature SD1+ is a silence detector used to switch audio to a backup source when the primary audio source falls below accepted silence thresholds in level or time. These are often used on a broadcast path to prevent dead air should a technical problem occur with the audio.

The audio connections are stereo, on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The SD1+ can also be configured as a twin single channel silence detector. The backup source is usually coming from an audio player which can be remotely started by the SD1+ via a GPO should silence be detected.

Each channel can have the configuration parameters set independently. The threshold at which the unit detects a low level is configurable, as is the amount of time that the audio needs to be under this level before an alarm condition is triggered and the audio is switched to the backup input.

A comprehensive set of GPIOs allow for triggering external devices when the secondary input has been triggered.

Intelligent modes can be set to allow for switching back to the primary audio source once a sustained audio level has returned.

With a stereo audio source, if one channel should fail, the SD1+ can be set to switch this single input to both outputs, making a problem unnoticeable to any listeners, whilst at the same time still providing alarm outputs so the engineers can be alerted.

An internal switch mode power supply is provided along with an external ±12v DC input for the main or backup power supply of the Signature PS1 Power Station.

Silence Detection ParametersFor the detection of drops in audio level, a threshold can be specified between -60dB to -10dB. If the audio level is under this level for a set amount of time, then the SD1+ will switch to the backup source, preventing any dead air situations. The fail delay time is configurable between 5 seconds and 5 minutes. When the audio switches to the backup source, a GPO is triggered to start a backup audio source which is connected to the backup input. A GPO is created so that the engineering department are alerted. All switching between the primary and backup source is silent.

When primary audio has returned, the SD1+ can be used in manual or automatic mode. In automatic, the SD1+ switches back to the main input after a recovery delay, that’s configurable between 5-60 seconds. In manual mode, the main input must be selected via the front panel or via a GPI switch.

Stereo Or Dual MonoThe SD1+ can monitor a single stereo source and switch the output to a backup source if a silence condition is triggered. It can also act as a dual mono silence detector, taking in 2 mono sources and switching them independently, to their own backup audio in the event of a silence condition trigger.

In stereo mode, if one channel becomes silent, the SD1+ can perform two configurable functions. It can either feed the one good primary input to both primary outputs, or trigger the silence detect to switch to the backup input.

Audio ConnectionsThe audio connections are stereo on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The backup source can be selected to be at 0dB or +10dB. The +10dB option allows for the connection of a domestic level audio source, such as a CD or a memory card player, that may be used as the backup.

Smart Fail & Smart RecoverySmart recovery mode prevents pops and clicks from triggering the recovery switch back to the main input, and waits for a configurable period of time. This allows full recovery of the audio before switching back to the primary source.

LoopsA 25way d type connector contains all of the available GPIO, for output remote starts and alarms, and for input switching. There are GPOs to indicate if the primary or backup input is active, which can be used as an alarm that a backup switch has been activated.

Configuration ScreenA front panel screen shows visual feedback of the status of each input, and the value of the fail or recovery timer. This screen also access’s the menu for configuration.

Bypass RelaysIn event of power failure the primary audio input is switched directly to the audio output via relays, so that there is no loss of audio.

Power SupplyThe SD1 has an internal switch mode 100-240v AC power supply using an IEC connection. There is also an external ±12v DC input to connect to the Signature PS1 Power Station as the primary or backup power supply.

Signature Series Standard Features

19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit.  Rack ears are included as standard with every unit.

Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.

Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.

Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.

12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC  socket for connection to the PS1 Power Station.  This can act as the primary or backup power source.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature SW 8:2 is a broadcast specification, 8 mono/ 4 stereo source selector switch/ mixer.

There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.

On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2 is set to stereo.

Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.

Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.

The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level.  This headphone circuit monitors the output audio.

Power is provided by an internal switch mode power supply, with a wide input range.  There is also an input for external +/-12v DC power.  The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

• Battery powered from 9volt PP3


• Long battery life (in excess of 100 hours)


• Power on switch


• Power on LED


• Low battery indication


• 3 user selectable modes: 4 wire (for standard connection to other broadcast eqpt) Interrupt loop through (IFB) for monitoring & adding talkback over incoming audio 2 wire conference mode for connecting multiple GS-FW021 together 2 wire mode compatible with prospect C1B


• Headset connection on 3 pole 6.35mm (A/B gauge)


• Push to talk button for mic input


• Limiter circuit for mic input


• Headphone volume control


• Auxiliary audio input (on 3.5mm jack) fed to headphone circuit


• Transformer balanced 4 wire input/ output


• Maximum dimensions just 152 x 42 x 72mm (l x w x d)

 

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Mobile journalism has been a rapidly developing area of content production for the last decade. The ShareStoryz mobile app is called YourStoryz and is designed to do easy video-production for news-creating companies, brands, sport enterprises and other businesses which take care of the content quality, the public brand-image and the speed of content sharing.

YourStoryz allows you to create, edit, brand and share videos up to 10 minutes in real-time without missing a moment. It gives an opportunity to support and develop close relationships with customers, build brand image through one framework and grow loyal customer base.

Key features:

• Mobile video editing


• Fast content creation on the fly


• Video branding


• Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).


• Real-time upload on the company’s server


• Ready-made templates


• Intuitive interface


• Mobile video editing


• Fast content creation on the fly


• Video branding


• Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).


• Real-time upload on the company’s server


• Ready-made templates


• Intuitive interface

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Libero Hybrid is a software which can be used to convert multiple IP sources to SDI/NDI video signals to integrate them on an existing system. Software gives you brief information about input stream visualization such as video formats, frame rates, and bitrates. Libero Hybrid offers video and audio previews of multiple streams. It provides different SDI output formats per port via supported capture and playback cards.

KEY FEATURES

• Stable for 24/7 operations


• SD/HD/UHD/4K/8K support(*)


• SDI, NDI, WebRTC, IP Stream or File inputs


• SDI, NDI or WebRTC outputs


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for IP Stream input


• Video and audio preview feature


• Input bitrate chart


• Loop feature for file inputs


• LUFS(Loudness Units Relative to Full Scale) Audio Normalization


• Audio Gain feature to turn up or down the audio level


• Auto-recovery of disconnected or failed streams


• Monitoring inputs to auto-activate outputs


• Frame rate conversion (e.g. 30 fps to 25 fps)


• Up/down/cross scaling

(*) Depending on the type of video cards

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

The world’s first pre-configured complete virtual studio system. All the flexibility and creativity virtual sets offer without the complexity or cost.

This state-of-the-art virtual studio system provides unlimited creative freedom to generate visually impactful digital studios for every video type.

Create all your video content with a single studio

• 3-camera 4K virtual studio system – expandable to 16 cameras.


•  Pre-confi gured system with pre-calibrated lenses.


•  1 vendor for supply, installation, training, and support.


• 1 day installation.


• No additional virtual studio compositing software required.


• Works with LED wall studios or green studios.


• 4K recorders included – shoot live to air, or record for post-production.


• Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.


• Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.


• Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Nextologies' state-of-the-art uplink and transmission services utilizes conventional as well as Nextologies' proprietary 1MHz technology. This allows for optimal satellite capacity, while reducing cost. The technology operates in high modulations using Nextologies' 256 AES encryption with out-of-band keys, allowing for secured delivery.

Our satellite services include IP as well as bonded cellular transmission for redundancy purposes. In addition, it allows for full duplex interconnectivity between the uplink and receiving sites.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Kathrein Smart Monitoring is an innovative monitoring system for radio and TV transmitter stations. Using special sensors, the system, which Kathrein is developing together with the Swiss company “DAC System SA”, measures all important operating parameters of the transmitter station components in real time and compares them with the target values of the controlled operation. All measured data are fully recorded and can be an early indication of possible degradations. The station operator can easily access the measurement results over an IP network at any time. Critical changes in conditions and violations of threshold values release an alarm which is reported via app, text message or email.

The system leads to a significant decrease in the time and costs normally required for the maintenance, as routine checks on transmitter stations can be avoided or reduced. The Kathrein Smart Monitoring system can be integrated into new antenna systems as well as be retrofitted into an existing system.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Kathrein is presenting a high-performance solution to analyse your broadcasting networks. The measurement and investigation tool for analogue and digital broadcasting (Kathrein Signal Analyser) is a powerful and complete system to assist you through any phase of radio network planning, realisation and maintenance as well as in the quality assurance of your broadcasting networks.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

UHF Broadband Omni Antenna for all kinds of polarization with dual inputs V-Pol and H-Pol.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Meet VSN NewsConnect, the first web plugin for Newsroom Computer Systems (NRCS) that allows users to interconnect all the third-party systems necessary to create their news production environment with complete freedom of choice. Improve the speed in news production and delivery by accessing all the journalist's tools from a single and centralized interface.

Main features:

Access from a single interface: Journalists and editors can access their NRCS, CG, NLE, studio playout and MAM systems from a single window, the NRCS system interface of their choice, without installing any additional software or hardware. This breakthrough allows them to make the most of their time and become more competitive in the execution of their tasks.

Cloud solution: VSN NewsConnect can be implemented in 100% Cloud environments thanks to its HTML5 development. This is a great added value to enhance collaborative work and remote production, allowing multiple users to create and produce news and live shows simultaneously from any geographical location.

Maximum compatibility: VSN NewsConnect is compatible via MOS with most NRCS and CG systems available in the market to allow reading the graphics template catalog and synchronizing the search and editing of graphics and media in a unified way. The system also features advanced integrations with most of the studio automation systems and Non-Linear Editors.

Remote interoperability: This plugin provides journalists with maximum freedom when creating a news story for any broadcast studio, since it is capable of adapting the media format and distribute it automatically to the different available receiving systems, even when these systems are from different brands or vendors.

Improved user experience: VSN offers broadcast and media companies the possibility to design their news production environment their way, so that users have at their disposal the best working tools that perfectly adapt to their needs from a single centralized environment. In this way, they can improve their efficiency and meet tight deadlines.

Access to an advanced MAM: With VSN NewsConnect, users have at their disposal one of the most complete MAM systems in the market within the interface of their NRCS, including powerful Artificial Intelligence (AI) tools for cataloging and advanced content searches, as well as one of the most agile web video editors available on the market, Wedit.

Latest updates (09/2020): Support for growing files for remote work environments. This development allows users to visualize the low resolution of a recording and start editing and working with it instantly, while it is still being ingested into the system. That is, they can simultaneously select video fragments of their interest, add them to the editing timeline, make quick video edits and consolidate the final piece in low resolution to send it to FTP or any destination for broadcast or publication.

 

 

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

Paradiso Lite is a commentators' box for 3 commentators. It can be used by itself to provide the commentary facilities alongside an OB truck for small events or multiple Paradiso Lites can be used at large events that require Worldwide broadcast coverage.

Audio links between the Paradiso and other equipment are by Dante (AES67 compliant) complete with redundant copper links. Analogue I/O and AES3 I/O are also provided directly from the unit for local connections and / or another layer of redundancy.

The Paradiso Lite has been designed to be intuitive & easy to use for Commentators who would rather be talking about the game than working out how the equipment works, and is also built to our exacting rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.

Fully Redundant Copper Network ConnectionsIf an IP link fails you have no broadcast! Our system provides fully redundant glitch free audio & data transport across any of the 2 copper network interfaces.

Automatic Adjustment For High or Low Impedance Headphones Our unique headphone amplifiers automatically provide the correct drive level to high or low impedance headphones.

Instinctive Mic Gain Setting InformationWhen adjusting a mic's input gain, the PPM automatically changes to display just the level of mic input currently being altered.

Multiple Power SourcesFor complete fail-safe redundancy the Paradiso can be powered from any of the following sources: PoE (2 off), Wide Range Mains or external DC.

Local Analogue & AES3 I/OFor 100% reliability local analogue & AES3 I/O is provided as complementary audio connectivity to the network audio.

Referee Compressor/ LimiterGlensound’s World renowned Referee compressor limiter system keeps even the loudest commentators sounding great.

Fully ConfigurableGlenControler remote control/ setup application allows hundreds of different parameters of the Paradiso to configured to meet the users requirements.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

IP packet behaviour analytics is an essential real-time need when dealing with the modern infrastructures capable of transporting uncompressed ST2110 video and audio. With a production environment dominated by operations personnel and non-movable deadlines, enabling the total understanding of advanced connectivity with the use of advanced paradigms recognised by staff to give accurate and meaningful information on par with an audio meter or a waveform/vector-scope, utilized by the industry since the beginning of broadcast. The Instrument View Option (IV), provides deep analytics displays for the VB440 Appliance.

The VB440 40 Gigabit IP probe provides a breakthrough for the monitoring and analysis of high-bitrate broadcast media traffic as defined in ST2110 and ST2022-6 for core broadcasting networks, production studios, master control centres and outside broadcast vehicles and venues. It enables production teams to continuously survey all layers of media transportation on an IP network and facilitates quick rectification of potential problems, helping to maximise Quality of Service (QoS).

With support for interface speeds from 10, 25, 40, 50 and up to 100 Gigabit on dual interfaces, even the largest of media networks can be accommodated with analysis of SD, HD, HD HDR, 4K and 4K HDR and above. ST2022-7 redundancy is also monitored and analysed when connected to both primary and secondary networks. PTP is provided with ST2059-2 clock analysis, clock source detection/listing and clock accuracy and class, providing troubleshooting and continuous monitoring of this critical infrastructure in a production network – including accurate path-delay for individual flows.

The VB440 can accommodate eight simultaneous users, from local or remote locations over secure https. It features a user interface provided by a standard web browser, and can be provided with Instrument View aluminium kits in broadcast form factors that enable touch screen operation. This gives production teams access to an analytics solution for large numbers of streams and multiple resolutions in real-time and in parallel in multiple locations.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Glensound AoIP4I is packaged in a small & rugged format and designed for outside broadcast, theatre and location applications.

The AoIP4I unit is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.

AoIP4I provides 4 balanced analogue audio inputs to a Dante®/AES67 audio network.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

The Glensound AoIP4O is packaged in a small & rugged format and designed for outside broadcast, theatre and location applications.

The AoIP4O unit is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.

AoIP4O provides 4 balanced analogue audio Outputs from a Dante®/AES67 audio network.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Packaged in a small & rugged format and designed for outside broadcast, theatre and location applications.

The AoIP22 is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

EASY TO USEDante® Controller by Audinate is a free application that controls all your Dante® enabled devices on your network.

It will automatically find the AoIP22 and allow you, just by the click of a mouse, to route audio circuits to/ from it.

Dante® network audio has become very popular because it just works and it’s so easy to use. Yet underneath the simple trouble free setup is a very sophisticated Audio over IP (AoIP) protocol working in real time across standard network switches with clever digital clock synchronisation to keep all equipment working in perfect harmony.

PRACTICAL FEATURESBELT CLIP Can be purchased with or without a belt clip.

RUBBER FEET If the AoIP22 is to be sat on a desk or the back of a workbench, then the beltclip can be removed and rubber feet fitted to stop it sliding around.

CABLE TIE HOLES All four front corners of the AoIP22 feature large extremely strong holes that are ideal for threading cable ties through. This makes temporarily installing the unit in out of the way locations very easy.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Packaged in a small & rugged format, and designed for outside broadcast, theatre and location applications.

The AoIP22 AES3 is designed to easily and quickly interface existing AES3 equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The AoIP44 is an economical subrack designed to interface balanced analogue audio circuits to and from a Network audio system featuring Dante. It provides 4 audio inputs to the network and also 4 audio outputs from the network on balanced 3 pin XLRs. As well as being mains powered with the standard signature backup DC powering option, the AoIP44 can be powered from an external PoE source via its network interface.

The AoIP can be used as a simple low cost audio I/O break out unit on a large Dante audio network where it can be integrated extremely easily using the Dante controller and is fully compatible with any manufacturers Dante equipment. It can also be used in very simple audio over IP scenarios where just 4 bi-directional audio circuits are needed to be distributed across a building's network infrastructure, in which case 2 x AoIP44 units can be used connected together across the network. The AoIP44 is equally suited for high integrity broadcast purposes, intercom, just simple paging facilities or simple distribution of non-critical audio.

Being part of our Signature Range the AoIP44 comes as standard with removable rack ears (to allow front or rear mounting in 19" racks), mounting holes to allow under desk mounting (the holes are equally suited for screwing the unit into odd places!) and an optional external DC power supply for applications requiring redundant power supplies. It is housed in an all anodised aluminium chassis.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Packaged in a small & rugged format, and designed for outside broadcast, theatre and location applications.

The AoIP44 AES3 is designed to easily and quickly interface existing AES3 equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The DARK8MAIR (Microphone Analogue Input Rackmount) is a very powerful Dante/ AES67 network audio interface, in a robust stage box/ throw down style. It has a 8 of low noise mic/line inputs which are remotely controlled by a Windows 10 app. The outputs of the microphone amplifiers are transmitted on a fully redundant Dante/ AES67 network interface.

Having 8 of low noise high quality microphone inputs makes the DARK8MAIR perfect for transporting audio circuits from a stage or a pitch side position to a mixer or other location within an audio network.

The rugged design, PoE/ Mains powering & remote control facility of the unit means that it can easily be placed and left unattended wherever audio sources are required.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Divine is a new concept in powered network audio monitors. It is housed in a hard-wearing fully sealed die cast enclosure, is powered by Power over Ethernet (PoE) and boasts the very latest low noise high output class D power amplifier.

Internally a Digital Signal Processor (DSP) takes careful care of the audio signals, including state of the art compression and limiting circuits, while a microprocessor provides full setup and control via a small rear panel LCD. Control of setup and day

to day operation of the Divine will also be available on our Windows 10 application GlenController including the ability to group multiple Divines together and control their level simultaneously.

Divine can receive up to four* Dante (AES67 compliant) audio over IP (AoIP) inputs.  These inputs can be selected by the user on a large clear front panel select switch.  The four audio inputs can also be easily mixed together and their individual levels adjusted.

A priority system is provided to allow one (or more) of the inputs to automatically duck another. This can be very useful if you want to monitor one source but also listen to another when audio is present, such as sending show relay to dressing rooms in a theatre but having the stage manager's call and building fire alarm take precedence when they’re active.

The die cast enclosure has been carefully designed to provide full protection of all control knobs, switches and ports to prevent damage. Uniquely, the housing also features a standard PC screen Vesa mount, meaning that you can purchase any standard Vesa mounting solution to hang/ mount your Divine on, saving you lots of money. Standard microphone stand threads are also provided in the base for an alternative support solution.

Different preset EQs and an LF cut can all be set in the user menu to allow the Divine to be used for a variety of applications.

Divine is so much more than just another powered loudspeaker.

Create » Content Acquisition and Capture » Audio Aquisition » Audio acquisition accessories »

STYX (pronounced sticks) is a hugely versatile configurable 48 x 46 mixer/ utility device with 32 x 32 network audio inputs & outputs with the added benefit of 6 x 6 analogue line level circuits, 2 x 2 AES3 circuits, 3(+3) x microphone/line inputs, 2 line up tone inputs & 3 stereo headphone outputs.

The front panel features 24 x assignable rotary encoders and 24 x assignable illuminated switches, plus a mono assignable PPM and LED graph to indicate positioning of the encoders when they are used.

The real power of STYX is its Windows 10 application which in real time can adjust any of the 2208 mixer cross point levels, provides many setup options, and importantly, allows presets to be stored and recalled.

Reliability is key, STYX has multiple redundant power supply sources and redundant network interfaces.

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

Links To Dante Compatible Network Or DARK88 Break Out BoxInferno can be used on its own when connected to a Dante audio network. Many audio routers, consoles and intercom systems are Dante compatible, and will accept the Inferno link, enabling Glensound grade commentary into the audio network.

There are primary and secondary Dante network connections

Inferno can also be used outside of a dedicated Dante network when connected to one of our DARK or AoIP44 break out boxes. This connection can be direct or across a structured network. The DARK or AoIP44 units allow all of the audio inputs and outputs to be located in a place separate from the Inferno.

Programmable On A Dante Audio NetworkWhen connected to a Dante network, sources and destinations can be configured from any part of the network using the free Dante controller software. Details are available at www.audinate.com.

Seven Talkback CircuitsThe seven illuminated talkback buttons route the audio input to 7 different destinations and remove the audio from the main programme output.

Eight Input Headphone MixerSeven external sources plus sidetone are presented on eight level controls allowing the user to create their own required monitoring mix of all sources. Each input can be independently selected to be on the user's left ear, right ear or both ears. The headphone connection is available on a 3.5mm and a 6.35mm jack socket.

Single InputThe single input is switchable on the rear panel to be line/mic/48v and has adjustable input gain. The input also features Glensound’s Referee compressor limiter system. This applies a variable rate compressor to the input peaks so that no clipping occurs, without affecting the rest of the audio signal.

Remote ControlThe Inferno contains a web server, allowing remote functionality to an engineer from any PC connected to the network via any web browser.  Enter the IP address of the Inferno in the browser for remote control of the front end mic gain.  It also allows configuration of each push button on the unit to be on/off latching, momentary (push to talk), always on, and off when pushed (cough), or in an intelligent mode where a short press latches or a longer press is just momentary.

15 segment LED PPM Meter Audio input level is indicated on the 15 segment PPM meter.

Power On Dante Link Or LocallyInferno can be powered via the network audio connection if it conforms to the PoE standard. There is also an internal 100v-240v mains supply.

Scalable Commentary~Start with one Inferno into a Dante network~Add Multiple Inferno at any time for 2, 3, 4 ,5 or more commentator system~Use DARK units for a simple point to point networked audio break out box

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

MinFerno is a new, smaller, and even easier to use version of our exceptionally popular Inferno network audio commentary box.

MinFerno is designed for a single commentator/ announcer to use, and like its big brother the Inferno, it provides the very best possible commentary microphone amplifier and compressor limiter circuit for amazing on air sound.

The MinFerno is easy to use for commentators who would rather be talking about the game than figuring out how the equipment works.  It is built to our exacting, rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.

Redundant Powering OptionsThe MinFerno can be powered from any of 3 different sources:1) PoE on the Primary CAT5 Network link2) PoE on the Secondary CAT5 Network link3) External 12V DCFour of rear panel LEDs show the availability of the 3 power sources.

Primary & Secondary SFP SlotsThe SFP (Small Form-Factor Pluggable) fibre slots are standard networking ports that accept standard SFP modules. This means that you decide what type of fibre and connector style you want to use just by the SFP module that you insert. The primary & secondary network circuits allow for glitch free redundancy across both the Fibre & Copper network interfaces.

Primary & Secondary Copper Network Connections with PoETwo CAT6 connections on Neutrik Ethercons (that accept standard networking cables) are provided to allow copper connections to local network switches to carry the Dante/ AES67 audio. Two connections are fitted to allow redundant circuits to be used if required.Both of these connectors can accept a PoE power source for providing the power to the MinFerno.

Input Mode & GainOne pair of push buttons selects the input type of the front panel XLR to be either microphone, line or microphone with 48V phantom power. 3 LEDs indicate which input mode is selected.Two push buttons are used to alter the gain of the input. LEDs indicate if the gain setting is above or below our pre-configured ‘lineup’ levels. The front panel PPM of course provides an accurate indication of the input level.The gain can also be altered remotely by a web browser pointing at the MinFerno's web page.

Up to 4 of Incoming Audio Volume ControlsOn the top panel are up to 5 rotary headphone volume controls. 4 of these are connected to 4 incoming audio circuits from the Dante/ AES67 network. These are normally used for such sources as mixed programme or cue, talkback to director, talkback to producer, talkback to engineer etc.

Sidetone Volume ControlThe 5th front panel rotary headphone volume control is ‘sidetone’. Sidetone is the commentator's own voice in their own ears.

Headphone RoutingEach of the 5 headphone volume controls has an associated left ear, right ear, both routing switch located next to the volume knob. This single push button switch routes the associated source to just the left, just the right or both channels of the stereo headphone amplifier. To enable the commentator to know how they are routing a circuit the first time a routing switch is pressed, a pair of LEDs on the front panel indicate its current routing arrangement. The next time the routing switch is pressed then the next routing option is selected.

Robust Mic On and Talkback ButtonsThere are up to 4 of large bright illuminated buttons (1 for programme and up to 3 for talkback). These switches route the outgoing microphone circuit onto up to 4 different Dante/ AES67 network audio circuits. The operation of these switches (momentary, latching etc) and the interaction of these switches (i.e. pressing a talkback switch mutes the main mic) can be fully configured via the web page.

15 segment LED PPM MeterAudio input level is indicated on the 15 segment PPM meter.

Low Noise Microphone Amplifier With Remote GainWe spent a long time optimising the performance of the THAT corporation microphone amplifier used in the original Inferno and used again on the MinFerno. It features very low noise & distortion circuit that we remote control the gain of in 1dB steps, which allows us to provide the remote webpage gain control as well as the rear panel gain push buttons. We also optimised the circuits to allow correct source impedance switching depending on whether the input has been set as a mic or line input.

Referee Compressor LimiterAs with all our commentary units, the MinFerno features our very popular Referee compressor limiter circuit. This circuit starts to compress the commentator’s voice gradually and slowly increases the compression ratio as the input level becomes overly high, resulting in a very natural sounding and distortion free audio output capable of taming even the loudest of commentators.

High Quality Analogue To Digital Converter (ADC)Dante/ AES67 network audio is a digital circuit and as such the best analogue microphone amplifier would be wasted if we hadn’t paired it up with the best analogue to digital converter. The ADCs job is fairly simple, and if you look at our tech spec you’ll see that we’ve made ours work incredibly well.

Unique Headphone AmplifiersThe commentator’s headphones are a vitally important tool so we take as much care with our headphone amplifiers as with our on air microphones. Our unique headphone amplifier provides the correct output level regardless of the impedance of the attached headphones, meaning that broadcasters can now pick and choose between low impedance ‘cheap’ headphones and high impedance traditional broadcast ones.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Virgil was the Roman poet who guided Dante through Hell and Purgatory, the Glensound Virgil is a clever little headphone amplifier for providing crystal clear audio into studio & broadcast headphones.

Packaged in a small & robust format and designed to be permanently mounted in studios wherever a headphone circuit is required, the Virgil provides a simple interface between Dante network audio systems and users headphones.

The Virgil encompasses our unique headphone amplifier circuit which automatically provides the correct output level to match the impedance of the attached headphones (to produce the same volume high impedance headphones require a much greater output level than low impedance).

Virgil receives 2 x audio circuits from a Dante network and routes one to the left and the other to the right channel of the headphone amplifier. A front panel volume control allows the user to adjust the output volume.

Three mounting holes are supplied to enable the Virgil to be mounted underneath a studio desk in a suitable location for the users headphones. Needing just 1 single network cable to carry both power & audio to the Virgil makes installation very simple.

As well as being suitable for low & high impedance headphones our unique headphone amplifier circuit can be connected to both stereo headphones & mono earpieces, making the Virgil suitable for driving television presenters ear pieces.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

Virgil was the Roman poet who guided Dante through Hell and Purgatory, the Glensound Virgil OB is a clever little headphone amplifier for providing crystal clear audio into studio & broadcast headphones.

Packaged in a small & robust format and designed for outside broadcast & theatre applications wherever a headphone circuit or analogue output is required, the Virgil OB provides a simple interface between Dante / AES67 network audio systems and users headphones or other analogue audio equipment.

The Virgil OB encompasses our unique headphone amplifier circuit which automatically provides the correct output level to match the impedance of the attached headphones (to produce the same volume high impedance headphones require a much greater output level than low impedance).

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

InputsThe main input is switchable between mic, mic+48v phantom power, and line. The input has an adjustable gain control to meet a wide range of dynamic, condenser, and ribbon microphones. The input passes through a broadcast quality dsp controlled compressor/limiter circuit prior to the A/D converters to maximise headroom and designed to manage the peaks of excited commentary. The A/D converters are full broadcast spec low noise, 48K 24bit designed for on air use.

Outputs/TalkbackThere are two output circuits. One is used as the main programme audio, the other as a talkback circuit. There are separate button controls for each of these using Config+. They can each can be independently configured for latching or momentary, with the programme button also having a 'cough' feature. All talkback I/O connections are via the RJ45/CAT5 Dante network audio connection.

MonitoringThere are two monitoring inputs each with independent level control. Each of these inputs can be switched from the left ear, right ear, or both ears to the stereo headphone amplifier. The headphone amplifier is our high performance intelligent circuit which automatically adjusts its output level for high or low impedance headphones and can also drive mono earpieces and headphones.

There are 2 off 4 LED level meters both indicating -12 to +6 dB. One LED meter is located on the front panel to enable easy visualisation of the audio levels if the VITA is being used as a table top device and the other meter is located on the top panel facing the operator when used by its beltclip.

PowerVia PoE on the network connection, or via an external DC power supply.

The VITA is often used as a remote link to the main commentary unit. It is favoured by pitch side interviewers, and is popular in combinations with wireless systems.

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

The VITA BB PLUS is a very powerful Dante network audio interface, in a traditional desktop style.  It has a mic/line input and headphone monitoring connection for a single user, and contains two 4 wire circuits.  One of these is typically used as an on air channel, and the other as a talkback channel.

The high quality microphone input, with the Glensound Referee compressor,  makes the Vita BB Plus suitable for on air commentary use,  perfect for a small OB or in an off-tube booth.

The flexibility of the talk button configurations, means that the Vita BB Plus can also be used as a talkback unit as part of a Dante / AES67 network.

The Vita BB Plus can connect to any Dante or AES67 network, or to other audio equipment via Glensound’s own Dante interface units.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The VITA Mini is a very powerful Dante® network audio interface, in a compact belt pack style. It has a mic/line input and headphone monitoring connection for a single user, and contains two 4 wire circuits. One of these is typically used as an on air channel, and the other as a talkback channel.

The high quality microphone input, with the Glensound Referee compressor, makes the Vita Mini suitable for on air commentary use, particularly when pitch side.

The flexibility of the talk button configurations, means that the Vita Mini can also be used as a talkback unit as part of a Dante® or AES67 network.

VITA Mini is a low cost yet high quality broadcast tool, designed to keep both the company accountant and engineering department happy.

Produce » Real-Time Production » Audio Production » Audio mixers and consoles – radio »

The GS-CU001B MkII is a highly versatile commentary unit. It was designed after close consultation with end users and the result is a stand alone unit which offers a wide range of facilities, and it is equally at home on the terraces, as it is in a studio.

The MkII VersionThe MkII version now adds the following as standard features:

- 48v phantom power

- upgraded input gain pot

- input gain range increased from -20 to +10 dB

- GPOs on Mic and talkback buttons to allow integration with main intercom or talkback system

VERSION 3 (TT): This version has transformer balanced inputs & outputs with high quality Llundhall transformers on the individual mic outputs.

InputsThree front panel inputs are mic/line switchable with selectable 48v phantom power. The front panel also has a small gain adjustment pot. Mic on/off switches can be selected in on/off mode or in cough mode. There is a global low frequency cut that can be selected on or off, and a preset compressor/limiter per input.

Outputs/TalkbackEach input has a direct discrete output on the rear panel along with a mixed output of all of the inputs, all on XLR. The mixed output is also available on an un-balanced 3.5mm jack socket as a local record. The direct output levels can be set in 3 positions:

1: 0dB + limiter: This is the normal operation and it limits peak levels.

2: 0dB: This feeds the output with an un-compressed nominal level of 0dB, for when the peak signal level will be controlled by outboard equipment.

3: -20dB: This feeds the output with a nominal level of -20dB providing extra headroom.

There are 3 common talkback circuits with individual buttons on the two main commentators’ sections (Position B's input cannot be switched to a talkback output). The operation of the talkback buttons features Config+ for configuring in different modes.

MonitoringThere are two main commentator monitoring sections, each with two separate 6.35mm A or B gauge jack sockets for headphones. In this way, the centre position B commentator can choose to share the monitoring of commentator A or C. There are 5 common external sources available for monitoring, plus an additional control which is the sum of the other 2 commentators/inputs. Each of the 6 pots has variable level control and left/both/right switching allowing commentator A and C to achieve their desired mix and balance levels. The sidetone control is located on the rear panel for commentator A and C to adjust the level of their own voice. There is a 7 segment LED PPM meter.

PowerThere is an internal switch mode power supply 100-250v AC, with external power via a 4 pin XLR 9-18v DC.

ModificationsThe GS-CU001 is a complete and versatile base system, and Glensound's most popular commentary unit. It is therefore a perfect starting point for custom requirements. This has resulted in many custom modified units, some listed above, and some not. We are always happy to investigate a particular requirement that you may have. To give you an idea of what is possible, these are some of the modifications, we have designed previously for others:

Added GPIO on a 9 pin D-typeMoved the sidetone control to the top panel on a full size potAdded a talkback channel and monitor between the A and C commentary positions (GS-CU001D and E)Independent monitoring inputs for commentator A and C (GS-CU001E)Additional mic passive outputs (GS-CU001E)Added an additional headphone monitoring input (GS-CU001G)Added two mic inputs for commentator A and C with a simple toggle switch between them (GS-CU001L)

Other Versions are available:

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature ADA2S12MGT is a broadcast specification 12 way mono analogue distribution amplifier, designed to distribute a stereo audio channels to multiple mono destinations.

The ADA 2S12MGT has 1 x stereo input that is distributed to 12 x mono outputs. The two audio inputs (1 stereo circuit) each have their own input gain preset controls. These allow an engineer to set the inputs up to work with levels that suit you, such as mono out = A+B-3 or A+B-6 or 0dB in = 0dB out, or even adjust the inputs for accepting unbalanced domestic levels.

Each of the 12 outputs also have preset gain controls, this allows different outputs to be connected and lined up with different systems.

Audio inputs and outputs are transformer balanced on XLRs and can accommodate unbalanced connections if required. The input & output gains are on front panel multi turn potentiometers (recessed to prevent accidental operation). They provide a wide gain range to cope with the different gain level requirements of broadcast or domestic level equipment.

All outputs are protected, so a short circuit on one will not affect any of the others.

Audio transformers help to make this unit an ultra reliable broadcast distribution amplifier suitable for the heart of your operation.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Signature Series Standard Features

19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit.  Rack ears are included as standard with every unit.

Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.

Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.

Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.

12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC  socket for connection to the PS1 Power Station.  This can act as the primary or backup power source.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

The Signature ADA 2:6 is a broadcast specification 6 way stereo analogue distribution amplifier, designed to distribute one or two audio channels to multiple destinations.

The ADA 2:6 has 1 x stereo input that is distributed to 6 x stereo outputs. A front panel toggle switch changes the operation of the unit to a mono distribution amplifier with 1 input and 12 outputs. The mono/stereo front panel toggle switch is recessed to prevent accidental operation and also provides the user with clear visual indication of the current mode.

Input gains controls are provided for both left and right inputs. These gain controls are accessed from the front panel and are multi turn preset pots (recessed to prevent accidental operation).

Audio inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required. All outputs are protected, so a short circuit on one will not affect any of the others.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

 

Signature Series Standard Features

19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit.  Rack ears are included as standard with every unit.

Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.

Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.

Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.

12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC  socket for connection to the PS1 Power Station.  This can act as the primary or backup power source.

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The Signature ADA 2:6G is a broadcast specification 6 way stereo analogue distribution amplifier, designed to distribute one or two audio channels to multiple destinations.

The ADA 2:6G has 1 x stereo input that is distributed to 6 x stereo outputs, each with its own gain control. A front panel toggle switch changes the operation of the unit to a mono distribution amplifier with 1 input and 12 outputs. The mono/ stereo front panel toggle switch is recessed to prevent accidental operation and also provides the user with clear visual indication of the current mode.

Audio inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required. The output gains are on front panel multi turn potentiometers (recessed to prevent accidental operation). They provide a wide gain range to cope with the different gain level requirements of broadcast or domestic level equipment.

All outputs are protected, so a short circuit on one will not affect any of the others.

Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.

A bright front panel LED indicates that the unit is operational.

Signature Series Standard Features

19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit.  Rack ears are included as standard with every unit.

Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.

Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.

Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.

12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC  socket for connection to the PS1 Power Station.  This can act as the primary or backup power source.