Wildmoka Auto ReZone™ transforms automatically and in real-time horizontal layouts into vertical ones.

The Wildmoka’s Auto ReZoneTM extracts content from live streams or recorded videos, and automatically reconstitutes it into a mobile-first video format (typically 9:16 or 1:1). The tool uses AI and machine learning to:

• Detect all the zones of interest in each 16:9 frames,


• Select a vertical layout/template suitable to fit the various zones of interest detected above,


• Extract each zone from the horizontal frame and adjust them individually to fit the zone sizes of the target vertical layout,


• Finally, re-compose the extracted zones and graphical elements into the overall final vertical frame.

This process is done automatically and in just a few seconds in order to minimize the delay between the original live stream and the newly generated vertical stream. This solution has been especially designed for 24/7 news live streams.

• Deliver a premium mobile-first experience without changing your existing Newsroom workflow.


• Boost your audience, including on Youth and Senior market segments.


• Extend your mobile audience's average viewing time.


• Differentiate on Social Media with vertical formats.


• Become the place to be for advertisers.

Contact us

Wildmoka delivers the cloud-native video platform widely adopted by the leading sport and news broadcasters to: ingest, edit, publish and monetize live streams and short-form content on all digital channels (D2C OTT and Social Media). It is powered by an intuitive web-based edition tool for non-technical-savvy editors to publish in seconds, before anyone. The AI-based automation engine allows to create clips and summaries and to post them through pre-defined templates without any human intervention (in full automation mode). For more information about Wildmoka solutions and services, visit www.wildmoka.com

Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.

Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.

The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.

Viz Mosart 4 changes the studio production dynamic by adding live IP video support directly within the touch-based user interface, opening the door to entirely new workflows and allowing producers to build shows that can be run more easily, from a wide variety of locations. Further improvements to usability also mean that anyone in the organization is able to execute a pre-built show, reducing dependencies on limited resources.

Live sources in the interface

As a market first, Viz Mosart 4 features a fully customizable interface with interactive live sources. Viz Mosart integrates video over IP directly to your monitor to give an unrivaled view of the show – displaying any video source, program and preview directly in the user interface. Building on the software-based and IP leadership within Vizrt Group and NDI®, this setup can be deployed to an existing network environment and does not require radical infrastructure or monitoring changes.

Breaking news tools

Viz Mosart was made for breaking news. New functionality gives instant and unscripted access to assets including templates, show openers, and much more. The new graphics panel lets you access all your Vizrt graphics, preview them and then put them directly on-air. When combined, these tools offer true innovation and access to on-air news production in ways that have previously just not been possible.

Template management

The template organization capability introduced in Viz Mosart 4 significantly reduces the time spent on creation and maintenance of automation templates, allowing you to focus on your show and not the tools needed to create and bring your vision to life.

• 3-camera 4K virtual studio system – expandable to 16 cameras.


•  Pre-confi gured system with pre-calibrated lenses.


•  1 vendor for supply, installation, training, and support.


• 1 day installation.


• No additional virtual studio compositing software required.


• Works with LED wall studios or green studios.


• 4K recorders included – shoot live to air, or record for post-production.


• Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.


• Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.


• Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video

• Mo-Sys tracking data over LiveLink - Supports StarTracker, StarTracker MoCap, StarTrackerVR headsets, StarTracker ViewFinder, Handwheels, and extends to all future robotics and tracking hardware.


• Raw Mo-Sys tracking data - Blueprint nodes for use within a 'built game'


• Data transmitter - Send data out of Unreal Engine to control Mo-sys robotics


• Mo-Cap drift correction - Positional correction for use with StarTracker MoCap hardware


• nDisplay for LED Wall -Receive data via VRPN for off-axis projection


• Live video I/O - Automatic configuration of compositing pipeline


• Drag-and-drop virtual camera -  Pre-fabricated components for a variety of compositing modes


• Data recording with timecode - Synchronous multi-source tracking and lens data recording


• Video management tool - Simple interface to configure and monitor video I/O


• VP system status - See at a glance the state of the virtual production system


• VP layouts  - Custom layouts for different stages of virtual production


• FBX data export - Virtual camera export to traditional pipelines


• Internal keyer - Color difference keyer for pre-visualisation


• External hardware keyer integration - Switch presets on Blackmagic Ultimatte from Unreal blueprints


• Switcher integration - Cut cameras on Blackmagic ATEM from Unreal blueprints


• External SDI recorder integration - Fire record on Blackmagic Hyperdeck recorders automatically with timecode and metadata


• Lens distortion - Entirely automated distortion for calibrated fixed and zoom lenses


• Depth of field - Automatic focal distance from StarTracker for depth of field handling


• StarTracker configuration - Detect and configure StarTrackers from inside Unreal editor

As IP continues to go mainstream for video production, producers have identified key requirements. They’re looking to move away from bulky, expensive hardware to more flexible software and cloud-based solutions as well as more lightweight field gear like bonded cellular backpacks. They need IP streaming solutions that can be incorporated easily into production workflows, with the ability to ingest non-baseband sources.  Broadcast Operations need to be able to use the entire gamut of IP-based protocols, and sometimes several of them during the same production. Likewise, they need fast, frictionless ways to transcode feeds and files into multiple video house formats for asset management and distribution. 

The concept of an IP network operations center (IP-NOC) addresses all of these requirements by bringing together the state of the art in IP-based signal acquisition and cloud-based media asset management (MAM). Driven by these enabling technologies, the IP NOC offers a paradigm shift from traditional broadcast operation centers and satellite trucks to smaller and more nimble transmission gear, cameras, and capture devices. 

Jigsaw24 and Gallery have a longstanding partnership. Together, we’ve delivered innovative projects covering a range of workflows, including news, soap operas and live sports.

Our expertise and experience when it comes to networking and broadcast workflows mean we can provide a complete solution from specification through to installation, including ongoing support once a workflow is in place. As part of the global network of approved Sienna Cloud systems integrators, we can provide local installation, support and maintenance to ensure always-on operation of your entire Sienna Cloud for NDI network.

If you want to see first-hand how Gallery’s solutions can improve and augment your existing workflow, get in touch with the team to arrange an integrated demo featuring a selection of solutions tailored to your environment.

• Stable for 24/7 operations


• SD/HD/UHD/4K/8K support(*)


• SDI, NDI, WebRTC, IP Stream or File inputs


• SDI, NDI or WebRTC outputs


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for IP Stream input


• Video and audio preview feature


• Input bitrate chart


• Loop feature for file inputs


• LUFS(Loudness Units Relative to Full Scale) Audio Normalization


• Audio Gain feature to turn up or down the audio level


• Auto-recovery of disconnected or failed streams


• Monitoring inputs to auto-activate outputs


• Frame rate conversion (e.g. 30 fps to 25 fps)


• Up/down/cross scaling

• Stable for 24/7 operations


• Customizable layouts


• User friendly interface and layout designer


• SDI, NDI or IP Stream inputs


• SDI, NDI or IP Stream outputs


• Multi-display support


• SD/HD/UHD/4K for SDI input up to 60 fps(*)


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input


• Configurable audio channels


• Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail


• Threshold-defined visual indicator for low/high audio and video loss

Ensure your content reaches the widest audiences, even on those breaking news. AUDIMUS.MEDIA creates automatic closed captionings for all of live programs and nowadays they are reaching more that 500 million viewers spread in two continents!

The IQ Sports Producer is an all-in-one multi camera production suite operated by just one person. Its simple and intuitive interface allows anyone to produce and stream a game anywhere.

The IQ Sports Producer makes live and on-demand web broadcasting available without the hassle of hiring an entire camera crew. The system provides an automated video broadcast production with up to 3 180-degree cameras, which makes it possible to upgrade from a single camera to a multi camera production. The superb de-warping and stitching technology provides a natural-looking corrected image with straight line-markings.

With this technology, cost-effective cameras can be used for complete coverage of the playing field. A pan and zoomed image is automatically created by special developed game tracking technology. With extra features such as live streaming, game replay generator, commentary, scoreboard options and automatic summaries and highlights, the IQ Sports Producer enables clubs to capture, stream and re-publish their field games easily and cost-effectively.

New RadioPix™ systems come complete with everything radio stations need to start creating dynamic visual radio content. It enables any radio station to create compelling visual programming and generate new revenue streams through an easy-to-install, user-friendly system based on proven technology, all at an affordable price of $15,000.

Each RadioPix system includes behavioral intelligence to automatically switch the included robotic cameras to whoever is talking, and automatically insert titles, graphics, and ads.

On startup, the system is ready to go, but two hours of dial-in consulting is included to help create the station look and feel; for example, import and position the station ID, choose suitable video clips and graphics elements and finally program the behavioral intelligence. The host can also override the behavioral intelligence from optional touch screen panels, MIDI interfaces or even footswitches. Compatible with radio automation software, Axia, AEQ and Wheatstone consoles, anyone can start streaming great pix of their radio show in minutes with RadioPix - the new voice-automated, integrated visual radio production solution from Broadcast Pix.

The Ideal Solution for Today’s Live Streaming World StreamingPix is a complete yet easy to use live production and streaming solution that provides a powerful tool set enabling users to create engaging video content with a polished, professional look.

Ideal for companies from Aquariums to Zoo’s; Churches, Corporations, Events, Schools, Universities, and all users who want to take streaming to the next level, StreamingPix is an affordable turnkey solution that is easy to set up and ready to go right out of the box. It comes with a remotely controlled RoboPix PTZ camera, a Lenovo Tiny server, a high-quality LAV microphone, SDI, HDMI, IP and NDI™ inputs and an IP switch.

StreamingPix also makes it easy to start creating compelling content, with a ready-to-use video clip library, extensive graphic templates, pre-built automated macros to simplify common tasks and a plug and play approach to integrating PowerPoint, videoconferencing systems and social media feeds through integration with the CASTUS Stream platform, which avoids complex Firewall Configurations or Port Forwarding.

With simultaneous streaming and recording capabilities, StreamingPix can stream to popular streaming and video conferencing services, such as Facebook Live, YouTube Live, IBM Cloud, Livestream, Zoom, Skype, GoToMeeting and more. Utilizing native integration to Switchboards’ Cloud platform, live video content can be streamed to up to five destinations at once after a quick and easy one-time set up.

StreamingPix provides a simple, extremely accessible and easily automated solution to event, meeting, lecture, and worship streaming - enabling non-technologists to create professional looking content quickly and easily. Start producing and streaming more compelling live content with StreamingPix - THE turnkey streaming solution for today's live streaming world.

Post-Production Automation

Post-production workflows are notably slow and manual, with files being shipped by hard drive  and editors tasked with batch encoding and ingesting files, as well as manually entering custom bin information into their Avid systems. These steps can add days to the production schedule, slowing content creation.

Now, latakoo has created a solution that automates this workflow for teams using Avid Media Composer, shaving days off of the current process.

Automation with MediaComposer

With latakoo, crews on location can send a lightweight proxy file to the editors within minutes of the shoot. With latakoo’s patented compression/upload process, proxy files can be created and quickly uploaded to your private cloud account, for storage and sharing. Metadata associated with the files – such as card number, shoot date, camera ID, project number, or any custom field - can be collected for each group of videos transferred. The metadata form is completely customizable for your project requirements.

After upload, the files are automatically downloaded by latakoo HUB and dropped inside your firewall. All the editors have to do is drag the group of files into the appropriate bin in Avid Media Composer. The files, along with the metadata, automatically populate the Avid bin with the correct information.

And because the proxy files retain their original video ID, relinking the original media is easily achieved.

latakoo is a complete system, so when that first draft is finished, you can easily export it to the cloud for review and approval.

Reclaim Your Time

Imagine saving days off of your current video workflow; automating proxy creation, ingest and metadata into one simple system. It’s possible with latakoo.

Wildmoka Auto ReZone™ transforms automatically and in real-time horizontal layouts into vertical ones.

The Wildmoka’s Auto ReZoneTM extracts content from live streams or recorded videos, and automatically reconstitutes it into a mobile-first video format (typically 9:16 or 1:1). The tool uses AI and machine learning to:

• Detect all the zones of interest in each 16:9 frames,


• Select a vertical layout/template suitable to fit the various zones of interest detected above,


• Extract each zone from the horizontal frame and adjust them individually to fit the zone sizes of the target vertical layout,


• Finally, re-compose the extracted zones and graphical elements into the overall final vertical frame.

This process is done automatically and in just a few seconds in order to minimize the delay between the original live stream and the newly generated vertical stream. This solution has been especially designed for 24/7 news live streams.

• Deliver a premium mobile-first experience without changing your existing Newsroom workflow.


• Boost your audience, including on Youth and Senior market segments.


• Extend your mobile audience's average viewing time.


• Differentiate on Social Media with vertical formats.


• Become the place to be for advertisers.

Contact us

TitleBox is a complex and incredibly user-friendly on-air CG and graphics manager. It allows you to make and save various static or dynamic objects like rolls, crawls, multi-layered simultaneous still images, analog and digital clocks, animated logos, etc. These can be easily used for direct broadcasting or for future use as customized templates.

TitleBox is an interactive graphics manager that generates, shows and manages captivating multi-zone screens with rolls, crawls, animations clocks, station logos, 3D objects, and many more. It is ideal for broadcasting and cable TV channels digital signage systems and public and private facilities like schools, colleges, universities, business entities, corporations, retail, shopping malls, churches, airports, hotels, holiday resorts, theme parks, etc. Furthermore, TitleBox has a Scheduler that allows you to start items at different times from previously created tasks.

TitleBox provides on-air graphics that can be interactively controlled. You can enable multi-layer simultaneous crawls, rolls, animated icons, clocks and text templates with a click of the mouse. TitleBox provides full on-air command, including text selection, running speed and transitions.

MS Windows 10 compatible

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

• Ready-to-onboard repository of accurately conformed master video feeds, audio feeds and subtitles for OTT platforms like Amazon Prime, Hulu and Netflix, enabling accelerated content distribution.


• Enhance Resource Flexibility - Free up manual bandwidth for creative/subjective tasks by eliminating redundant tasks."


• Boosts Post-Production Efficiency - Reduce redundant content transformation and quality control (QC) processes in the content supply chain."


• Pay per Use Model - Exercise greater control on workflow expenditure by paying only for the assets processed, devoid of committed costs."

• Increased Time for Creativity - Free up employee bandwidth for creative/subjective tasks by eliminating manual & redundant editing tasks.


• Faster Content Localization - Enable automation of various QC processes in post-production to accelerate international distribution


• Pay per Use Model - Exercise greater control on workflow expenditure by paying only for the assets processed, devoid of committed costs.


• Reduction in costs and effort involved in manual quality control and editing processes.