Startracker - IABM Single BaM Product

Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.

Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.

The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.

Live TV events, especially sports, generate unrivalled buzz and excitement among viewers the world over, but live event production is no small undertaking. Remote production offers a smart, flexible model for success in the globalized world of live content, where surging audiences for niche sports, esports and unique entertainment are driving even more demand. The Switch’s remote production services enable broadcasters and other rights holders to continue meeting consumers’ seemingly insatiable thirst for high quality live content while maximizing resources.

The Switch has pioneered remote production for three decades and our Emmy Award-winning team has played a leading role in bringing premier sports to life for major networks and leagues. We know how to put together top-caliber productions and determine what our customers need so they can deliver the best content to viewers around the world.

With The Switch, producing content more efficiently and cost effectively – without compromising quality – is simple. Our end-to-end event production and packaging capabilities scale to meet the needs of a single event or multiple productions. As a home away from home, we support dynamic live sports, news, entertainment and event production in locations across the globe, removing the need for large amounts of equipment and big production crews on site.

With links to every major sports stadium in North America and connections to the leading international sports and entertainment venues around the world, The Switch has you covered from stadium to studio to any screen. Many of the biggest names in sports and entertainment rely on our production services and facilities to create and deliver the world’s major live events.

Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.

MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.

MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.

In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.

Viz Mosart 4 changes the studio production dynamic by adding live IP video support directly within the touch-based user interface, opening the door to entirely new workflows and allowing producers to build shows that can be run more easily, from a wide variety of locations. Further improvements to usability also mean that anyone in the organization is able to execute a pre-built show, reducing dependencies on limited resources.

Live sources in the interface

As a market first, Viz Mosart 4 features a fully customizable interface with interactive live sources. Viz Mosart integrates video over IP directly to your monitor to give an unrivaled view of the show – displaying any video source, program and preview directly in the user interface. Building on the software-based and IP leadership within Vizrt Group and NDI®, this setup can be deployed to an existing network environment and does not require radical infrastructure or monitoring changes.

Breaking news tools

Viz Mosart was made for breaking news. New functionality gives instant and unscripted access to assets including templates, show openers, and much more. The new graphics panel lets you access all your Vizrt graphics, preview them and then put them directly on-air. When combined, these tools offer true innovation and access to on-air news production in ways that have previously just not been possible.

Template management

The template organization capability introduced in Viz Mosart 4 significantly reduces the time spent on creation and maintenance of automation templates, allowing you to focus on your show and not the tools needed to create and bring your vision to life.

Viura is a CGI software tool for editors and presenters that provides intelligent camera control in the radio studio. The solution is entirely manufacturer-independent through a combination of video hardware from Blackmagic Design and our specially-designed control software. This means it’s compatible with other dira solutions, as well as with third-party solutions for playout and production.

Triggered by microphone-level detection, fader starts, or by key actions, the software automatically switches to the corresponding configured camera in the studio. Packaging elements, such as lower thirds or broadcast logos, are generated automatically and also can be displayed automatically or by pressing a button.

• Automatic operations with no additional studio staff required


• Event-controlled camera changes (e.g. by microphone input level, fader starts, etc.)


• Individual logos and texts displayed


• Automatic background recording


• Workflow can be implemented with any mixing console using Ember+


• Integrated touch interface

Etere Automation is a powerful, reliable and modular playout automation system that is able to enhance broadcasters' potential in terms of functionalities and workflow design. Its unique approach combines real-time device control and media asset management in a single product, offering a powerful mix of solutions and capabilities. It is a system to fit all broadcaster needs. Etere Automation is able to transmit streaming events according to the videoserver capabilities, and play in A/B switch mode and remote several devices among the large list of the supported ones, using network, serial, and GPI connections. In addition, Etere Automation database-independent capabilities enable different levels of fault tolerance, allowing it to run on Backup Mode, Master/Clone Mode, and Disaster Recovery Mode. Etere Automation's distributed architecture provides a system that can grow and change to fit all broadcaster needs. It runs on Windows and controls all the broadcast system devices. Etere Automation uses the database of Etere Media Asset Management to integrate all the activities in a single environment, thus allowing retrieval of assets stored in the station with no size limit, as well as to manage playlists and perform last minute changes.

Key Features ■ Integrated environment with a user-friendly interface

■ Ingest system, common with Etere Media Asset Management (MAM), can be used for both archive and playout

■ Start and end points on videos are stored in the system database

■ Single segment, multi segment and multi spot are managed as a same database object

■ Barcodes can be printed on catalogue tapes

■ Ingest jobs can be automated to minimize operator work

■ Live recordings are also supported and these can be manually triggered or pre-scheduled

■ Play while recording is supported on every device

■ Etere Automation runs independently from the Etere' SQL Server, ensuring a truly fault-tolerant and resilient performance

■ Etere Automation is able to offer different levels of fault tolerance, with Backup Mode, Master/Clone Mode, and Disaster Recovery Mode with a distributed architecture that provides high redundancy for system failure

■ Seamless workflows with Etere ETX, Etere Scheduling and Etere Automation for real time content delivery

The most advanced IT-based solution, cost-efficient video management system on the market that is a complete channel in a box with full IP/NDI/SDI in and out capabilities.

Etere ETX is the most advanced, tightly integrated and cost-efficient video management system on the market, completely based on IT technology. It is 4K ready and a complete channel in a box with full IP/NDI/SDI (in and out) for multiple frames rates. It is able to drive the most popular HD/SD digital video/audio/graphics platforms without using middle-ware/proprietary hardware. ETX is a fully digital ingest/playout engine that gives you professional video technology with support for all major essences and wrappers in the broadcast industry. It is capable of SDI output, multiple layers of graphics. Additionally, HEVC/ H.265 encoding is also available on Etere ETX. With ETX inserter, operators are able to create closed captions including CEA 608 and CEA 708. In addition, ETX is capable of live subtitling with the ETX inserter and time delay. ETX is also integrated with a countdown timer that displays the time remaining until the next program. As part of the Etere Ecosystem framework, Etere ETX has a distributed architecture that enables it to take advantage of ultimate storage and video hardware to create a high-performance digital media solution that can be used to capture/playout servers, NLE systems, graphics/production servers, automation and master control units. To receive an NDI source stream, use live source object and initialize the "NDI Receiver" device just like any other capture card. The distribution of contents from the different ETX engines is controlled by Etere Data Mover, the application that delivers the correct video to the correct place at the correct time. In addition, Etere ETX video file transfer capability is one of the fastest in the market.

Key features

■ Multiple graphics and webGL graphics overlays

■ Capture web pages as live multimedia sources

■ 4K, HD, and SD with Up and Down conversion

■ RTMP input and integrated time delay

■ Serves as a RTMP sender or RTSP receiver

■ Full IP support for both HD and SD videos, supports NewTek NDI

■ Supports multiple layers of graphics

■ Fully compliant DVB (Digital Video Broadcasting) stream

■ Supports Microsoft ReFS File System, cloud-ready

■ Included graphics engine allows overlay of static/animated logos and crawlers on 8 layers

■ Able to perform IP in and IP out, with multiple frame rates and independent IP out services

■ Integrated IT-based master control with multichannel ingest/playout

■ Easy insertion of closed captions including CEA 608 and CEA 708 with ETX inserter

■ Create live subtitling seamlessly with ETX inserter and time delay

■ SDI output with support for selected cards (SDI or IP) including Blackmagic, Matrox

■ File formats includes LXF, MOV, MXF, GXF, ASF, MPG-TS, MPG-PS, AVI, DV and MKV

■ Video codecs includes DVCPRO, MPG1, MPG2, MPG4, H.264, HEVC/ H.265, DNxHD, ProRes

■ Audio codecs includes AAC, MP2, MP3, Flac

■ Graphics files includes TGA, AVI, MOV, SWF, PNG, JPEG, GIF

■ Plays files from 5 secs

Etere Channel in the Cloud encompasses all the features you need for a cloud playout, management and distribution. Be ready for the cloud with Etere's cost-efficiency, speedy deployments, easy scalability and secure remote access.

Etere Channel in the Cloud empowers users with broadcast-quality, cost-effective and cloud-based channel playout, management and distribution. With Etere, you can lower costs, retain better control of your operations and achieve greater flexibility.

Etere provides a hassle-free and cost-effective approach to cloud playout with a full range of advantages including:

■ Launch channels in the cloud without the high costs associated with traditional hardware and satellite delivery

■ Discover new revenue generating opportunities with the easy expansion of channels

■ Channels can be managed from any location and device with an internet connection

■ Distribution to all platforms including satellite, cable, IPTV, web and mobile

■ Unified workflows for linear, Video-on-Demand (VOD) and Over-the-Top (OTT) deliveries

■ Create unlimited sub-channels for different regions and head-ends

■ Insert logo and channel branding directly from the same interface

■ Full resiliency and secure access

Key Features

■ Time delay

■ Disaster recovery

■ As-run output file

■ With full IP inputs and outputs

■ Live playlist and live monitoring

■ Cloud Storage with automatic file sync

■ Cloud transcoding/transfer with Multiplex

■ Segment and edit clips directly from the cloud

■ Full SD and HD broadcast quality of 480i, 720p, 1080i and 1080p

■ CEA 608/708 closed caption support for both live and file sources

■ Supports IP Multiviewer for up to 9 display monitors and 30 input sources

■ Playlist preview and scheduling for both automatic and manual insertions

■ Costs are significantly lower than that of standard playout solutions

■ Channels can be controlled from any location with an internet connection

■ Manage CG insertions including logos, crawlers and animated graphics directly from the cloud

■ Network providers can launch a channel in the cloud easily without satellite video system setup and hardware complexity

■ Broadcasters can launch separate or sub-channels for different regions or headend which can also serve as revenue generators

■ No need to send affiliates playout servers when channels are launched in the cloud, cost savings are significantly lower than a traditional setup

Jigsaw24 and Gallery have a longstanding partnership. Together, we’ve delivered innovative projects covering a range of workflows, including news, soap operas and live sports.

Our expertise and experience when it comes to networking and broadcast workflows mean we can provide a complete solution from specification through to installation, including ongoing support once a workflow is in place. As part of the global network of approved Sienna Cloud systems integrators, we can provide local installation, support and maintenance to ensure always-on operation of your entire Sienna Cloud for NDI network.

If you want to see first-hand how Gallery’s solutions can improve and augment your existing workflow, get in touch with the team to arrange an integrated demo featuring a selection of solutions tailored to your environment.

• Stable for 24/7 operations


• SD/HD/UHD/4K/8K support(*)


• SDI, NDI, WebRTC, IP Stream or File inputs


• SDI, NDI or WebRTC outputs


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for IP Stream input


• Video and audio preview feature


• Input bitrate chart


• Loop feature for file inputs


• LUFS(Loudness Units Relative to Full Scale) Audio Normalization


• Audio Gain feature to turn up or down the audio level


• Auto-recovery of disconnected or failed streams


• Monitoring inputs to auto-activate outputs


• Frame rate conversion (e.g. 30 fps to 25 fps)


• Up/down/cross scaling

• Stable for 24/7 operations


• Customizable layouts


• User friendly interface and layout designer


• SDI, NDI or IP Stream inputs


• SDI, NDI or IP Stream outputs


• Multi-display support


• SD/HD/UHD/4K for SDI input up to 60 fps(*)


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input


• Configurable audio channels


• Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail


• Threshold-defined visual indicator for low/high audio and video loss

TitleBox is a complex and incredibly user-friendly on-air CG and graphics manager. It allows you to make and save various static or dynamic objects like rolls, crawls, multi-layered simultaneous still images, analog and digital clocks, animated logos, etc. These can be easily used for direct broadcasting or for future use as customized templates.

TitleBox is an interactive graphics manager that generates, shows and manages captivating multi-zone screens with rolls, crawls, animations clocks, station logos, 3D objects, and many more. It is ideal for broadcasting and cable TV channels digital signage systems and public and private facilities like schools, colleges, universities, business entities, corporations, retail, shopping malls, churches, airports, hotels, holiday resorts, theme parks, etc. Furthermore, TitleBox has a Scheduler that allows you to start items at different times from previously created tasks.

TitleBox provides on-air graphics that can be interactively controlled. You can enable multi-layer simultaneous crawls, rolls, animated icons, clocks and text templates with a click of the mouse. TitleBox provides full on-air command, including text selection, running speed and transitions.

MS Windows 10 compatible

Ensure your content reaches the widest audiences, even on those breaking news. AUDIMUS.MEDIA creates automatic closed captionings for all of live programs and nowadays they are reaching more that 500 million viewers spread in two continents!

Post-Production Automation

Post-production workflows are notably slow and manual, with files being shipped by hard drive  and editors tasked with batch encoding and ingesting files, as well as manually entering custom bin information into their Avid systems. These steps can add days to the production schedule, slowing content creation.

Now, latakoo has created a solution that automates this workflow for teams using Avid Media Composer, shaving days off of the current process.

Automation with MediaComposer

With latakoo, crews on location can send a lightweight proxy file to the editors within minutes of the shoot. With latakoo’s patented compression/upload process, proxy files can be created and quickly uploaded to your private cloud account, for storage and sharing. Metadata associated with the files – such as card number, shoot date, camera ID, project number, or any custom field - can be collected for each group of videos transferred. The metadata form is completely customizable for your project requirements.

After upload, the files are automatically downloaded by latakoo HUB and dropped inside your firewall. All the editors have to do is drag the group of files into the appropriate bin in Avid Media Composer. The files, along with the metadata, automatically populate the Avid bin with the correct information.

And because the proxy files retain their original video ID, relinking the original media is easily achieved.

latakoo is a complete system, so when that first draft is finished, you can easily export it to the cloud for review and approval.

Reclaim Your Time

Imagine saving days off of your current video workflow; automating proxy creation, ingest and metadata into one simple system. It’s possible with latakoo.

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

As IP continues to go mainstream for video production, producers have identified key requirements. They’re looking to move away from bulky, expensive hardware to more flexible software and cloud-based solutions as well as more lightweight field gear like bonded cellular backpacks. They need IP streaming solutions that can be incorporated easily into production workflows, with the ability to ingest non-baseband sources.  Broadcast Operations need to be able to use the entire gamut of IP-based protocols, and sometimes several of them during the same production. Likewise, they need fast, frictionless ways to transcode feeds and files into multiple video house formats for asset management and distribution. 

The concept of an IP network operations center (IP-NOC) addresses all of these requirements by bringing together the state of the art in IP-based signal acquisition and cloud-based media asset management (MAM). Driven by these enabling technologies, the IP NOC offers a paradigm shift from traditional broadcast operation centers and satellite trucks to smaller and more nimble transmission gear, cameras, and capture devices. 

Automate-IT establishes automation, orchestration, and collaboration between creative, broadcast, IT and digital departments. Fundamentally, Automate-IT breaks down barriers for promo versioning production and distribution.

Automate-IT seamlessly integrated your Adobe graphics, solutions, and systems into the broadcast domain. Automate-IT is powered by Forms for user input and graphics template modification without editing After Effects projects or compositions.

The IQ Sports Producer is an all-in-one multi camera production suite operated by just one person. Its simple and intuitive interface allows anyone to produce and stream a game anywhere.

The IQ Sports Producer makes live and on-demand web broadcasting available without the hassle of hiring an entire camera crew. The system provides an automated video broadcast production with up to 3 180-degree cameras, which makes it possible to upgrade from a single camera to a multi camera production. The superb de-warping and stitching technology provides a natural-looking corrected image with straight line-markings.

With this technology, cost-effective cameras can be used for complete coverage of the playing field. A pan and zoomed image is automatically created by special developed game tracking technology. With extra features such as live streaming, game replay generator, commentary, scoreboard options and automatic summaries and highlights, the IQ Sports Producer enables clubs to capture, stream and re-publish their field games easily and cost-effectively.