Vx 1 - IABM Single BaM Product

• Up to 8 x 5G modems with high-efficiency internal antennas


• Up to 4Kp60 10-bit HDR transmission for optimal color depth & richness


• Multi-camera with up to 4 fully synced feeds & flexible unit/station switching


• Rich remote production tools: Video Return, Tally Light, Audio Connect


• Super-fast file transfer for sending edited footage from the field


• Up to 16 audio channels for richer audio production


• 7” ultra-sensitive capacitive touch-screen for easy unit control


• Optional external antennas connections for harsh RF conditions


• Dual power input (standard power supply & external battery input)


• 2 Ethernet & 2 WiFi interfaces for more connection options

Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.

MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.

MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.

In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.

A new live production server offering increased UHD-4K and HD/1080p flexibility, native IP support for SMPTE 2110, and powered by EVS’ new VIA technology platform to deliver evolutive services and capabilities for greater content access and future LSM operations.

The new EVS XT-VIA is a production server offering the most reliable and fastest UHD-4K replay. With up to six channels of flexible in/out combinations, the XT-VIA drives complete UHD-4K media control from ingest to playout. The added flexibility of the XT-VIA lets you bridge your investment to execute HD and Full-HD productions from the same server.

In addition to EVS Loop Recording technology, on-board XNet SDTI support and XNet-VIA IP networking, XT-VIA provides support of SuperMotion cameras and native XAVC-4K Intra encoding and decoding for live editing, slowmotion replays and multi-channel playback with server-to-server transfer options.

Etere Channel in the Cloud encompasses all the features you need for a cloud playout, management and distribution. Be ready for the cloud with Etere's cost-efficiency, speedy deployments, easy scalability and secure remote access.

Etere Channel in the Cloud empowers users with broadcast-quality, cost-effective and cloud-based channel playout, management and distribution. With Etere, you can lower costs, retain better control of your operations and achieve greater flexibility.

Etere provides a hassle-free and cost-effective approach to cloud playout with a full range of advantages including:

■ Launch channels in the cloud without the high costs associated with traditional hardware and satellite delivery

■ Discover new revenue generating opportunities with the easy expansion of channels

■ Channels can be managed from any location and device with an internet connection

■ Distribution to all platforms including satellite, cable, IPTV, web and mobile

■ Unified workflows for linear, Video-on-Demand (VOD) and Over-the-Top (OTT) deliveries

■ Create unlimited sub-channels for different regions and head-ends

■ Insert logo and channel branding directly from the same interface

■ Full resiliency and secure access

Key Features

■ Time delay

■ Disaster recovery

■ As-run output file

■ With full IP inputs and outputs

■ Live playlist and live monitoring

■ Cloud Storage with automatic file sync

■ Cloud transcoding/transfer with Multiplex

■ Segment and edit clips directly from the cloud

■ Full SD and HD broadcast quality of 480i, 720p, 1080i and 1080p

■ CEA 608/708 closed caption support for both live and file sources

■ Supports IP Multiviewer for up to 9 display monitors and 30 input sources

■ Playlist preview and scheduling for both automatic and manual insertions

■ Costs are significantly lower than that of standard playout solutions

■ Channels can be controlled from any location with an internet connection

■ Manage CG insertions including logos, crawlers and animated graphics directly from the cloud

■ Network providers can launch a channel in the cloud easily without satellite video system setup and hardware complexity

■ Broadcasters can launch separate or sub-channels for different regions or headend which can also serve as revenue generators

■ No need to send affiliates playout servers when channels are launched in the cloud, cost savings are significantly lower than a traditional setup

• Mo-Sys tracking data over LiveLink - Supports StarTracker, StarTracker MoCap, StarTrackerVR headsets, StarTracker ViewFinder, Handwheels, and extends to all future robotics and tracking hardware.


• Raw Mo-Sys tracking data - Blueprint nodes for use within a 'built game'


• Data transmitter - Send data out of Unreal Engine to control Mo-sys robotics


• Mo-Cap drift correction - Positional correction for use with StarTracker MoCap hardware


• nDisplay for LED Wall -Receive data via VRPN for off-axis projection


• Live video I/O - Automatic configuration of compositing pipeline


• Drag-and-drop virtual camera -  Pre-fabricated components for a variety of compositing modes


• Data recording with timecode - Synchronous multi-source tracking and lens data recording


• Video management tool - Simple interface to configure and monitor video I/O


• VP system status - See at a glance the state of the virtual production system


• VP layouts  - Custom layouts for different stages of virtual production


• FBX data export - Virtual camera export to traditional pipelines


• Internal keyer - Color difference keyer for pre-visualisation


• External hardware keyer integration - Switch presets on Blackmagic Ultimatte from Unreal blueprints


• Switcher integration - Cut cameras on Blackmagic ATEM from Unreal blueprints


• External SDI recorder integration - Fire record on Blackmagic Hyperdeck recorders automatically with timecode and metadata


• Lens distortion - Entirely automated distortion for calibrated fixed and zoom lenses


• Depth of field - Automatic focal distance from StarTracker for depth of field handling


• StarTracker configuration - Detect and configure StarTrackers from inside Unreal editor

The most advanced IT-based solution, cost-efficient video management system on the market that is a complete channel in a box with full IP/NDI/SDI in and out capabilities.

Etere ETX is the most advanced, tightly integrated and cost-efficient video management system on the market, completely based on IT technology. It is 4K ready and a complete channel in a box with full IP/NDI/SDI (in and out) for multiple frames rates. It is able to drive the most popular HD/SD digital video/audio/graphics platforms without using middle-ware/proprietary hardware. ETX is a fully digital ingest/playout engine that gives you professional video technology with support for all major essences and wrappers in the broadcast industry. It is capable of SDI output, multiple layers of graphics. Additionally, HEVC/ H.265 encoding is also available on Etere ETX. With ETX inserter, operators are able to create closed captions including CEA 608 and CEA 708. In addition, ETX is capable of live subtitling with the ETX inserter and time delay. ETX is also integrated with a countdown timer that displays the time remaining until the next program. As part of the Etere Ecosystem framework, Etere ETX has a distributed architecture that enables it to take advantage of ultimate storage and video hardware to create a high-performance digital media solution that can be used to capture/playout servers, NLE systems, graphics/production servers, automation and master control units. To receive an NDI source stream, use live source object and initialize the "NDI Receiver" device just like any other capture card. The distribution of contents from the different ETX engines is controlled by Etere Data Mover, the application that delivers the correct video to the correct place at the correct time. In addition, Etere ETX video file transfer capability is one of the fastest in the market.

Key features

■ Multiple graphics and webGL graphics overlays

■ Capture web pages as live multimedia sources

■ 4K, HD, and SD with Up and Down conversion

■ RTMP input and integrated time delay

■ Serves as a RTMP sender or RTSP receiver

■ Full IP support for both HD and SD videos, supports NewTek NDI

■ Supports multiple layers of graphics

■ Fully compliant DVB (Digital Video Broadcasting) stream

■ Supports Microsoft ReFS File System, cloud-ready

■ Included graphics engine allows overlay of static/animated logos and crawlers on 8 layers

■ Able to perform IP in and IP out, with multiple frame rates and independent IP out services

■ Integrated IT-based master control with multichannel ingest/playout

■ Easy insertion of closed captions including CEA 608 and CEA 708 with ETX inserter

■ Create live subtitling seamlessly with ETX inserter and time delay

■ SDI output with support for selected cards (SDI or IP) including Blackmagic, Matrox

■ File formats includes LXF, MOV, MXF, GXF, ASF, MPG-TS, MPG-PS, AVI, DV and MKV

■ Video codecs includes DVCPRO, MPG1, MPG2, MPG4, H.264, HEVC/ H.265, DNxHD, ProRes

■ Audio codecs includes AAC, MP2, MP3, Flac

■ Graphics files includes TGA, AVI, MOV, SWF, PNG, JPEG, GIF

■ Plays files from 5 secs

Etere Automation is a powerful, reliable and modular playout automation system that is able to enhance broadcasters' potential in terms of functionalities and workflow design. Its unique approach combines real-time device control and media asset management in a single product, offering a powerful mix of solutions and capabilities. It is a system to fit all broadcaster needs. Etere Automation is able to transmit streaming events according to the videoserver capabilities, and play in A/B switch mode and remote several devices among the large list of the supported ones, using network, serial, and GPI connections. In addition, Etere Automation database-independent capabilities enable different levels of fault tolerance, allowing it to run on Backup Mode, Master/Clone Mode, and Disaster Recovery Mode. Etere Automation's distributed architecture provides a system that can grow and change to fit all broadcaster needs. It runs on Windows and controls all the broadcast system devices. Etere Automation uses the database of Etere Media Asset Management to integrate all the activities in a single environment, thus allowing retrieval of assets stored in the station with no size limit, as well as to manage playlists and perform last minute changes.

Key Features ■ Integrated environment with a user-friendly interface

■ Ingest system, common with Etere Media Asset Management (MAM), can be used for both archive and playout

■ Start and end points on videos are stored in the system database

■ Single segment, multi segment and multi spot are managed as a same database object

■ Barcodes can be printed on catalogue tapes

■ Ingest jobs can be automated to minimize operator work

■ Live recordings are also supported and these can be manually triggered or pre-scheduled

■ Play while recording is supported on every device

■ Etere Automation runs independently from the Etere' SQL Server, ensuring a truly fault-tolerant and resilient performance

■ Etere Automation is able to offer different levels of fault tolerance, with Backup Mode, Master/Clone Mode, and Disaster Recovery Mode with a distributed architecture that provides high redundancy for system failure

■ Seamless workflows with Etere ETX, Etere Scheduling and Etere Automation for real time content delivery

Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

Jigsaw24 and Gallery have a longstanding partnership. Together, we’ve delivered innovative projects covering a range of workflows, including news, soap operas and live sports.

Our expertise and experience when it comes to networking and broadcast workflows mean we can provide a complete solution from specification through to installation, including ongoing support once a workflow is in place. As part of the global network of approved Sienna Cloud systems integrators, we can provide local installation, support and maintenance to ensure always-on operation of your entire Sienna Cloud for NDI network.

If you want to see first-hand how Gallery’s solutions can improve and augment your existing workflow, get in touch with the team to arrange an integrated demo featuring a selection of solutions tailored to your environment.

• Stable for 24/7 operations


• Customizable layouts


• User friendly interface and layout designer


• SDI, NDI or IP Stream inputs


• SDI, NDI or IP Stream outputs


• Multi-display support


• SD/HD/UHD/4K for SDI input up to 60 fps(*)


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input


• Configurable audio channels


• Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail


• Threshold-defined visual indicator for low/high audio and video loss

Bluefish444 have developed IngeSTore as a complementary multi-channel ingest tool, enabling Bluefish hardware to capture multiple independent format SDI or NDI® sources simultaneously. Capture to QuickTime, AVI and DVCPRO50/HD codecs for free.

Watch the IngeSTore product video here

IngeSTore can be used seamlessly in combination with popular NLE software such as Avid Media Composer and Adobe Premiere Pro CC to provide a simultaneous capture and output solution, with compatible Bluefish hardware and firmware modes.

IngeSTore features software licence upgrades to encode uncompressed SDI to other codecs, such as Avid-compliant OP-ATOM DNxHD 8-bit media. IngeSTore can write directly to local or shared storage, including Avid shared storage, allowing systems to access media directly from the Avid Media Database.

The BlueCodecPack licence includes DNxHD, ProRes, H.264, Sony XDCAM, and AVC-Intra 100 codecs, with JPEG 2000 also available as an optional addition to BlueCodecPack.

• Multi-cam studio


• ISO recording


• Archive from video tape


• Post-production


• Electronic News Gathering (ENG)


• Uncompressed capture & encode later


• Edit While Record (Growing files)


• Remote production


• Mobile production

• Uncompressed, DV, DVCProHD codecs free


• H.264, DNxHD, AVC-Intra 100, XDCAM, JPEG2000 via additional licence


• Codecs are compatible with MAM options such as eMAM and CatDV

• Connects via 10Gb, 5Gb, 2.5Gb or 1Gb network interfaces


• Compatible with Avid Nexis shared storage devices, and storage from G-Technology, DDP, SNS Evo, ProMAX, JMR, Caldigit, MAGMA, ATTO, Fusion, Facilis Technology, Masstech, Accusys, EditShare, StorageDNA, Quantum, plus more


• Visit Bluefish's website for a full list of qualified shared storage options

• BlueCodecPack licence allows IngeSTore to record to growing file compatible formats


• Edit live in Avid Media Composer or Adobe Premiere Pro while the recording is still underway. This is available within Premiere Pro natively in some formats, with all other formats requiring the BlueRT plug-in


• Can either be used on the same system as IngeSTore or a separate network-connected NLE workstation


• Growing file support with Adobe Creative Cloud, Assimilate SCRATCH, CasparCG, Drastic Video QC, VLC and Medialooks software

• Control IngeSTore remotely on your network


• Supports multiple servers controlled via a single interface


• Add extra functionality to IngeSTore


• Requires a REST API licence per server

• Multi-cam studio


• ISO recording


• Archive from video tape


• Post-production


• Electronic News Gathering (ENG)


• Uncompressed capture & encode later


• Edit While Record (Growing files)


• Remote production


• Mobile production

• Uncompressed, DV, DVCProHD codecs free


• H.264, DNxHD, AVC-Intra 100, XDCAM, JPEG2000 via additional licence


• Codecs are compatible with MAM options such as eMAM and CatDV

• Connects via 10Gb, 5Gb, 2.5Gb or 1Gb network interfaces


• Compatible with Avid Nexis shared storage devices, and storage from G-Technology, DDP, SNS Evo, ProMAX, JMR, Caldigit, MAGMA, ATTO, Fusion, Facilis Technology, Masstech, Accusys, EditShare, StorageDNA, Quantum, plus more


• Visit Bluefish's website for a full list of qualified shared storage options

• BlueCodecPack licence allows IngeSTore to record to growing file compatible formats


• Edit live in Avid Media Composer or Adobe Premiere Pro while the recording is still underway. This is available within Premiere Pro natively in some formats, with all other formats requiring the BlueRT plug-in


• Requires separate workstation connected to the same network as IngeSTore Server 3G


• Growing file support with Adobe Creative Cloud, Assimilate SCRATCH, CasparCG, Drastic Video QC, VLC and Medialooks software

• Control IngeSTore Server 3G remotely on your network


• Supports multiple servers controlled via a single interface


• Add extra functionality to IngeSTore


• Requires a REST API licence per server

• Edit-while-capture;


• Multi-camera management;


• multiple formats and resolutions;


• Built-in VTR controller;


• Multiple destinations;


• Remote web interface;


• Video-Over-IP standards (ST2110 and ST2022-6) support.

THERE IS A TRICASTER FOR EVERY PRODUCTION

Powerful and affordable tools. Help tell your story…beautifully. NewTek TriCaster systems put an entire suite of media production capabilities at your fingertips. You can make anything from keynote presentations and webcasts to online training and sporting events look amazing with quality, consistency and efficiency.

At disguise, we’re building the next generation of collaborative tools to help artists and technologists realise their vision.

disguise is a software on hardware solution. Get Designer as a software-only show design tool to visualise, design, and sequence projects wherever you are. When it's time to deliver, pick one of our hardware options to seamlessly turn your concept into a creation.

The gx range has been designed to push generative content to new heights. The powerful graphics engines let you render more particles, realistic smoke and liquids, lighting effects, and complex environments, all at higher resolutions and smoother frame-rates. Additionally, all gx range machines come with an integrated Notch Playback License.

The RACK400 is AVIWEST’s latest generation of video encoder designed for live production in tight spaces, including contribution applications and remote/at-home productions. Multi-camera production in HD or single pristine UHD capabilities is combined with mission-critical transmission in this compact half 1U solution.

The RACK400 can help broadcasters’ Remote Production or At-Home Production reach its full potential thanks to the followings features: perfect video and lip sync across multiple cameras, camera remote control, video return, intercom.

The RACK400 provides robust and error-free transmission over all networks (cellular, satellite, IP leased line or the public Internet) thanks to the AVIWEST Emmy® awarded SST Technology.

The MX Hybrid features:

•       8 Network/IP + 3 SDI (HD/4K) + 1 HDMI/SDI/Analog inputs

•       4 (2 SDI + 2 NDI™) Program & Aux assignable outputs

•       6 Keyers with DVEs and chromakey

•       Remote “Browser-Based” and “Easy-To-Operate” User Interfaces

•       GuestPix remote guest integration

•       Integrated Chat and Intercom

•       Enhanced macros to automate repetitive tasks and ensure consistency of production

•       Built-in streaming, recording and audio mixing

•       Hardware that fully supports 1080p/60 and 4K

“We are very pleased to announce MX Hybrid, the latest product in our range of easy-to-use live production solutions,” said Graham Sharp, CEO, Broadcast Pix. “The feature rich, future proof and flexible MX Hybrid will serve the production needs of government, broadcast, live events, and visual radio users – well into the future with its hybrid input configuration and video format agnostic support. We are offering competitive upgrades to existing users and coupled with our customer support packages, we are fulfilling our vow never to leave any customer behind.” Upgrade your production experience today - to the easiest to use, simplest to install, most flexible 4K compatible product on the market!  The MX Hybrid is now available to order for $19,995 US MSRP and will begin shipping in late 2021.

To learn more, visit www.broadcastpix.com.

The vx 4 has dual 25 Gb/sec and dual 10 Gb/sec ethernet ports, enabling faster media file transfer and higher resolution networked live video capture.

Optimised for playing up to four times uncompressed 4K60 using its high-performance NVME RAID drive array; as well as the capability of playing lossless 10-bit video.  Additionally, it can capture either 16 3G-SDI sources, or four 4K sources (2160p60).

The vx 1 has all the functionality of our other pro range machines with a single VFC slot. It has dual 25 Gb/sec and dual 10 Gb/sec ethernet ports, enabling faster media file transfer and higher resolution networked live video capture.

Capable of capturing up to 12G input, the vx 1 can be upgraded from its single 4K or four HD outputs to our vx 2 machine anytime you choose.

Seamlessly connect your disguise hardware. fabric is a pre configured network switch that was built to connect your vx and rx servers quickly, with the lowest latency.

Ready to be used straight out of the box, fabric is bundled with cables, SFP’s, and a rackmount. Set up your disguise ecosystem with easy instructions and without the need to consult a network engineer.

• For HD/SD SDI: Up to 7 recording channels + 7 search channels + 2 playback channels + FX


• For 3G SDI: 4 recording channels + 4 search channels + 2 playback channels + FX

Fresco-Atom is a flexible embedded OS multiviewer system, which supports up to 16 3G/HD/SD-SDI auto-sensing inputs, the first 4 inputs are also auto-sensing for CVBS, provides 2 HDMI outputs, 2 HD-SDI outputs and built-in 16X2 router. Fresco-Atom can easily achieve any scaling, any repetition and any span for any signal in any location. Fresco-Atom relies on its superb image quality, steady embedded OS, low-power consumption, highly compact chassis and great cost performance, suitable for master control room, broadcast control room, studio, mobile control room and other centralized monitoring occasion.

• Multifeed Ingest


• Multiple Playout


• Content Control, Edit and Playout


• Edit-while-Ingest


• Time-delay Recording


• An unlimited number of channels


• Playlist Editor to assemble the highlights of recording


• Proxy Generation


• Template Customisation


• Creating a role to users


• User-Specific Permissions


• Playout Control


• Up/Down Conversion


• File and Folder Naming Automation


• Multilanguage Support

Hero Playout is designed for 24/7 automated video/live playout. Automated design allows scheduling live events from different source and durations.

Its easy-to-use interface designed for both monitoring and managing playout operation. Operators can easily manage daily and backup playlists. Customized playlist transfer tool could adopt any equipment and system. In the user interface, operators can preview audio & video live source before playout.

Hero Playout also supports multi layer image logo, text title and ticker. This self-developed system can integrate with main stream broadcasting equipment.

Hero Playout could be perfectly integrated with Hero Scheduling as an efficient media Channel in Box system.

Specification:

◎  Support 4K/HD /SD playout.

◎  Compatible with AJA / Blackmagic capture card.

◎  SDI output.

◎  Format: MP4, MPEG2, MXF, GXF, AVI, H.264, H.265.

◎  Audio sample rate: 48K / 44.1K.

◎  Optional 1CH or more Live input.

◎  Support 6 logo overlay, 2 titles and 2 tickers simultaneously.

◎  Support multi files of Targa and PNG.

◎  Support Timecode RP188-VITC-LTC

◎  Support  Audio codec: AAC / MPG1 &2

◎  Support GPI/ Cue ton

Feature:

◎  Support LOOP / 24HR playlist, seamless playout mechanism.

◎  Can appoint real time for playout, complete 24HR playlist is not necessary.

◎  Preview window for next clip.

◎  Can swap program or Ad while broadcasting.

◎  Support “back-up playlist” in case video not exist.

◎  Support pre-download function; download required video to local HDD from video archive base on daily playlist.

◎  Support remote playout function; when video not in local HDD, system will play the video in video archive.

◎  Support auto-delete function; while local HDD is full, system will check the oldest video is not in daily playlist and delete it,

◎  Can connect to video archive for metadata, ex: program, episode, ID, length, SOM, in/out point.

◎  When the file/ subtitle/ logo in archive is updated, playout system can detect and update automatically.

◎  Warming area for video not existing, click warming area to edit the warming program.

◎  6 logo and 2 program titles overlay simultaneously, manual or scheduled control every logo/title.

◎  24Hour ticker schedule.

◎  Can edit font, size, location, color of title/ ticker

◎  Audio volume control bar.

◎  Playout log, including playlist load time/start time/ end time/ every clip playing time

◎  Video log, recording auto-download and delete every clip.

◎  System log, including 1. AS run log 2. System debug log

◎  Integrated with 3rd party routing switcher

◎  English/ Traditional Chinese user interface.

The IQ Sports Producer is an all-in-one multi camera production suite operated by just one person. Its simple and intuitive interface allows anyone to produce and stream a game anywhere.

The IQ Sports Producer makes live and on-demand web broadcasting available without the hassle of hiring an entire camera crew. The system provides an automated video broadcast production with up to 3 180-degree cameras, which makes it possible to upgrade from a single camera to a multi camera production. The superb de-warping and stitching technology provides a natural-looking corrected image with straight line-markings.

With this technology, cost-effective cameras can be used for complete coverage of the playing field. A pan and zoomed image is automatically created by special developed game tracking technology. With extra features such as live streaming, game replay generator, commentary, scoreboard options and automatic summaries and highlights, the IQ Sports Producer enables clubs to capture, stream and re-publish their field games easily and cost-effectively.

The LinkMatrix uses cloud-based transcoding to ensure compliance between any source and any streaming destination. The LinkMatrix is multi-destination and makes it possible to publish the same feed on many platforms including private CDN’s.

• Remote control of all Mobile Viewpoint systems in the field


• Enables a low cost complete remote production or multicamera event


• Create a complete web channel with playlist, graphics, leaders and advertisements

The main function of LinkMatrix is to connect video sources with TS decoders such as IRD or social media platforms such as Facebook.

With the LinkMatrix all systems in the field can be easily controlled and monitored. They can be remotely accessed and all settings on the units can be changed. The user-friendly architecture assures that the remote-control GUI is the same as seen in the field, facilitating true remote support.

In combination with our Multicam units, it is possible to do a true remote production of a multi camera event. In combination with our VPilot platform, it is possible to do the complete production with just a single operator on site. LinkMatrix also supports RS-422 output, enabling remote production with cameras from Sony, Panasonic and others.

The LinkMatrix serves as the heart of all our services and products, and can also function as a video router when combined with the MVP LinkSwitch server. The LinkMatrix production tab offers features such as the creation of playlists, overlays, live switches and tickers to enable the production of complete IPTV channels. Playlists can be generated with exports from original WMT streams, as well as from other clips using the upload function, and can be either wall-clock based or interruptible. Interruptible playlists introduce leaders and pre- and post-roles for live productions targeted to platforms such as Facebook. they can also be used to insert advertisements before and during the broadcast of sports events.

Multicamera

For our multicamera units, LinkMatrix supports web-based PTZ control as well as shading and color correction.

• For HD/SD SDI: Up to 7 recording + 7 search + 2 playback channels + FX


• For 3G SDI: 4 recording + 4 search + 2 playback channels + FX.

• For HD/SD SDI: Up to 7 recording channels + 7 search channels + 2 playback channels + FX


• For 3G SDI: 4 recording channels + 4 search channels + 2 playback channels + FX.