
Mobile journalism has been a rapidly developing area of content production for the last decade. The ShareStoryz mobile app is called YourStoryz and is designed to do easy video-production for news-creating companies, brands, sport enterprises and other businesses which take care of the content quality, the public brand-image and the speed of content sharing.
YourStoryz allows you to create, edit, brand and share videos up to 10 minutes in real-time without missing a moment. It gives an opportunity to support and develop close relationships with customers, build brand image through one framework and grow loyal customer base.
Key features:
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
LET US CONNECT YOU TO
Other products from this company:

Busby by Squared Paper

Cambria File Convert (FTC)

Cambria Live

Flow Works MAM/PAM/PMS

Ingest Browser


Libero Ingest

Libero Multiviewer

Libero Play



SERVUS node

Teamium

WFM

Busby by Squared Paper
- monitoring hardware
- software and applications
- workflow orchestration of any complexity
- event recording for SLA reporting and later analysis
- controlling external devices and services
- media manipulation and delivery.
Busby Core Modules
- Configuration, authentication, presentation
- Workflow tools
- Resource scheduling and analysis
- Device control
- Alarms and monitoring
- Dashboards and reporting
Three parts of Busby
- Busby Configuration
- Selector (presentation of the current configuration)
- Busby Admin (an overview of the Busby system status)
Busby Configuration
- Centralized user interface for managing the configuration of your Busby system
- Allows configuration of all available services
- Versioning available for rollback to a previous state
- Secure
- Core system settings
- Various levels of deployments can be assigned to multiple machines or hosts
- All services can be configured through a simple form
- Drivers for connecting to numerous third-party hardware/ software devices
Busby Configuration • Workflows
- Manual steps allow the Busby user to interact with the workflow directly
- Automatic steps might be an action performed on an asset like transcoding or the compilation of a report/schedule
- Multiple paths can be easily created in a workflow by adding ports
- Scripts can be added at any point in a workflow. Written in modern scripting languages and utilising built in libraries, frameworks and functions
Busby Configuration • Boards
- To present a workflow in a meaningful way we use boards.
- They allow for ultimate flexibility when deciding on the what workflow steps should be included and in what order.
Selector • Boards
- Allows for the presentation of a workflow where each vertical strip corresponds with a step in the workflow.
- Each separate job is represented as a card in a column. Behind the scenes a record is kept of the jobs progress and varying ‘states’ as it travels through the workflow.
- ‘Info-block’ metadata can be attached to jobs at any point
- Each board is customisable for different user groups
Selector • User Interfaces
- Other user interfaces are available
- Each can be displayed depending on the users' access permissions.
- Screens can also be tailored to display different parts of a workflow depending on the users’ requirements
New features…Some of our latest work includes:
- Creation of a Resource scheduling and diary modules
- OTT/TX chain overview user interface
- Multi-site connections using secure zone trunking
- Additional connectors to third-party system and services
Cambria File Convert (FTC)
It is a flexible transcoding software solution that converts video files between formats for editing, archiving, and broadcasting and allows you to produce high-quality media files suitable for broadcast, IPTV, Web, and mobile applications.
Cambria FTC Packager imports multiple offline file formats and repackages them into multiple adaptive streaming formats such as HLS, MPEG-Dash and MSS without re-encoding.
Cambria Live
Playlist Creation/Import
Create playlists with a group of files for repeated playback, highlight clips edited in Cambria Live, or a playlist to be muxed with a separate audio track.
Powerpoint Input
Users can integrate PowerPoint presentations into a live broadcast for E-learning and seminars.
Cambria Live Controller
Cambria Live Controller integrates seamlessly with your existing playout server and ad scheduling systems while mixing live and file assets. Customizable controllers communicate with these systems and control Cambria Live’s engine via API.
Audio Level Control
Allows users to adjust audio levels on the fly while live streaming.Cambria Live EditCreate multiple video clips on the fly during an event by simply setting in and out points on Cambria Live Edit timeline.
File Recording
Simultaneously stream and record a broadcast as a TS or MP4 file.
Multi-view Function
Cambria Live can replicate the feel of a multi camera broadcast by creating virtual cameras in software that can be cued as if you had multiple studio cameras.
Flow Works MAM/PAM/PMS
Flow Center covers all technical, workflow and integration needs encompassing:
- Editorial to administrative management of media content (archive, editorial processes, automated workflows, communication, distribution / publishing)
- Complete technical handling and editing of media content (transcoding, cut, brand, mux, crop, delivery, playout)
- Integration of third-party technical, management and distribution applications into complete and automatable workflow chains.
Both as primary purpose or line-extention, Flow Works offers a wide range of made-to-measure web based services/surfaces for specific tasks. These services, collectively called “Fuel”, can be categorised into four groups:
- Production workflows (uploader, dailies, screening & approvals, file exchange)
- Project workflows (uploader, multiple content pool management, projects management, screener, file exchange)
- Publishing workflows (content pool management, distribution / channel management, file delivery)
- Playout (web TV, corporate TV, showrooms / crm, press-services, shops, apps, hybrid, social media – all via any device)
Ingest Browser
This is the are where x-dream-media's Ingest Browser plays. This product allows previewing professional video files within a web browser. Basic technical metadata of the files are displayed. The files can get trimmed and concatenated. Finally automatic processing actions are triggered by human operator. By default x-dream-media’s MXF Sticher and Re-Muxer is called. Alternatively a job can get started at x-dream-media’s Workflow Manager.
Libero Hybrid
KEY FEATURES
- Stable for 24/7 operations
- SD/HD/UHD/4K/8K support(*)
- SDI, NDI, WebRTC, IP Stream or File inputs
- SDI, NDI or WebRTC outputs
- UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for IP Stream input
- Video and audio preview feature
- Input bitrate chart
- Loop feature for file inputs
- LUFS(Loudness Units Relative to Full Scale) Audio Normalization
- Audio Gain feature to turn up or down the audio level
- Auto-recovery of disconnected or failed streams
- Monitoring inputs to auto-activate outputs
- Frame rate conversion (e.g. 30 fps to 25 fps)
- Up/down/cross scaling
(*) Depending on the type of video cards
Libero Ingest
Libero Ingest has a wide range of file formats and input cards compatibility. It lets the operators record live events by controlling VTRs in a straightforward manner. The system offers freeze frame, black frame and signal loss detection in order to automatically start and stop ingest operations. Libero Ingest is designed to adapt your workflows or 3rd party systems with its own REST API and flexible triggering features.
KEY FEATURES
- SD/HD/UHD/4K/8K support(*)
- Stable for 24/7 operations
- Wide range of file formats compatibility
- Scheduled or crash recording
- Support for dump (as is) record
- Multi-language support
- Multiple input source support (SDI/NDI/SRT/IP Stream)
- SDI/NDI/IP Stream output support
- Support for growing-file editing (Adobe Premiere, GV Edius, Apple Final Cut)
- Audio mapping, level control, dynamic audio scan
- Automatic file transfer and housekeeping options
- UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH/SRT for Stream input
- Freeze frame, black frame and signal loss detection
- CPU, RAM and storage capacity monitoring
- Media panel for trimming, preview and export
- VTR control with RS-422
- Advanced tagging feature while recording
- Customizable tagging buttons
- Simultaneous proxy generation with defined formats
- Support recording same input to multiple formats and locations
- E-Mail and notifications
- Drop frame counter
- Advanced logging
- “Start/stop/split/pause” all sources with one click
Libero Multiviewer
KEY FEATURES
- Stable for 24/7 operations
- Customizable layouts
- User friendly interface and layout designer
- SDI, NDI or IP Stream inputs
- SDI, NDI or IP Stream outputs
- Multi-display support
- SD/HD/UHD/4K for SDI input up to 60 fps(*)
- UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input
- Configurable audio channels
- Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail
- Threshold-defined visual indicator for low/high audio and video loss
(*) Depending on the type of video cards
Libero Play
Libero Play manages from scheduling to playout and switches automatically from rundown items to live sources. It has extensive support for a wide range of file formats compatibility. The system offers frame-accurate synchronization between main and backup video servers. Libero Play guarantees scalability for the addition of an almost unlimited number of channels, operator positions, and devices while the system remains live.
KEY FEATURES
- Client-Server architecture
- Stability designed for 24/7
- NDI 4.5 Support
- Frame-accurate redundancy between main and backup video servers
- SD/HD/UHD/4K/8K support (*)
- Possibility to play between marked IN and OUT points
- MOS Protocol Support for NRCS integration
- Logo insertion including the possibility of automatic logo switching
- Output preview feature
- Wide range of file formats compatibility
- Multi-language support
- Auto-update for commercial blocks
- Ability to loop a single or multiple rundown items
- Multiple input source support (SDI/IP Stream)
- Multiple output source support (SDI/NDI/IP Stream)
- Advanced control panel with speed control
- Ability to insert virtual rundown items (placeholders) with duration
- UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH/SRT for Stream output
- Warnings for a missing clip, scheduled events, storage spaces and updated lists
- Search option from devices, file systems, and 3rd party systems
- Multi-channel control on a single interface with customizable columns and counters
- Indicator for clip validity information to be ensuring all elements are ready to play
MFP
The Multi-Format Player is equiped with the usual player controls as well as single-frame stepping and looping. Furthermore, a frame-accurate seeking and play back of video files is possible. It also displays LTC and VITC timecode. A special highlight is the ability to output the video through professional interface cards as HD-SDI signal. Another highlight is the side-by-side view. This allows a direct comparison of two video files for instance on two monitors. Thus, the Multi-Format Player is ideal for video quality comparisons.
OneGUI
SERVUS node
•Live feed recording
•Live stream recording
•Multi-cam recording
•Tape ingest
•Studio playout/play-in
•Stream playout
•Graphic overlaying
•Format conversion
•Stream switching
Supported inputs and outputs are:
•Devices ◦Video IO cards: Blackmagic Design, AJA, BlueFish444, Stream Labs, DELTACAST, Magewell and DekTec
◦NDI (Network Device Interface developed by Newtek – SDI over IP) Sender and Receiver
◦Screen Capture, Webcam and other system devices available as Directshow Source
•File formats ◦Nearly any known Container and Codec Format (audio, video and image) is supported for decoding and encoding
◦E.g. IMX D10, XDCAM HD, H.264/MP4, H.265/MP4, MOV, DV, GXF
•Streaming formats ◦HLS, MMS, WebM, MKV, RTSP, RTMP, UDP, WMV as input and output
◦NetTecNDI as input and output
◦WebRTC as output
◦Special support for youtube URL’s as input
Various audio/video processing functions are provided:
•Logo insertion
•Lower thirds, e.g. crawls, animations, graphics
•Video up/down scaling, deinterlacing, standard conversion
•Conversion between any supported input and any output format
Teamium
A full, simple and collaborative solution that allows the user to coordinate editorial and production teams, manage in-house or external resources and accurately track costs.
Resource and Talent Scheduling
With a simple, intuitive and interactive interface, Teamium will help you wean off spreadsheets. Simply drag and drop, shrink and stretch your selection, for a single item or a group. Once the resources are scheduled, you can instantly notify one or more members for action from within the application.
Planning & Budgeting
Simplify your task with all the resources you need with your cost and pricing rules. Teamium allows you to build complex multi-variable rate cards for resources and customer specific pricing rules into the system. The interactive tool then allows you to quickly achieve your desired budget. Once the project is green-lighted, the information is automatically saved into a functional work order so you can start scheduling resources.
Resource Management
Whether it is keeping a record of maintenance schedule for a camera or leave management for an employee or availability of a freelancer, Teamium handles it all. Teamium lets you import data from your company systems using our open API. Teamium also supports barcode integration and RFID.
User-defined Business Processes
Increase your team engagement and participation with configurable push notifications, approvals with e-signatures, group chats, task assignments for instant communication. Keep all stakeholders with up to the minute information for making decisions and getting things done. With Teamium’s user-friendly workflow builder, create robust, work processes focused on optimizing your activities tailored to your business rules.
Saas
Get benefits from Teamium® in the Cloud, without actually having to install any software, but rather through a simple subscription to the relevant package.
BYOD
Teamium®, as a scalable and flexible solution, connects you on any devices, and allow you to manage your production from your home or office or on the go.
The following licensing models are available:
- perpetual license with a maintenance contract
- rental license
WFM
YourStoryz
YourStoryz allows you to create, edit, brand and share videos up to 10 minutes in real-time without missing a moment. It gives an opportunity to support and develop close relationships with customers, build brand image through one framework and grow loyal customer base.
Key features:
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
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The Switch Mobile Production

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Flypacks
POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.
UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team's experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.
MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.
PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.
Centralized Production
REMOTE PRODUCTION THAT’S FULLY DIRECTED
Around the globe, we offer several state-of-the-art centralized production suites that allow your entire production process to be fully-produced remotely. The studio and all essential components are securely housed in one of our own datacenters, and linked to site via IP connections.
With as little as only cameras and microphones in the field, our centralized production lets you deploy only the resources and crew you need, and only for the duration of the recording—helping you create efficiencies without lowering your standards.
NEP CENTRALIZED PRODUCTION FEATURES
100% IP-based, exclusive technical infrastructure
Resources available on demand
100% uptime dark fiber network
Hosting via exclusive Tier 3 data centers
24/7 skilled service operations center
Host Broadcast Support Services
Whether you need us to handle everything, or you need us to partner with local organizing committees, sporting federations and broadcasters, we’re ready with the solution that works best for you. Our capabilities range from full host broadcast management to any of our extensive services.
Design, Build, Install and Manage:
Venue Technical Operation Center (TOC)
Commentary Control Room (CCR)
International Broadcast Centre (IBC)
Media Centre (MC)
Other Services:
Project management
Consulting services for bid cities and/or committees
Key management placement
Production services
Logistical support and execution
Business Continuity Planning (BCP)
Rights holding broadcaster management
Unilateral services
Rate card management and supply
Archiving services
Project website design and implementation
Venue overlay design and management
Venue broadcast facilities and crews
Venue big screens and displays
Transmission delivery solutions
OB trucks/Mobile Units
With NEP, clients tap into unmatched, innovative, dedicated talent, anywhere in the world. We provide complete support through our seasoned team of engineering and technical experts, including: Broadcast Engineers, Communications Specialists, Fiber Specialists & Fabricators, Mechanical Engineers, Systems Design Engineers, Integration Specialists and more.
LTN LEAF Flypack
A complete IP solution for any live event, Flypack features plug-and-play setup, offers encryption capabilities, and encodes and decodes at up to 20 mbps with SD and HD support.
By connecting Flypack to the LTN Network, you can manage and control video from origin to destination, monitoring every signal with LTN Portal and always-on NOC support.
Power the future of video with LTN Leaf Flypack.
LTN Flex
From LTN’s state-of-the-art, 30,000-sq-ft production facility, our dedicated team of broadcast industry leaders eliminates the variables associated with on-site crews and equipment. And we’re always available to carry our knowledge and expertise from your first job to your next.
LTN Transport transmits signals from your production at lightning speed to our centralized facility, where we handle all aspects of production and deliver feeds out to every destination — with eyes-on-glass monitoring and 99.999% reliability, backed by the LTN Network.
Simplify complex productions, scale major events, optimize production quality, and monetize more possibilities with LTN Flex.
X10 DSNG
The X10 DSNG is a tailor-made solution dedicated to digital satellite news gathering (DSNG) and supports encoding, decoding and satellite uplink and downlink in a single chassis. With increasing demands for live event coverage, the X10 DSNG is a compact, powerful solution that meets the very specific and challenging needs of DSNG and mobile production.
As DSNG vans have limited space, equipment size and power consumption, these are important factors for operators when selecting compact technology solutions. Appear’s X10 DSNG gives operators all the functionality they need to support encoding, decoding and satellite uplink and downlink, all within a single chassis.
The X10 DSNG supports an array of compression technologies and protocols, is able to support the use of satellite and fibre delivery simultaneously and has built-in security and redundancy features to ensure all live broadcasts are not only secure, but reliable.
With a programmable interface that can be tuned and upgraded to support new video protocols as they are defined, the X10 DSNG is a solution that not only meets the needs of DSNG operators today, but will continue to support them for years to come.
Telos Infinity® Virtual Intercom Platform (VIP)
Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.
Telos Infinity VIP
- Cost-Efficient - Less Maintenance, Infrastructure, Space Required
- Scaleable - Pay for Only What you Need
- Ease of Use – Virtual Panels on Familiar Devices (Smartphone, Computer, Tablet)
- Workflow Flexibility - At Home, On-Prem, Site-to-Site, In the Cloud
- Reliable, Proven Cloud Workflows Flexible Deployment Options
- TelosCare™ PLUS Service Option for Premium Service & Support
Deployment Options
Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.
- On-Prem – Use Telos Infinity VIP hardware appliance or your own server for on-prem installations.
- Integrated – For both On-Prem or Cloud versions, Telos Infinity VIP can be integrated with Telos Infinity hardware comms, or any third-party intercom or audio subsystem using AES67 or SMPTE 2110-30 connectivity.
- Cloud Server – Software for supported Cloud platform installations. A complete communications infrastructure in the Cloud with connectivity options for integration with third-party Cloud-based and On-Prem audio subsystems.
- Software as a Service (SaaS) – Various third-party Telos Alliance partners will offer a Telos Infinity VIP SaaS option, allowing users to lease it in a virtual environment.
Dejero LivePlus for Windows App
With return video and teleprompter feeds viewable on one customizable screen at eye-level, and the choice of a built-in or external camera to go live, LivePlus for Windows enables broadcast-quality video from home, or any remote location with access to a wired or wireless broadband connection.
Less equipment.
Less hassle.
More great content from anywhere.
Signature SW 8:2+
There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.
On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2+ is set to stereo.
Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.
Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.
The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level. This headphone circuit monitors the output audio.
A stereo 28 LED Peak Programme Meter (PPM) is also provided on the front panel for a visual indication of the audio currently being routed/ mixed to the output. The PPM provides a 1 dB resolution per LED.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external +/-12v DC power. The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature SD1+
The Signature SD1+ is a silence detector used to switch audio to a backup source when the primary audio source falls below accepted silence thresholds in level or time. These are often used on a broadcast path to prevent dead air should a technical problem occur with the audio.
The audio connections are stereo, on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The SD1+ can also be configured as a twin single channel silence detector. The backup source is usually coming from an audio player which can be remotely started by the SD1+ via a GPO should silence be detected.
Each channel can have the configuration parameters set independently. The threshold at which the unit detects a low level is configurable, as is the amount of time that the audio needs to be under this level before an alarm condition is triggered and the audio is switched to the backup input.
A comprehensive set of GPIOs allow for triggering external devices when the secondary input has been triggered.
Intelligent modes can be set to allow for switching back to the primary audio source once a sustained audio level has returned.
With a stereo audio source, if one channel should fail, the SD1+ can be set to switch this single input to both outputs, making a problem unnoticeable to any listeners, whilst at the same time still providing alarm outputs so the engineers can be alerted.
An internal switch mode power supply is provided along with an external ±12v DC input for the main or backup power supply of the Signature PS1 Power Station.
Silence Detection ParametersFor the detection of drops in audio level, a threshold can be specified between -60dB to -10dB. If the audio level is under this level for a set amount of time, then the SD1+ will switch to the backup source, preventing any dead air situations. The fail delay time is configurable between 5 seconds and 5 minutes. When the audio switches to the backup source, a GPO is triggered to start a backup audio source which is connected to the backup input. A GPO is created so that the engineering department are alerted. All switching between the primary and backup source is silent.
When primary audio has returned, the SD1+ can be used in manual or automatic mode. In automatic, the SD1+ switches back to the main input after a recovery delay, that’s configurable between 5-60 seconds. In manual mode, the main input must be selected via the front panel or via a GPI switch.
Stereo Or Dual MonoThe SD1+ can monitor a single stereo source and switch the output to a backup source if a silence condition is triggered. It can also act as a dual mono silence detector, taking in 2 mono sources and switching them independently, to their own backup audio in the event of a silence condition trigger.
In stereo mode, if one channel becomes silent, the SD1+ can perform two configurable functions. It can either feed the one good primary input to both primary outputs, or trigger the silence detect to switch to the backup input.
Audio ConnectionsThe audio connections are stereo on analogue XLRs. There is an input pair for the primary source, and an input pair for the backup source. The backup source can be selected to be at 0dB or +10dB. The +10dB option allows for the connection of a domestic level audio source, such as a CD or a memory card player, that may be used as the backup.
Smart Fail & Smart RecoverySmart recovery mode prevents pops and clicks from triggering the recovery switch back to the main input, and waits for a configurable period of time. This allows full recovery of the audio before switching back to the primary source.
LoopsA 25way d type connector contains all of the available GPIO, for output remote starts and alarms, and for input switching. There are GPOs to indicate if the primary or backup input is active, which can be used as an alarm that a backup switch has been activated.
Configuration ScreenA front panel screen shows visual feedback of the status of each input, and the value of the fail or recovery timer. This screen also access’s the menu for configuration.
Bypass RelaysIn event of power failure the primary audio input is switched directly to the audio output via relays, so that there is no loss of audio.
Power SupplyThe SD1 has an internal switch mode 100-240v AC power supply using an IEC connection. There is also an external ±12v DC input to connect to the Signature PS1 Power Station as the primary or backup power supply.
Signature Series Standard Features
19" Rack Mount EarsA Signature unit can rack mount in a 1U 19” rack, regardless of the size of the unit. Rack ears are included as standard with every unit.
Front Or Rear MountingA Signature unit can be rack mounted via the front panel or if it is more convenient, via the rear panel by simply swapping the rack ears over.
Side Wings For Flat Surface MountingA Signature unit has side wings with mounting holes at the top and bottom, allowing flush fixing from above OR underneath.
Internal Switch Mode AC Power SupplyA Signature unit has an internal switch mode AC power supply, allowing worldwide power connections from 100-240v via an IEC socket.
12V DC Power ConnectionAll Signature units (except PS1) have a 4 pin XLR ±12V DC socket for connection to the PS1 Power Station. This can act as the primary or backup power source.
Signature HA2+
The HA2+ has 2 x XLR inputs that are used as the primary programme audio input. This can be stereo, or, if mono, can be switched to appear on both sides of the headphone outputs. There are left and right programme input gain controls on the front panel, and they are on recessed screw terminals.
There are also secondary, mono cue inputs. Connections are via one of 3 x 6.35mm jack sockets on the rear panel. This allows a single cue input to be connected to both headphone outputs, or each headphone amplifier can receive an individual cue input.
On the front panel there is a source control for each headphone output that allows a mix between the programme and cue input. Full left is programme only, full right is cue only, and anywhere in between is a variable mix.
Each of the two headphone amplifiers has its own volume level control. There is also a master volume control that affects the overall level of both amplifiers. This can be defeated via a rear panel dip switch.
The headphone outputs are available via 2 x front panel 6.35mm headphone sockets, and in parallel on 2 x rear panel XLR connections.
The Expedition uses Glensound’s propriety CAN headphone system. This allows multi impedance headphones to be used, from 32-1000ohm, with the same perceptual level in the headphones when the volume control is kept in a fixed position. Stereo or mono connections can also be made to the headphone sockets, including mono earpieces.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12V DC power. The 12V DC input can be connected to the optional Signature Ps1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature HA1M
The Signature HA1M is a broadcast specification 2 channel headphone amplifier, designed to operate in a mono or a stereo mode.
The HA1M has 2 x XLR inputs that can be used as either a stereo input, or as 2 x mono inputs. There is a selector switch to change between mono and stereo modes.
In stereo mode, the left input goes to the left ear, and the right input goes to the right ear. Each input has its own level pot for adjusting the volume level in the left or right ear.
In the mono mode, each input goes to both headphone outputs. The level pots adjust the relevant input levels in both ears.
There are 2 x headphone outputs on jack sockets. One is 6.35mm and the other is 3.5mm. The headphone circuits can accept stereo connections, or mono connections from single earpieces. The headphone drivers are independent and so varying impedance connections can be used in either socket at the same time.
The rear panel has a single XLR output that is a mix of both inputs.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature HA6+
The HA6+ has 2 x XLR inputs that are used as the primary programme audio input, and 2 x XLR inputs that are used for the secondary aux audio input. These can be stereo, or, if a mono input, can be switched to appear on both sides of the headphones. There are left and right primary input gain controls on the rear panel, and they are on recessed screw terminals.
On the front panel there is a source control for each headphone output that allows a mix between the programme and aux input. Full left is programme only, full right is aux only, and anywhere in between is a variable mix.
Each of the six headphone amplifiers has its own volume level pot. There is also a master volume pot that controls the overall level of all amplifiers. This can be defeated via a rear panel dip switch.
Each of the six headphone outputs are available via front panel 6.35mm jack sockets, and in parallel on rear panel XLR connectors.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature DAC 1
The digital inputs are available separately in three formats:- 3 pin XLR using AES- RCA phono plug using S/PDIF- optical connectors using TOSLINK
The analogue outputs are available separately in two formats:- balanced XLR connections- unbalanced RCA phono connections
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level.
A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range.
There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature ADC 1
The analogue inputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature ADDA 1
The analogue inputs and outputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital inputs and outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature U2B2
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B2 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The stereo audio input (which can work as dual mono) is on gold plated RCA phono connectors. This input is electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to a pair of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature U2B4
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B4 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The two stereo audio inputs (which can work as quad monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to two pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
U2B8
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B8 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The four stereo audio inputs (which can work as eight off monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to four pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
UBBU2
It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.
As well as providing the balancing interface the UBBU2 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.
The two stereo circuits can both work as dual mono. Both the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
UBBU4
The Signature UBBU4 is a broadcast specification twin stereo unbalanced to balanced, and balanced to unbalanced analogue audio interface that is equally suitable for professional & home studio use.
It is most commonly used for interconnecting domestic type recording/ playback devices to broadcast/ professional equipment.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment while simultaneously connecting balanced outputs from professional equipment to the unbalanced inputs on domestic products.
As well as providing the balancing interface the UBBU4 also provides variable gain/ loss to allow the two connected pieces of equipment to match audio levels.All the stereo circuits can both work as dual mono. All the inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to their outputs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature PS1
Master And Back Up PowerAs well as providing a backup DC supply for up to six Signature Series units, the PS1 can also act as master DC power distribution to six Signature units.
Safety FeaturesAll outputs are individually fused so a short circuit on one will not affect any of the others.
InstallationFor ease of installation and to allow quick connectivity to other Signature Series units, every Signature PS1is shipped with 6 x 4 pin XLR DC cables which are each two metres long.
As the PS1 is only 336mm wide without the rack ears, it can easily be installed inside equipment racks, and fixed vertically via the flush mounting side wings. This will provides the convenience of power distribution or backup, without taking up any rack space.
Signature SW 8:2
There are 8 balanced audio inputs on 3 pin Neutrik XLR sockets on the rear panel and these can be set globally to be 8 mono inputs or 4 stereo inputs.
On the front panel there are 8 large illuminated buttons for turning sources on/ off. They work as 8 individual switches when in the mono mode and 4 pairs of stereo switches when the SW 8:2 is set to stereo.
Two balanced Neutrik XLR plugs on the rear panel provide the output of the unit, which will either be one single mono channel or 1 stereo channel when the unit is set to ‘switch’ mode or a mix of all selected sources when set to ‘mix’ mode.
Three rear panel dip switches allow for setting mix/switch, mono/stereo & output pre/post headphone volume pot.
The front panel features a 6.35mm stereo TRS jack socket for headphones monitoring, with a full size pot to adjust the volume level. This headphone circuit monitors the output audio.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external +/-12v DC power. The +/-12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
GS-FW021
- Battery powered from 9volt PP3
- Long battery life (in excess of 100 hours)
- Power on switch
- Power on LED
- Low battery indication
- 3 user selectable modes: 4 wire (for standard connection to other broadcast eqpt) Interrupt loop through (IFB) for monitoring & adding talkback over incoming audio 2 wire conference mode for connecting multiple GS-FW021 together 2 wire mode compatible with prospect C1B
- Headset connection on 3 pole 6.35mm (A/B gauge)
- Push to talk button for mic input
- Limiter circuit for mic input
- Headphone volume control
- Auxiliary audio input (on 3.5mm jack) fed to headphone circuit
- Transformer balanced 4 wire input/ output
- Maximum dimensions just 152 x 42 x 72mm (l x w x d)
VB440 40 Gigabit IP probe w/Instrument View
The VB440 40 Gigabit IP probe provides a breakthrough for the monitoring and analysis of high-bitrate broadcast media traffic as defined in ST2110 and ST2022-6 for core broadcasting networks, production studios, master control centres and outside broadcast vehicles and venues. It enables production teams to continuously survey all layers of media transportation on an IP network and facilitates quick rectification of potential problems, helping to maximise Quality of Service (QoS).
With support for interface speeds from 10, 25, 40, 50 and up to 100 Gigabit on dual interfaces, even the largest of media networks can be accommodated with analysis of SD, HD, HD HDR, 4K and 4K HDR and above. ST2022-7 redundancy is also monitored and analysed when connected to both primary and secondary networks. PTP is provided with ST2059-2 clock analysis, clock source detection/listing and clock accuracy and class, providing troubleshooting and continuous monitoring of this critical infrastructure in a production network – including accurate path-delay for individual flows.
The VB440 can accommodate eight simultaneous users, from local or remote locations over secure https. It features a user interface provided by a standard web browser, and can be provided with Instrument View aluminium kits in broadcast form factors that enable touch screen operation. This gives production teams access to an analytics solution for large numbers of streams and multiple resolutions in real-time and in parallel in multiple locations.
YourStoryz
YourStoryz allows you to create, edit, brand and share videos up to 10 minutes in real-time without missing a moment. It gives an opportunity to support and develop close relationships with customers, build brand image through one framework and grow loyal customer base.
Key features:
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
- Mobile video editing
- Fast content creation on the fly
- Video branding
- Real-time posting on different social media, company’s website, and other public sources (which are directly integrated).
- Real-time upload on the company’s server
- Ready-made templates
- Intuitive interface
Libero Hybrid
KEY FEATURES
- Stable for 24/7 operations
- SD/HD/UHD/4K/8K support(*)
- SDI, NDI, WebRTC, IP Stream or File inputs
- SDI, NDI or WebRTC outputs
- UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for IP Stream input
- Video and audio preview feature
- Input bitrate chart
- Loop feature for file inputs
- LUFS(Loudness Units Relative to Full Scale) Audio Normalization
- Audio Gain feature to turn up or down the audio level
- Auto-recovery of disconnected or failed streams
- Monitoring inputs to auto-activate outputs
- Frame rate conversion (e.g. 30 fps to 25 fps)
- Up/down/cross scaling
(*) Depending on the type of video cards
KATHREIN Smart Monitoring
The system leads to a significant decrease in the time and costs normally required for the maintenance, as routine checks on transmitter stations can be avoided or reduced. The Kathrein Smart Monitoring system can be integrated into new antenna systems as well as be retrofitted into an existing system.
KATHREIN Signal Analyzer
KATHREIN Dual Polarized UHF Plug & Play Omni Antenna
VSN NewsConnect
Main features:
Access from a single interface: Journalists and editors can access their NRCS, CG, NLE, studio playout and MAM systems from a single window, the NRCS system interface of their choice, without installing any additional software or hardware. This breakthrough allows them to make the most of their time and become more competitive in the execution of their tasks.
Cloud solution: VSN NewsConnect can be implemented in 100% Cloud environments thanks to its HTML5 development. This is a great added value to enhance collaborative work and remote production, allowing multiple users to create and produce news and live shows simultaneously from any geographical location.
Maximum compatibility: VSN NewsConnect is compatible via MOS with most NRCS and CG systems available in the market to allow reading the graphics template catalog and synchronizing the search and editing of graphics and media in a unified way. The system also features advanced integrations with most of the studio automation systems and Non-Linear Editors.
Remote interoperability: This plugin provides journalists with maximum freedom when creating a news story for any broadcast studio, since it is capable of adapting the media format and distribute it automatically to the different available receiving systems, even when these systems are from different brands or vendors.
Improved user experience: VSN offers broadcast and media companies the possibility to design their news production environment their way, so that users have at their disposal the best working tools that perfectly adapt to their needs from a single centralized environment. In this way, they can improve their efficiency and meet tight deadlines.
Access to an advanced MAM: With VSN NewsConnect, users have at their disposal one of the most complete MAM systems in the market within the interface of their NRCS, including powerful Artificial Intelligence (AI) tools for cataloging and advanced content searches, as well as one of the most agile web video editors available on the market, Wedit.
Latest updates (09/2020): Support for growing files for remote work environments. This development allows users to visualize the low resolution of a recording and start editing and working with it instantly, while it is still being ingested into the system. That is, they can simultaneously select video fragments of their interest, add them to the editing timeline, make quick video edits and consolidate the final piece in low resolution to send it to FTP or any destination for broadcast or publication.
Uplink & Transmission Services
Nextologies' state-of-the-art uplink and transmission services utilizes conventional as well as Nextologies' proprietary 1MHz technology. This allows for optimal satellite capacity, while reducing cost. The technology operates in high modulations using Nextologies' 256 AES encryption with out-of-band keys, allowing for secured delivery.
Our satellite services include IP as well as bonded cellular transmission for redundancy purposes. In addition, it allows for full duplex interconnectivity between the uplink and receiving sites.
StarTracker Studio
This state-of-the-art virtual studio system provides unlimited creative freedom to generate visually impactful digital studios for every video type.
Create all your video content with a single studio
- 3-camera 4K virtual studio system – expandable to 16 cameras.
- Pre-confi gured system with pre-calibrated lenses.
- 1 vendor for supply, installation, training, and support.
- 1 day installation.
- No additional virtual studio compositing software required.
- Works with LED wall studios or green studios.
- 4K recorders included – shoot live to air, or record for post-production.
- Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.
- Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.
- Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video
Paradiso Lite
Audio links between the Paradiso and other equipment are by Dante (AES67 compliant) complete with redundant copper links. Analogue I/O and AES3 I/O are also provided directly from the unit for local connections and / or another layer of redundancy.
The Paradiso Lite has been designed to be intuitive & easy to use for Commentators who would rather be talking about the game than working out how the equipment works, and is also built to our exacting rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.
Fully Redundant Copper Network ConnectionsIf an IP link fails you have no broadcast! Our system provides fully redundant glitch free audio & data transport across any of the 2 copper network interfaces.
Automatic Adjustment For High or Low Impedance Headphones Our unique headphone amplifiers automatically provide the correct drive level to high or low impedance headphones.
Instinctive Mic Gain Setting InformationWhen adjusting a mic's input gain, the PPM automatically changes to display just the level of mic input currently being altered.
Multiple Power SourcesFor complete fail-safe redundancy the Paradiso can be powered from any of the following sources: PoE (2 off), Wide Range Mains or external DC.
Local Analogue & AES3 I/OFor 100% reliability local analogue & AES3 I/O is provided as complementary audio connectivity to the network audio.
Referee Compressor/ LimiterGlensound’s World renowned Referee compressor limiter system keeps even the loudest commentators sounding great.
Fully ConfigurableGlenControler remote control/ setup application allows hundreds of different parameters of the Paradiso to configured to meet the users requirements.
AoIP4O
The AoIP4O unit is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
AoIP4O provides 4 balanced analogue audio Outputs from a Dante®/AES67 audio network.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
AoIP22
The AoIP22 is designed to easily and quickly interface existing analogue equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.
EASY TO USEDante® Controller by Audinate is a free application that controls all your Dante® enabled devices on your network.
It will automatically find the AoIP22 and allow you, just by the click of a mouse, to route audio circuits to/ from it.
Dante® network audio has become very popular because it just works and it’s so easy to use. Yet underneath the simple trouble free setup is a very sophisticated Audio over IP (AoIP) protocol working in real time across standard network switches with clever digital clock synchronisation to keep all equipment working in perfect harmony.
PRACTICAL FEATURESBELT CLIP Can be purchased with or without a belt clip.
RUBBER FEET If the AoIP22 is to be sat on a desk or the back of a workbench, then the beltclip can be removed and rubber feet fitted to stop it sliding around.
CABLE TIE HOLES All four front corners of the AoIP22 feature large extremely strong holes that are ideal for threading cable ties through. This makes temporarily installing the unit in out of the way locations very easy.
AoIP22 AES3
The AoIP22 AES3 is designed to easily and quickly interface existing AES3 equipment to a Dante® / AES67 network audio system. Being powered by PoE means that only one cable needs to be connected to the network to carry both audio and power, providing flexibility and saving time on installation.
Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.