Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

CG-Portable-A is a small, lightweight unit which can generate captions and overlay logos onto video streams.  It’s ideal for use as a portable graphics generator for insertion into TV programmes and other video productions.

Typical applications include

• Low cost character generator for large and small productions e.g. house of worship, theatrical performances, local sports events


• Weather and general information display in TV broadcast


• Emergency bulletins overlaid onto regular programming


• Daily information and updates in public areas such as transport hubs, office receptions and hotel lobbies


• Branding and logo insertion for point of entry displays in shops, museums, galleries etc

Key features

• Real-time Fill/Key composition


• Offers both DSK mode (Fill/Key send) and Internal Mix mode (compositing with external video)


• Store up to 70 HD-sized images


• Two lines of text (multilingual support)


• Text can be scrolled vertically or horizontally


• Adjustable font sizes, colours, transparency and borders


• Timer display (count up/down)


• Simple operation via web browser

Manage » Prepare » Content Services » Access services and localization service providers »

InSync Technology, experts in software motion compensated standards conversion, have partnered with Dalet, specialists in high-performance, media solutions, to deliver a flexible conversion solution for broadcasters and content owners of any size.

High quality motion compensated frame rate conversion is now available as an optional upgrade within the Dalet Amberfin media processing platform. This will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Using FrameFormer's unique and advanced algorithms file-based content can now be converted with the smoothest motion possible.

Manage » Prepare » Content Preparation » Access services and localization tools »

InSync Technology, experts in software motion compensated standards conversion, have partnered with Hiscale, specialists in high-performance, scalable software products, to deliver a flexible on-demand conversion solution for broadcasters and content owners of any size.

The integration will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Keeping a standards converter on standby for such situations is not cost-effective. That's why InSync and Hiscale have joined forces to create a new option for pay-per-use standards conversion — FrameFormer for FLICS. With FrameFormer for FLICS, users pay for time-limited use on their preferred cloud platform, so there’s no large upfront cost to start using a new converter, and the customer avoids being locked into a costly contract with a single vendor.

FrameFormer is a high quality, motion compensated standards converter that offers frame rate and format conversion including de-interlacing, up/down/cross conversion, aspect ratio conversion, cadence management, and SDR/HDR/WCG tools for all types of content, from sub-QCIF up to 8K and beyond. FrameFormer has been carefully designed and finely tuned over many years to provide reliable conversions with automated settings, enabling fast deployment without lengthy parameter setup.

Accessing FrameFormer via FLICS provides the ultimate in flexibility, enabling customers to use their in-house processing resources as far as they can stretch, then offload peak demand into the cloud as required. FLICS incorporates transcoding, open APIs for integration into any preferred workflow, auto-scaling to handle incoming peak demand, and load distribution to make the most of available resources.

Produce » Post Production » Editing and Finishing » Processing incl. hardware acceleration and I/O cards »

Software as a service (SaaS) allows media organisations to consume services on demand – without the need for a large initial capital outlay and subsequent support costs. Typically most providers will offer services packages as a monthly subscription and based on a required consumption level.

Video conversion fits perfectly into this model. FrameFormer SaaS is software conversion as a cloud service

• Consumption based pricing and packages – based on actual usage


• Zero or little up-front investment – no infrastructure to own!


• Fast onboarding – there when you need it


• Choice to integrate to your management platform via API

Manage » Prepare » Content Services » Access services and localization service providers »

 

Looking at LIVE event production in the cloud?

Preparing content for LIVE distribution to a global marketplace?

Performing LIVE remastering of legacy archive content?

FrameFormer Live is a turnkey software application which provides a single channel of motion compensated frame rate conversion of live video streams.

It can handle input and output of SD,HD and optionally UHD/4K IP streams supporting IP based streaming protocols (SRT,RTP,RTMP,TS) & codecs (H264,H265,MP2)

Full service set-up (decode, encode, scheduling, alarms etc) and monitoring via web based UI.

Interoperability with other business systems i.e control, monitoring, scheduling via RESTful API.

The software can be deployed on premise or in the cloud - based on minimum hardware recommendations

 

Manage » Prepare » Content Services » Access services and localization service providers »

InSync Technology, experts in software motion compensated standards conversion, have partnered with Marquis Broadcast, specialists in high-performance media solutions, to deliver a flexible conversion solution for broadcasters and content owners of any size.

High quality motion compensated frame rate conversion is now available as an optional upgrade within the Medway middleware platform. This will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Using FrameFormer's unique and advanced algorithms file-based content can now be converted with the smoothest motion possible.

FrameFormer is easy to integrate via its open API, runs under Linux, Windows, and Mac operating systems and targets CPU-only deployment for maximum flexibility.

Manage » Prepare » Content Services » Access services and localization service providers »

InSync Technology, experts in software motion compensated standards conversion, have partnered with Marquise, specialists in content mastering systems - to deliver a flexible conversion solution for broadcasters and content owners of any size.

High quality motion compensated frame rate conversion is now available as an optional upgrade within the Marquise Mist mastering platform. This will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Using FrameFormer's unique and advanced algorithms file-based content can now be converted with the smoothest motion possible.

FrameFormer is easy to integrate via its open API, runs under Linux, Windows, and Mac operating systems and targets CPU-only deployment for maximum flexibility.

Manage » Prepare » Content Services » Access services and localization service providers »

InSync Technology, experts in software motion compensated standards conversion, have partnered with IMC Technologies, specialists in content management systems - to deliver a flexible conversion solution for broadcasters and content owners of any size.

High quality motion compensated frame rate conversion is now available as an optional upgrade within the Incite production MAM platform. This will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Using FrameFormer's unique and advanced algorithms file-based content can now be converted with the smoothest motion possible.

Produce » Post Production » Editing and Finishing » Non-linear editing »

InSync Technology is a specialist in motion compensated frame rate conversion. Content owners with assets that aren't in the format or frame rate needed for their chosen audience’s displays must carry out standards conversion in order to match the various display sizes and frame rates. Good standards conversion is essential to preserve the quality (and therefore the value) of the material.

FrameFormer by InSync is a software motion compensated standards converter that is available as a plug-in for the popular Final Cut Pro X non-linear editor.

Manage » Prepare » Content Services » Access services and localization service providers »

InSync Technology, experts in software motion compensated standards conversion, have partnered with Imagine Communications, specialists in high-performance media solutions, to deliver a flexible conversion solution for broadcasters and content owners of any size.

High quality motion compensated frame rate conversion is now available as an optional upgrade for Imagine Selenioflex File via InSync's FrameFormer software conversion engine. This will benefit broadcasters and content owners who face unexpected needs for frame rate and format conversion, such as when footage that was expected to be 1080 50i turns out to be 720 30p, and there’s no option to reshoot, or when a client requests a clip for integration into a UHD 59p program, but the only version on the server is HD 50i.

Using FrameFormer's unique and advanced algorithms file-based content can now be converted with the smoothest motion possible.

FrameFormer is easy to integrate via its open API, runs under Linux, Windows, and Mac operating systems and targets CPU-only deployment for maximum flexibility.

 

Produce » Post Production » Editing and Finishing » Non-linear editing »

InSync Technology is a specialist in motion compensated frame rate conversion. Content owners with assets that aren't in the format or frame rate needed for their chosen audience’s displays must carry out standards conversion in order to match the various display sizes and frame rates. Good standards conversion is essential to preserve the quality (and therefore the value) of the material.FrameFormer by InSync is a software motion compensated standards converter that is available as a plug-in for the popular Adobe Premiere CC non-linear editor.

Versions available for both windows and mac.

 

Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Standalone interfacing, signal processing and conversion »

The IF8K-FSCC synchronizes full 8K video with both 12G-SDI and 3G-SDI signals. Asynchronous input of quad-link 12G-SDI (12G-SDI x 4) or 16 link 3G-SDI (3G-SDI x 16) for 8K can be synchronized by the external reference input and output with quad-link 12G-SDI. It is designed and manufactured by InSync Technology for exclusive distribution by FOR-A.

The IF8K-FSCC is an ideal solution for 8K synchronisation and colour correction.  It’s especially valuable where perfect synchronisation without audio disturbance is needed in live 8K productions.

Key features:

• Video signal processing of the luminance level, chroma level, chroma phase, and black level


• Colour corrector to set white balance, black balance, and color gamut


• Horizontal/vertical phase adjustment by the external reference input


• Additional audio delay for upstream or downstream equipment for each audio channel


• MADI audio input/output interface


• Optional remote control via IF8K-REMOTE

Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Standalone interfacing, signal processing and conversion »

The IF8K-UCN is a frame synchronizer that supports upconversion of HD/4K UHD to 8K DG (Dual Green). It inputs HD-SDI or quad-link 3G-SDI (3G-SDI x 4) and outputs octa-link 3G-SDI (3G-SDI x 8) signals. Two-way distribution of 8K DG is standard and BB or Tri-level sync reference input is also supported. It is designed and manufactured by InSync Technology for exclusive distribution by FOR-A.

The IF8K-UCN is an ideal solution for integration of HD or 4K UHD material into 8K UHD productions using the dual-green format.

Key features:

• Frame synchronisation to an external reference with tracking PCM audio delay


• Minimum delay mode (no reference) – lock to input


• Very high quality upconversion with filter control.


• Conversion between 59.94 and 60Hz conversion (Drops or repeats 1 frame in 1000 frames)


• Optional remote control via IF8K-REMOTE

Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Standalone interfacing, signal processing and conversion »

The MCC-4K-A provides exceptional quality frame rate and format conversion for UHD/3G/HD signals. MCC-4K-A offers support for quad link 3G-SDI of two-Sample Interleaved (2SI) or Square Division (SQD) format as well as single link 12G/6G-SDI and SFP connectivity.

The MCC-4K-A is an ideal solution for live frame rate conversion applications, where UHD content sourced at a chosen production rate needs to be converted to other frame rates for international contribution and distribution. International sports, concerts, breaking news and current affairs can all be simply and impeccably converted to the desired output format and frame rate.

Key features:

• Motion compensated conversion from any UHD frame rate to any other UHD frame rate


• Simultaneous UHD single link 12G/6G and UHD quad link 3G-SDI output


• Automatic detection of SMPTE ST425-5 (sample interleave input) and ITU-R BT.2020 colorimetry


• Motion compensated conversion from any 3G/HD-SDI frame rate to any other 3G/HD-SDI frame rate


• Up-conversion from 3G/HD to UHD


• Down-conversion UHD to 3G/HD


• HDR/SDR conversions

 

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

NEP's live/non-live graphics solutions include:
Live TV & Sports Graphics
Game Show Control Platforms
Virtual Advertising
Broadcast & Live Event Titles
Display Management

Publish » Linear Playout » Linear Playout Systems » Integrated playout (channel-in-a-box) »

StreamMaster PRIME is a turnkey appliance with SDI I/O that offers a flexible feature set to satisfy channel branding and simple integrated playout requirements. StreamMaster PRIME is aimed at broadcasters looking to replace legacy equipment nearing end of life whilst retaining existing automation and discrete playout infrastructure.

Designed for 24/7 operation in a transmission environment StreamMaster PRIME leverages Pixel Power’s renowned StreamMaster technology platform into a cost effective SDI connected appliance that fits seamlessly into existing infrastructure. Investment in StreamMaster PRIME is future proofed as the software licenced features can be transferred to a new architecture or deployment model as business needs evolve.

Publish » Linear Playout » Linear Playout Systems » Playout automation »

Gallium PROMOTE automatically creates and delivers dynamic promos and branding for live or thematic channels. It reads the traffic system and real-time schedule, then populates graphics templates for slates, bugs, promos and line-ups. Gallium PROMOTE removes the repetitive task of creating cross-promotion, sponsorship, squeeze-back and other in-programme graphics.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

StreamMaster DELIVER is a software defined integrated playout engine designed for 24/7 production of simple or complex linear TV channels in a wide variety of environments including dedicated server and virtualized in a private data centre or in the public cloud.

Using a singular workflow StreamMaster DELIVER goes further than standard playout systems by enabling you to maximise your brand and grow revenues through the creation of dedicated content for multi-platform delivery. Running on COTS hardware StreamMaster DELIVER offers you the choice whether to host your playout, automation, master-control and branding applications on-premise, in a private data centre or in the public cloud. StreamMaster DELIVER offers media playback, real-time master control of live feeds, real-time graphics and DVE over SDI and/or IP streams.

As a format agnostic software-defined system, StreamMaster DELIVER allows you to scale with your business and remain flexible as needs change. Software licences are portable allowing you to move applications freely between different deployment environments. StreamMaster DELIVER licences offer totally flexible pricing models that include pay-as-you-go and pay-per-feature/functional-block, all of which are very beneficial for pop-up, event or test channels.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

StreamMaster BRAND is a software defined branding and graphics playout engine designed for 24/7 operation in a transmission environment. Using a singular workflow StreamMaster BRAND is designed to meet a wide range of automated graphics playout and channel branding needs. It is an efficient and highly cost-effective solution for delivering graphics reliably and without operator intervention.

Designed for autonomous operation and with no direct user interface StreamMaster BRAND enables a complete and effortless flow of on-screen information such as Branding, Promos, Stock Data, Weather news, Sports updates or News briefings

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

StreamMaster PRODUCE is a software-defined, game-changing, multi-channel, multi-operator, virtualizable solution for graphics creation & playout offering broadcasters flexibility, workflow efficiencies & cost savings. Implemented purely in software for virtualization either on-premise, in a data centre, or the public cloud it naturally supports IP and/or SDI I/O.

Using StreamMaster Media Processing technology, first launched for playout applications in 2015, StreamMaster PRODUCE includes the Pixel Power graphics engine that has an Open API and integrates tightly with third party automation systems

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

For many years Pixel Power has been at the leading edge of broadcast playout, master control, workflow automation, graphics and branding. With many innovations that are now at the centre of television graphics, workflow and playout Pixel Power is continuing to lead the transition to the new world of software-defined, virtualisable solutions.

Two new technology platforms underpin a range of solutions that enable broadcasters to make the move to IP and do so at their own speed and with solutions tailored specifically to their needs in ways that were never possible before.

Flexible, bespoke, modular and with completely new pricing models, these new technology platforms offer broadcasters the opportunity to acquire just the features or functional blocks that they need and only pay for them when they use them. The days of buying a hardware product where you only use 60% of the features 40% of the time are gone.

StreamMaster Media Processing is the underlying technology platform upon which a variety of innovative solutions are based to help broadcasters manage the processing, branding, master control and delivery of content to customers. The solutions described are configured as standard branding and playout solutions based on how broadcasters currently operate. As a softwaredefined technology platform, however, features and functional blocks are constantly being added to offer broadcasters a future-proof platform and even more flexibility as operations change over time

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

CREATE is Pixel Power’s all-new design environment for creating graphics templates to be used across all Gallium and StreamMaster solutions. Using industry standard 3D design and animation techniques, CREATE allows artists to design sophisticated graphics with more built-in logic than ever before.With an updated user interface and the flexibility for teams to collaborate from multiple locations, CREATE makes it faster and easier to get your new design ideas successfully on-air.

CREATE offers more flexibility using industry standard video clips and a fully scrubbable timeline with WYSIWYG feedback, users can work faster and with greater confidence from their standard workstation.

Templates built using CREATE’s powerful but easy to use tools are fully dynamic and can be updated in real-time responding to incoming data and operator interaction.

Pixel Power has more than three decades experience in award winning graphics and branding solutions and has developed its latest software application to run on commercial, off the shelf (COTS) hardware that is easily available from IT suppliers.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Dalet Cube NG is a next generation platform for news and graphics workflows. Fully integrated across the Dalet Unified News Operations solution powered by Dalet Galaxy five, the state-of-the-art, full-featured Dalet Cube NG graphics platform leverages the industry-leading Brainstorm real-time graphics engine to deliver superior 2D and 3D branding and visuals. Suited for both on-air and file-based graphics creation, the Dalet Cube NG unified approach enables news broadcasters to easily create dynamic branding and up-level visual storytelling across traditional, digital and social channels.

Dalet Cube NG offers a redesigned, highly scalable architecture and modern web-based UI. The embedded, high-performance Brainstorm real-time 3D graphics engine significantly expands on-air and file-based graphics capabilities with its support for 4K and user-defined options, added primitives for building 2D and 3D graphics, support for Unicode fonts and languages, and outstanding transition logic. Noted news broadcasters that rely on the Brainstorm real-time graphics engine include CNBC, NHK, RAI, RTHK, RTVE, TVN and many others.

Feature highlights of the new Dalet Cube NG include:

• Advanced Materials and Objects – Thanks to the Brainstorm graphics engine, Dalet Cube NG supports a wide range of objects including spheres, curves and arrows with extensive control over parameters. It also includes a particle generator for creating visual effects such as fire, smoke, rain and more.


• Font and Text Management – Dalet Cube NG offers full control over 2D and 3D text including size, texture, shading and mapping. It also includes support for Unicode fonts and a wide range of languages including Arabic, Chinese, Cyrillic, Japanese, Korean and Thai.


• Format and Resolution Independent – Dalet Cube NG is resolution independent and supports HD, 2K, 4K, 8K, UHD and beyond, as well as digital and social graphics formats and workflows.


• Tweet to Graphics – No story is complete until it’s been posted on social; the moment users transform a tweet into a graphic, that graphic becomes an object within Dalet that journalists can either schedule in a production rundown or play out on-air with the news package.


• Ease-of-Use – Dalet Cube NG features simple-to-use tools and tight integration with Dalet Galaxy five that facilitate the adoption of graphics creation and use across the newsroom.

Dalet Cube NG Designer

Dalet Cube NG Designer is a 3D graphics authoring software, used by graphic designers and artists to create graphics needed by media organizations, especially news channels. Dalet Cube NG Designer provides both the page-based workflow familiar to many designers, as well as the possibility of working with templates. Formatting can be implemented on the template and the changes to the text can still be done on each page. Modifications made to a template will be shown on every page of the project.

Dalet Cube NG with the Dalet Workflow Engine

When managing multi-lingual, multi-channel and multi-platform distribution, the Dalet Workflow Engine enables an efficient process for users to enter CG information once, and this gets distributed to a wide variety of Dalet Cube NG placeholders created automatically.

Dalet Cube NG Ticker

A key module for building advanced tickers, Dalet Cube NG Ticker is embedded in the Dalet Cube Play Controller and supports the same graphic elements configured for other Dalet clients. Graphic elements can be executed with different speeds and together with other graphics. Dalet Cube NG Ticker includes various tools that enable parsing of live data such as XML, spreadsheets, SQL or text files.

Dalet Cube NG Play Web

Dalet Cube NG Play Web is a web application used to prepare data entry templates that will be used by journalists and editors in Dalet Galaxy five, and by graphic playout operators using Dalet Cube NG Play Web.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Lucid Studio is a highly flexible and customizable control platform with an easy-to-use intuitive graphical user interface. Lucid provides seamless integration with tracking systems and real-time 3D rendering engines such as XPression and Voyager. It is a complete redesign of the legacy UX platform, with significant changes to the underlying code, and the graphics interface. Lucid Studio offers unparalleled customizability, flexibility and accessibility to all types of operation and operators. Lucid Studio is used for virtual set camera calibration, scene manipulation, media replacement, event triggering, MOS newsroom integration, animation control, robotic camera movement control and much more.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

AR³ Football enhances football broadcasts by adding Augmented Reality into live football matches and creating a more appealing and entertaining experience for fans and viewers all over the world.

AR³ Football is capable of generating state-of-the art virtual crowds (for matches with no audience in the stands), virtual cam carpets to insert advertising material, tied to the field and augmented reality graphics, like heatmaps and “man of the match” infographics.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

R³ Space Engine can adapt to your project requirements, depending on the complexity of your project. From a ticker and a logo (channel branding) to a complete graphics package, with stunning 3D animations, our render engine can be used for sports, news, elections or entertainment programs.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Studio CG is a powerful integrated solution that allows broadcasters to manage and control on-air graphics and videos for live shows, all from one single interface.

Our studio solutions make it easy to manage your production workflow for news, sports, financial and entertainment shows.

 

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Viz Trio is the number-one character generator (CG) for live televised events anywhere in the world. The system's flexibility and the high level of built-in intelligence sets it apart from the rest.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Vizrt pioneered virtual set (VS) and augmented reality (AR) and continues to push the boundaries of what is possible. With a combination of efficient newsroom workflows for journalists, integration with advanced tracking systems, and rendering with the world’s most powerful graphics engine and video playout server, Viz Engine, Viz Virtual Studio is the global standard and innovator for live virtual sets and augmented reality productions.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

In order to accomplish these requirements, the Dayang D3-CG product family provides you with a technological breakthrough. It is the ideal choice for superior HD/SD real-time graphic playout. With various templates and effects for supports, weather forecast, news, entertainment, elections, finance, and live events, it has all the features that you need with affordable price - all in a single turnkey system.

HD and SD Compatible | 2 Input and 4 Output Channels | Full 3D Functions, Supports Video Clip Playout and 3D DVE | Equipped with Professional Rear Panel and Redundant Power Supply | Supports Infinite-Layer and Multiple Task Simultaneous Playout.

Dayang 4U Chassis

Intel Xeon E5-2609 v3 1.9GHz * 2 | 8G Memory | 500G HDD | 300G SAS HDD*4 | 2GB Graphic | RedBridge6B-Graphic / RedBridge6B-Graphic-EXP I/O Card | DVD-ROM | Keyboard | Mouse | 22" LCD 16:9 Display | Windows7 Professional SP1 64bit English | D3-CG LIVE 3D CG Software

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

The KRONOS optikós offers future-proofing connectivity with 3 SFP+ cages in addition to 2 HD BNC connectors for 3G/HD/SD-SDI I/O. These SFP+ cages provide limitless connectivity options exposing greater than 3G SDI, IP connectivity across 10Gb Ethernet, and flexibility to choose from numerous physical interfaces.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Swift News offers you quick and easy workflows for graphics such as straps, tickers, tables and charts – aswell as the essential integration with leading News Room Control System vendors. Let your designers create the look and the journalists create the content. Control from the gallery is easy using our Swift Live web interface.

• Your journalist’s use their existing NRCS clients, and via our ActiveX plugin can now easily drive Swift graphics.


• Combine journalist’s manually added content with live dynamic data feeds.


• Scales to large numbers of simultaneous journalists.


• Wide range of broadcast format support - HD, UHD, HDR, SDI, ST2110, NDI.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Swift CG is available in 2d or 3D version allowing you to choose the most effective tool for your projects. Swift CG+ will cope with the most demanding 3D virtual Studios or Augmented Reality objects, while its sibling Swift CG is a powerful and flexible solution where 2D is sufficient.

Both will deliver all types of on air broadcast graphics whether its tickers and straps or DVE squeezes.

• A single edit tool to drive all your broadcast graphic needs and provide consistent branding.


• Huge range of supported file formats ensures Swift will fit into your existing workflows


• Incorporates live data feeds for accurate on air graphics


• Audio mixing of live sources with graphic stings.


• Full Animation Control with stops, starts, pauses and triggers.


• Scales from single self contained PC, up to large scale facility wide distributed architecture.


• Wide range of broadcast format support - HD, UHD, HDR, SDI, ST2110, NDI.


• Fonts and language support including Chinese, Japanese, Korean, Russian, etc

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Flowics Graphics is a cloud-based HTML5 broadcast graphics engine for any production workflow.

Flowics Graphics supports NDI, SDI and cloud-based workflows and provides native data connectors for popular data providers including Stats Perform, SportRadar, Genius Sports, Weather Channel and many more.

Produce » Real-Time Production » Video Production » Production automation systems »

Edison PRO is an innovative, template-based playout application that seeks to transform any live, online presentation or conference into an immersive experience through AR and virtual environments, allowing users to enhance their speech and storytelling with real-time 3D graphics and other visual aids, including immersing themselves in the presentation.

Based on Brainstorm’s 25 years of broadcast experience in virtual sets and AR, Edison PRO substantially improves the impact of any presentation. Users do not require any experience in graphics, video, image or 3D, as the starting point for their sessions is a PPT of PDF document.

Based on 25 years of the broadcast experience of Brainstorm in virtual sets and AR, Edison PRO substantially improves the quality and impact of your presentations without requiring specific knowledge in 3D, virtual studios or video.

Edison PRO is a standalone product that includes a future-proof hardware to ensure the ease of operation, compatibility and performance. Installation, training and support are straight-forward, ensuring a rock-solid operation even in highly demanding, live production environments.

Compatible with standard presentation tools

Edison PRO can import standard PPT and PDF files so the slides or pages can be displayed and controlled by the presenter by using Edison’s interface. The presentation can also be controlled using standard clicker devices, smartphones or tablets.

Easy to use and control

Running a presentation is as easy as loading a template and importing the slides. Once a template is loaded, Edison PRO can key out and insert the presenter inside the 3D Virtual Reality scene, which can be further customized.

TrackFree virtual cameras that turn your virtual set limitless

Using Brainstorm’s patented TrackFree™ technology, Edison PRO takes the video feed of your fixed camera and creates virtual camera views from it. These are flexible, independent from the live feed, and can move freely in 3D space, as pedestals or cranes do in live production environments. This feature expands the virtual environment far beyond the limits of the physical chroma set. Users can change the camera view or create a new one at any time, instantly, with just a click!

Unreal Engine compatible

Edison PRO is compatible with UE scenes, which can be used as 3D backgrounds for the presentation. This improves your presentations with the ability to use hyper realistic background scenes in real-time.

Also, the optional Edison UC (Edison Unreal Control) plugin allows for controlling and editing the UE scene’s blueprints, objects and properties directly from Edison’s own, user-friendly interface.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

CG-Portable-A is a small, lightweight unit which can generate captions and overlay logos onto video streams.  It’s ideal for use as a portable graphics generator for insertion into TV programmes and other video productions.

Typical applications include

• Low cost character generator for large and small productions e.g. house of worship, theatrical performances, local sports events


• Weather and general information display in TV broadcast


• Emergency bulletins overlaid onto regular programming


• Daily information and updates in public areas such as transport hubs, office receptions and hotel lobbies


• Branding and logo insertion for point of entry displays in shops, museums, galleries etc

Key features

• Real-time Fill/Key composition


• Offers both DSK mode (Fill/Key send) and Internal Mix mode (compositing with external video)


• Store up to 70 HD-sized images


• Two lines of text (multilingual support)


• Text can be scrolled vertically or horizontally


• Adjustable font sizes, colours, transparency and borders


• Timer display (count up/down)


• Simple operation via web browser

Consume » User Experience » Apps & Platforms » Consumer apps and platforms »

Cloud data display platform, supporting content creators with the tools to simplify workflows, drive engagement, increase reach and enhance monetization opportunities.

Content sourcing - Access a world of content
Access all the major social media platforms, popular messaging apps, data feeds, and trending topics.

Engagement tools - Activate your audience
Utilize tools to create apps, polls, competitions, feature posts, or generate QR codes for call-to-actions. Give viewers a purpose to interact with your broadcast and feature live reactions.

Display & Graphics - Bring your production to life
Operate Dizplai’s native cloud graphics engine, or integrate third-party solutions into your workflow and redisplay sourced content across any creative output.

Manage » Manage & Orchestrate » Data & Metadata Management » (Meta)data aggregation and management »

nxtedition is a complete production solution for video and audio - used by broadcasters, publishers, corporates and other industries to create video channels for broadcast and streaming, as well as audio for radio broadcasting, streaming and podcasting.nxtedition encapsulates all the following activities into a single user interface offering to be first, fast and accurate with the stories people want - be that news, sport, entertainment, or production.• Production Planning• Scriptwriting• Media Asset Management• Metadata Management• Reporting• Graphics• Subtitling• Prompter• Transcoding• Rundown Creation• Studio Automation• Ingest Recording• Channel Playout• Music Rotation• Live Streaming In And Out• Publishing To Web, App And Social Medianxtedition - innovative storytelling grounded in realism.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

KRONOS will offer the choice of SDI I/O connectivity with the KRONOS ēlektron, featuring 8 high-density BNC connectors capable of 3G/HD/SD-SDI. Each HD BNC connector is fully bi-directional, enabling numerous configuration options, including 8 input, 8 output, or a mixture of SDI input and output connections.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

TitleStaion Mix manages and playouts graphics. It could be either applied as an independent module or together with NewsAir. It playouts up to 24 independent graphics templates which are designed in TitleEditor module.

• Simultaneous work with several playlists simplifies managing sophisticated graphics.


• Graphics files of various formats support enhances graphics playout.


• Operators can edit text  graphics by removing  misprints while being on-Air.


• Automatic interconnection with NewsAir module speeds up going on-Air and prevents human-factor errors.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | Supernova CG is Bluefish444’s 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of HD/SD-SDI input or output, Supernova CG features a flexible combination of multi-channel SDI I/O, and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 1.5G-SDI I/O


• Up to 2K/HD 60p playout or capture via Dual Link 1.5G-SDI


• Each BNC is completely independent

Maximum connectivity

• Dedicated Reference Input BNC

The industry's lowest latency I/O, by design

Supernova CG has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Neutron is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 3 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Neutron also features 4K/UHD HDMI monitoring, AES Digital Audio IO, Analogue Audio Output, RS-422 Control, and auxiliary Reference Input. 4K Neutron is also available as a low-profile configuration compatible with compact installations or devices.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 3 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 3 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent


• Third BNC can be set to Reference input instead of standard video signal

Maximum connectivity

Included breakout cable provides:

• RS-422 machine control for control of VTRs and other serial-controlled devices


• 8 channels of AES EBU audio input and output for 7.1 surround sound monitoring. Capture and playout digital audio signals in crystal-clear quality


• 2 channels of Analogue Audio for quick and simple high quality audio monitoring


• Auxiliary Reference (Input) connector frees the 3rd BNC for 3G/HD/SD video I/O

The industry's lowest latency I/O, by design

4K Neutron has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

4K/UHD HDMI monitoring

• Cost-effective 4K/UHD monitoring via HDMI 1.4


• Simultaneous SDI and HDMI playout

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Reality Engine™ is world's first real-time node based 3D compositor enabling real-time visual effects pipelines featuring video I/O, keying, compositing and rendering UHD/4K in one single software in real-time. As the most photorealistic virtual studio production product, Reality Engine™ provides its client the tools to create the most immersive content possible including augmented reality productions, real-time data driven graphics and real-time ray tracing for cinematic quality rendering and revolutionize storytelling in broadcasting, media and cinema industry.

Photorealism

Reality Engine™ uses Unreal®  Engine by Epic Games, the photorealistic real-time game engine, as the 3D renderer. With the advanced real-time visual effects capabilities, Reality Engine™ ensures the most photorealistic composite output possible.

Real-time Ray Tracing

Reality Engine™ takes advantage of latest powerful technologies from world’s most leading companies like Nvidia® RTX® GPU technology to produce high quality and realistic rendering possible in the industry today. Real-time ray tracing technology brings cinematic quality rendering capability to live production and provides realistic lighting, shadows and reflections.

Real-time Compositing in 3D Space 

As a unique approach in the industry, the green screen video is composited with virtual graphics in 3D space. This technique results in real-time dynamic reflections of the physical objects and the talent on the virtual graphics.  Like reflections, refractions of physical objects are also created automatically in real-time. Reality Engine™ composites video by using 16-bit floating point arithmetic for HDR precision. Having the control of full compositing pipeline, all gamma and color space conversions are handled precisely. By using this technology, the real world and the virtual elements are blended seamlessly.

Reality Keyer

Reality Keyer™ is the world’s first and only real-time image based keyer that works on GPU. Reality Keyer™ preserves real environment details such as contact shadows, transparent objects and sub-pixel details like hair.

Reality Keyer™ can work also with 4:4:4 RGB camera sources. The keyer also supports 3D masks for “force-fill” and “spill bypass” buffers besides garbage mask. Those mask s enable hybrid virtual studio operation which lets you combine virtual and real environments.

Advanced Augmented Reality

Having the tracked camera feed as an input video, Reality Engine™ is able to render reflections and refractions of the real environment onto the virtual augmented objects. Real-time 3D reflections and the shadows of the virtual objects are also composited over the incoming camera feed simulated with 3D perspective.

Reality API

Reality.net API gives possibility to users to develop their own 3rd party control applications for specific needs such as data driven graphics.

Videowall and Portal Window

Reality Engine™ can feed your videowalls with high-resolution 3D graphics. By using camera tracking data, you can even convert your videowall into a portal to a virtual environment. Combining portal window with ceiling extension, you will be able to have a virtual studio without green screen.

Tracking Technology

Reality Engine™ supports industry standard mechanical and optical camera tracking systems. Reality can use the lens calibration data sent by the tracking devices.

Talent Tracking

When the talent tracking data acquired by Reality Engine, the engine positions the talent inside the virtual world in the correct position and depth. This technology automatically enables the creation of accurate reflections and refractions of the talent. Interaction between the real and physical is achieved with utmost realism thanks to Reality Engine’s industry first and only feature of com-positing in 3D space.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

OnDemand is a flexible yet powerful playout solution that fits perfectly in any broadcast environment regardless of its complexity, allowing the playout and immediate broadcast of Aston graphics and templates, and edit them on the fly if required. OnDemand even allows users to control Aston projects when embedded in InfinitySet.

The control and playout of graphics is becoming increasingly complex as the number and combination of graphical elements to be displayed multiplies. OnDemand can control all such elements and is able to launch graphics simultaneously, sequentially, in random order and combine them as required.

OnDemand provides operators with a flexible toolset to create rundown lists, modify them on the fly, and delve into the details allowing individual editing of elements such as graphics, videos and on-air shots, and then playing them out to air. It is a powerful playout application that enables the easy management and playout of complex graphics templates in any order and combination, for broadcasters who require more than a simple rundown system.

OnDemand has the ability to operate in multiple modes, making it the ideal tool for any playout situation: live sports, channel branding, gameshows, news, tickers, election graphics and many more. The integration with Aston is such that OnDemand’s powerful playout even understands the specific behaviour of any Aston graphic.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Brainstorm’s pathway to broadcast graphics management

Neuron is a MOS-compatible, template-based system that integrates graphics creation and management into most common newsroom, continuity and broadcast traffic operation environments. Allowing users to integrate high-quality pre-defined 3D graphics to their workflow without the constant input from the Graphics department.

Neuron is fully scalable and can be tailored to match any client’s requirements or budget while it integrates in most types of broadcast content management including traffic and branding. Initially designed for news operation, Neuron currently integrates in most common broadcast workflows, transcending the newsroom to support continuity and broadcast traffic.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

eStudio - The industry’s fastest real-time 3D graphics and virtual studio engine.

Brainstorm eStudio is a powerful and flexible tool that provides solutions for any kind of real-time graphics. The eStudio is unique in the market due to its sophistication, open architecture and versatility, enabling both design and real-time playout of virtual studios and 3D graphics as well as the easy creation of customized applications. It provides excellent results for applications such as News & Sports, channel branding, weather, entertainment, charts and graphics, interactive corporate presentations or film pre-visualization.

Brainstorm has been pushing the boundaries of virtual set production and development for over 25 years. Brainstorm pioneered the application of camera tracking to 3D real-time virtual set, and eStudio interfaces with practically all current tracking systems, making integration with any production hardware an out-of-the-box feature.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

AstonElections is cost-effective and extremely user-friendly, template-based intuitive application intended for graphics coverage for broadcast elections, and the result of more than 20 years of experience that Brainstorm has in delivering election projects to a large number of major broadcasters all over the world. It can be used as a standalone solution or users of the InfinitySet virtual studio application can combine it within a virtual environment.

AstonElections combines the necessary key features to control all aspects involving data management. So, once data is loaded -manually or via a CSV file, Aston Elections automatically reorders data, rearranges the graphics and divides them into pages depending on the number of items to show, always ensuring they are displayed fluidly on screen.

Why AstonElections

AstonElections is a simple, easy-to-use application that provides customization and on-air playout of Elections and business graphics based on pre-defined templates

Allows for hassle-free operation for broadcast and corporate environments.

Combines the advanced graphics and CG features of Aston with the powerful playout features of OnDemand.

Template-based graphics

AstonElections provides customization and on-air playout of Elections and business graphics pre-defined templates, allowing hassle-free operation for broadcast and corporate environments. AstonElections does not require specialised election knowledge. AstonElections’ highly intuitive interface allows for the simple and easy use of complex, high-quality and eye-catching graphics.

AstonElections can sort the data for you, reformat the graphic with the data and divide it into pages depending on the content. In addition, AstonElections allows the entry of data manually. Use the same template with different data as many times as you want by loading an independent CSV file in the rundown mode. AstonElections comes with 20 customizable templates.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Aston - Designers’ Choice for 2D/3D Motion Graphics

Aston is a motion graphics creation, CG and playout system developed with the designers in mind, created from the ground up to be extremely user-friendly so the operators can concentrate on creation rather than pure operation.

Broadcast design is a demanding task and the pressure is constant to quickly deliver or modify high-quality graphics that enhance a channel’s branding and program content. Designed for a robust on-air operation, designers can create, manipulate, animate and perform last-minute changes, even while on-air. Aston enables the design team to change any of the attributes on the template in real-time making the improvement process easier and faster.

Aston is resolution independent and works with any HDTV flavour, 4K or even higher resolutions for larger screens. In addition, Aston is MOS compatible and also supports a wide range of 3D formats such as .fbx, .dae, .obj and.3ds, to name a few.

Aston 4 gains a number of enhancements that further improve its capabilities, like shader-based 2D fonts or the ability to open multiple projects simultaneously for playout. And thanks to the LAYERS feature, the Aston family of applications is enhanced with the addition of Aston Multichannel. With this, Aston provides extended workflow possibilities, including playout of multiple channels from a single workstation or from different workstations, which can also be combined with multiple simultaneous projects. Additionally, InfinitySet now includes an Aston Crosspoint for further flexibility. Aston now takes full advantage of NVIDIA's GPU movie decoding, while its PBR material rendering has been further enhanced.

Created for designers

Aston has been created from the ground up to be extremely user-friendly, so designers can concentrate on creation rather than on pure operation.

Intuitive drag-and-drop creation

Adaptive Contextual Interface. The basic tools are always present, but as the design grows the required contextual tools become automatically visible

Properties and attributes. Objects always display all their properties, so designers have all the information at hand, anytime.

Supports a wide range of 3D formats such as .fbx, .dae, .obj or .3ds

Advanced primitives, objects and materials

Brainstorm supports a wide variety of objects and primitives, from simple spheres to intricate curves or arrows, which also allow for multiple properties. Practically all the parameters (geometry, size, appearance, materials…) of the wide variety of objects and primitives supported by Aston are editable.

Aston includes a wide variety of primitives: Basic primitives (sphere, cone, cube…), curves, data bars, particles systems and much more, all with multiple parameters.

Parameters are fully editable and animatable: geometry, size, appearance, materials… Also, objects can be adhered together, grouped and work as a unit when required.

Font and text management

Aston supports advanced real-time 3D Fonts with extremely precise rendering quality and extensive features and parameters with real-time render and operation.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

InfinitySet: the most advanced virtual set solution.

Forget all you know about Virtual Studios. Anything can be accomplished with InfinitySet, from simple virtual sets with fixed cameras to advanced and complex productions involving tracked cameras, external feeds with embedded tracking data and data driven graphics interacting in real-time with the set and the talents. InfinitySet’s advanced technologies are also user-friendly, providing the best tool to create amazing programs that engage viewers.

InfinitySet is the all-in-one virtual set and real-time 3D graphics solution, not just for showcasing a number of extremely advanced technologies, but also for the flexibility this solution gives to operators and producers alike. Brainstorm’s award-winning InfinitySet dramatically enhances production value to capture and retain new and larger audiences, while greatly reducing production costs and opening up new sources of revenue.

Why InfinitySet?

- InfinitySet is the most advanced virtual set solution thanks to the patented TrackFree technology.

- With advanced compositing features, it allows to create fully realistic real-time 3D scenes with elements that  behave like those of the real world.

- InfinitySet is a complete real-time 3D Graphics tool, as it can embed all the power of Aston within the virtual set environment.

Brainstorm’s experience of over 25 years in producing advanced 3D graphics and virtual sets is concentrated in InfinitySet, which provides state-of-the-art Augmented Reality features used daily by broadcasters all over the world to create astonishing shows using virtual sets and graphics.

InfinitySet 3 introduced a plethora of high-end, advanced rendering features which, in addition to its Combined Render Engine with Unreal Engine, allow InfinitySet to create the most realistic content for virtual and mixed reality, virtual sets, real-time postproduction and film pre-visualization.

InfinitySet 4, the latest version of the award-winning augmented reality and virtual set solution, gains major updates to the rendering features and especially the management and compatibility with the Unreal Engine. This effectively enhances the way the Combined Render Engine, Brainstorm’s seamless integration between the company’s eStudio render engine and the Unreal Engine, works in practice. Another key development is that InfinitySet now features an Unreal-native behaviour, so InfinitySet users can achieve anything Unreal Engine provides in a workflow fully integrated into Unreal. The added value of this configuration is the multitude of benefits of including more than 25 years of Brainstorm’s experience in broadcast and film graphics, virtual set and augmented reality production, including data management, playout workflows, virtual camera detach, multiple simultaneous renders and much more.

Real-time ray tracing

InfinitySet takes full advantage of the latest hardware developments found in NVIDIA RTX GPU technology. By using NVIDIA Quadro RTX GPUs, InfinitySet can deliver real-time ray tracing, which provides a much more accurate rendering, especially with complex light conditions.

PBR and HDR

InfinitySet fully supports PBR shaders as materials and can also be imported from external shader editing software. In addition, InfinitySet can render HDR in floating 16 bit per channel/component, supporting for P2020 gamma correction output. This allows for post-rendering exposure control and extended-range filtering.

Combined Render Engine

InfinitySet features Brainstorm’s Combined Render Engine, which provides with the best of both worlds, the high-quality scene rendering of Epic Games’ Unreal Engine with the advanced graphics, typography and external data management of the eStudio render engine.

DMX Dynamic Light Control

InfinitySet InfinitySet can remotely control and adjust in real-time external light panels and external Chroma Keyer settings, allowing for changing the lighting conditions of the real set to match those of the virtual set, adding further realism and accuracy to the content.

Virtual Shadows and Defocus

Thanks to the TrackFree technology, InfinitySet can create virtual shadows along with the real shadows extracted from the chroma keyer, and apply then to virtual surfaces. InfinitySet can also adjust the focus and depth of field of a scene, even within the Combined Render Engine.

TrackFree Camera Detaching

Set space restrictions are no longer a problem, because, regardless the camera we are shooting is fixed, manned, tracked or robotized, InfinitySet can seamlessly detach the camera feed while maintaining the correct position and perspective of the talent within the virtual scene.

Augmented Reality and Broadcast Graphics

Broadcast graphics have specific requirements that are far beyond from what a Game Engine can do.

With the Combined Render Engine Brainstorm makes both engines work together, so adding Aston graphics as Augmented Reality objects as required within the scene is simple and straight forward.

Also, broadcast graphics workflows require external database connections, statistics, tickers, social media, lower-thirds, such a variety of graphics that are alien to the Game Engine framework but are essential for broadcast operation.

TrackFree

TrackFree is a patented camera-tracking independent technology that provides just what its name claims: the total freedom for operators to use any tracking system, trackless or fixed cameras, or a combination of these at the same time.

Allows for combined Chroma Keying, even within the same production:

•Internal chroma key software

•External chroma key hardware

•Combination of both

TrackFree advanced features:

•TeleTransporter

•3D Presenter

•HandsTracking

•FreeWalking

Enhanced internal Chroma keyer

InfinitySet features an advanced internal, resolution independent Chroma Keyer, supporting controls for main key, spill correction, detail recovering and color correction.

InfinitySet automatically creates an secondary key for feet tracking, independent from the main one. This key permits the calculation of the talent’s feet position for the FreeWalking feature and for creating virtual shadows and reflections.

TeleTransporter

This feature seamlessly combines 3D virtual sets with real characters and live or pre-recorded video feeds, all moving accordingly with precise matching of perspective, color, shadows, reflections or focus.

InfinitySet allows the incorporation of external post-production tracking hardware and software data along with real-time tracking data, combining both with any object or set on the scene. Also, external tracking data coming from real cameras or third-party tracking software can be included as metadata in live feeds or pre-recorded videos, and immediately be transferred and applied to the virtual camera’s parameters.

3D Presenter

Converts the talent into a 3D object, achieved by generating a true 3D representation of the talent from a video feed. The presenter becomes an actual 3D object embedded within the virtual set. 3D Presenter features:

•Casts real shadows and reflections of the talent from virtual lights over virtual and real objects.

•Allows for interaction of the talent with 3D elements in the virtual set.

•Adds volumetric lighting for selective illumination and color correction of the talent, the lights interact in a realistic manner with the talent’s 3D volume.

FreeWalking

Enables talents to move freely around the green screen theatre matching their movements within the 3D space. Presenters are allowed to move forward, backwards and sideways with precise perspective matching even though the real camera is in a fixed position.

HandsTracking

Allows the triggering of events and animations just with the simple movement of the bare hands.

HandsTracking brings gestures to life, so presenters can trigger animations, graphics or data with a simple movement of the hands and without the need for any additional costly and complex tracking devices.

Advanced TrackFree features

InfinitySet 3 includes a number of advanced features which improve the realism of the final composition, while allow for the seamless integration between virtual and real content.

VideoGate

Thanks to VideoGate, a presenter in the virtual set can walk into a virtual screen, into the featured news, and be part of the video itself with full realism regardless it is shown full screen or as part of the set.

The talent enters and exits the video with full precise and accurately matched perspective, and once inside the clip it behaves correctly in terms of spatial reference and with the inclusion of realistic shadows, defocus etc.

Real Set Virtualization

InfinitySet can use real, live or pre-recorded footage to use it as the background for the chroma keyed talent. The original stage can be recorded in pre-determined shots, and the chroma keyed talent that is recorded in a remote station can then use the original studio’s shots, including its tracking data if available, to be tele-transported to that set, therefore seeming they are placed physically on that set.

This functionality allows a remote talent to enter any stage at any time, while seamlessly mixing real and virtual elements.

VideoCAVE

Brainstorm’s VideoCAVE feature is a Mixed Reality application which uses monitors on a real set to behave as a CAVE multiple window, with virtual elements coming in from the virtual windows to the real scene as seen from the tracked broadcast camera.

The CAVE concept is the acronym of “Cave Automatic Virtual Environment”, and is related to a multiple virtual window, an immersive virtual reality environment where projections are directed to a cube or room space.

Selective defocus and bokeh

InfinitySet can even match the depth-of-field of the presenter with that of the scene.

Using the real camera’s parameters, InfinitySet is able to create a selective defocus and bokeh effects on the virtual scene adding an even more realistic effect to the final rendered composition.

Augmented Reality

Augmented Reality requires the interaction between sets, talents and virtual objects, often created out of external data sources. These in-context data driven objects allow for visually engaging and better explained representations of the data.

The combination of InfinitySet features makes Live projection mapping a straight forward application.

Motion graphics

As much Augmented Reality content requires advanced graphics features to guarantee the accuracy and realism of the result, InfinitySet includes graphics editing and creation features of Aston, so it can edit, manage and create 2D/3D motion graphics.

Also, Aston compositions, can be included, controlled and edited within InfinitySet allowing for the creation of great quality programs with enhanced information.

•Integrates Aston projects within the virtual set environment

•Imports 3D files into the virtual set: .fbx, .obj, .dae, .3ds…

Software Mixer

InfinitySet features a software-based Production Mixer Mode for enhanced production functionality such as full control of all the virtual cameras, with non-linear transitions such as Cut-Fade-Wipes and Flies between 3D cameras, plus controlling actions and objects.

Virtual Set Camera Controller

InfinitySet is fully compatible with Brainstorm’s Virtual Camera Controller, an external hardware that controls the Production Mixer Mode.

This hardware, also used by other Brainstorm solutions, is designed to further enhance the live production capabilities of InfinitySet, allowing full control of cameras, transitions, actions and objects.

Turnkey system

InfinitySet is delivered as a complete, turnkey system ready to use, fully and immediately integrable in any broadcaster’s workflow. Using standard broadcast plus complete IT connectivity, all Brainstorm products are prepared to work at its best since day one.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Singular is a cloud based platform developed by industry experts that enables anyone to create, control and share broadcast quality overlays from a web browser. No downloads, no dedicated graphics hardware, no licence and no contract. Sign up is free and gives full access to Singular.

We have a full authoring environment, and free pre-built templates available to all users, free control applications and multiple output options for getting overlays quickly and easily onto your video content.

Singular brings the best of digital to live video, enabling On Stream overlays for more traditional live video production as well as On Device overlays that are rendered by the viewer's device, enabling interactivity, localisation and personalisation. On Demand overlays enable your VOD content to remain fresh since any Singular overlays created can be updated or completely changed at any stage.

Singular already works with the main industry technologies and platforms for streaming including NDI®, LiveU, TVU, Terdek, OBS, vMix, Wirecast and many more so will easily fit into your production workflow.

We have full documentation, a support portal, APIs and SDKs, a developer platform, codepen and a growing library of training videos.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

The M-WEBKEY IP/SDI web page keyer provides a cost-effective alternative to a full graphics system. It's ideal for channel branding as well as providing news, weather, advert and emergency information overlays for both IP and SDI infrastructures.

The M-WEBKEY is unique because it can key a web page on to a video input. With traditional keying, the external key and fill have to be created and output as video which requires expensive dedicated character generator hardware, whereas keying a web page means that the key and fill source never become video.

The M-WEBKEY allows Flow 1 or a matte to be set as the background source, with the overlaid foreground source and key signal (which defines the graphic's location and transparency) coming from the URL that is entered. The M-WEBKEY plus a web designer and web server could provide all the graphics for a channel.

The M-WEBKEY can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.

Features include the ability to fade the key up and down, crops to force areas of background or foreground, a framestore synchroniser plus ten frames of video delay to help with system integration and extensive signal monitoring.

The M-WEBKEY is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.

 

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

AirBox provides automated content playout for satellite channels, cable head-ends, over-the-air broadcasters and corporate TV users. It is designed to be extremely robust, in order to meet the highest reliability demands of on-air playout. Due to its unique modular architecture, it is also suitable for webcasters, hotel Pay TV channels, corporate presentations, video wall sourcing and other program distribution systems.

AirBox Multi Parallel Output allows simultaneous running of two or more SDI or IP streaming SD / HD outputs so that broadcasters can easily deliver parallel output in any combination needed to deliver the content.

AirBox supports a wide range of video / audio formats from almost every known platform for production Third-party video server files like Leitch, Seachange, etc. are supported natively.

Any modifications to the playlist can be made during the on-air session. There will be no locked videos in the playlist except the one being played at the moment. They can be changed, edited or substituted.

On-the-fly commands such as skip to next or jump can change the playback order. Such changes in order are carried out seamlessly without stopping the current session. The powerful Live Show Clipboard facilitates live productions, enabling the insertion and/or execution of different events or live streams.

AirBox enables playlist scheduling for weeks ahead for automated playout. The associated gaps and time overlaps are overcome dynamically to ensure smooth service even when timed activities interfere with each other. If content files or even entire schedules are missing and misplaced, special facilities guarantee continuous operation.

MS Windows 10 compatible.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

TitleBox is a complex and incredibly user-friendly on-air CG and graphics manager. It allows you to make and save various static or dynamic objects like rolls, crawls, multi-layered simultaneous still images, analog and digital clocks, animated logos, etc. These can be easily used for direct broadcasting or for future use as customized templates.

TitleBox is an interactive graphics manager that generates, shows and manages captivating multi-zone screens with rolls, crawls, animations clocks, station logos, 3D objects, and many more. It is ideal for broadcasting and cable TV channels digital signage systems and public and private facilities like schools, colleges, universities, business entities, corporations, retail, shopping malls, churches, airports, hotels, holiday resorts, theme parks, etc. Furthermore, TitleBox has a Scheduler that allows you to start items at different times from previously created tasks.

TitleBox provides on-air graphics that can be interactively controlled. You can enable multi-layer simultaneous crawls, rolls, animated icons, clocks and text templates with a click of the mouse. TitleBox provides full on-air command, including text selection, running speed and transitions.

MS Windows 10 compatible

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

The M-PIP has been designed for IP or SDI playout applications that need one or two picture-in-picture boxes to be inset on the main programme or a coloured background.

Picture-in-picture functionality has previously only been available as part of some production mixers, channel-in-a-box systems and master control mixers. As a dedicated double box generator, the M-PIP therefore provides a cost-effective solution for those who only require picture-in-picture functionality, while it can also be used to add extra capability to a standard playout or studio system.

Up to two boxes can be inset on the programme or matte background when required, either by selecting the required foreground flow source or by using preset recall. Controls are available to independently size and position the two boxes on the screen, as well as to manipulate the size and position of the images inside those boxes. A coloured border, as well as edge softness, can be applied to each box if required. The boxes can be faded up and down, while the background can be faded out to black. The M-PIP provides 16 presets which can be used to create and store different looks for the boxes and then be recalled by using Crystal Vision's ASCII or JSON protocols in conjunction with the broadcaster's own control system, or alternatively by using the company's VisionWeb control software.

The M-PIP can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.

The M-PIP is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.

 

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Reality Hub brings ecosystem connectivity, automation and workflow integration with management capabilities from internal mechanism.

Through HTML5 technology, user interface can work on any desktop or mobile device that supports web technologies. Engine video output can be previewed in real time on the web interface.

It is a next gen yet simple platform that brings ease and utmost connectivity to your workflow

Reality Hub integrates with newsroom and MCR systems, studio automations, social media, and any external data such as weather forecast through its module host service.

Keywords:

• Data driven workflows


• Dynamic weather information fed from online sources


• Social media integration


• Live engine video output to mobile devices


• Asset management, integration with newsroom/MCR automation

 

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.

Cross-platform support with Industry leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O


• Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Reference I/O BNC


• LTC I/O


• Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards

Optional connectivity

• Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products


• K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O


• K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O

The industry's lowest latency I/O, by design

KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyers

• 4 x Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Take your production value to the next level with the NVG1 NewTek-Vizrt IP Graphics Server. A powerful 1RU turnkey video system, it combines NewTek’s software-driven video technology with Vizrt’s industry-leading Viz Trio™ character generator and Viz Engine™ compositing software to deliver the highest-quality CG and motion graphics into any production.

• Deliver real-time, animated 3D graphics in resolutions up to 4K UHD, incorporating text, images, and video


• Customize ready-made templates, changing color schemes, textures, and styles, or utilize optional design services to align graphics with your brand standards and visual identity

• Integrate into any professional video workflow with intuitive playlist operation, multi-channel control, and support for macro automation


• Connect to compatible technologies over IP, including NewTek IP Series and TriCaster® live production systems, and the Vizrt product ecosystem

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

XPression uses intelligent caching to provide real-time access to content so there is no lag between keyboard entry and system operation.XPression employs clean user interfaces, logical menus, and controls based on other widely deployed creation tools, shortening any learning curve. XPression handles it all: SD, HD, in SDI or IP, UHD/4K in Quad-Link or 12G Single-Link SDI. XPression software is resolution independent and output card agnostic. XPression Studio and BlueBox supports SMPTE ST 2022-6, SMPTE ST 2022-7 and SMPTE ST 2110. XPression Studio with SMPTE ST 2022-6 is deployed at Atlanta’s Mercedes-Benz Stadium, the world’s first all-IP stadium! XPression has always been available as a software only solution all the way up to a turnkey hardware product. From a portable configuration all the way to purpose-built hardware, there is an XPression platform that suits all configurations. XPression is in use around the world, in multiple languages. Designers have embraced XPression as a design tool, making it their entry point into creative design and animation development, rather than starting in a desktop suite.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

Nowadays, news anchors are more than just pretty faces reading from a prompter; they moderate multitudes of information sources, including news clippings and images, online resources, media files, and live feeds. With standard news formats becoming increasingly complex, news teams must adopt increased control of news program components to ensure they can run their programs smoothly and engage viewers.NewsTouch is an innovative IT-based multimedia touch system created by MediaPower. It is a standalone multimedia presentation appliance dedicated to the live production of press clippings, web content, and recorded and live media files in the studio for a live broadcasting environment. For the rst time, multi-touch technology, together with a HD 3D graphic engine, enters the world of Broadcast Television at an extremely low cost.

Live and Online

NewsTouch is a complete product that provides a single graphical interface which brings you infinite power at the touch of a finger. NewsTouch is a highly advanced professional system that can handle multi-touch with up to 10 fingers simultaneously and independently. Therefore, it can be used easily at the same time, even by two operators.Using natural gestures on a multi-touch board, the news anchor or journalist is in full control of his delivery, simultaneously anchoring and presenting supporting news clippings, videos, and content. Other than being able to scroll, zoom, and rotate images to emphasize points, NewsTouch also offers a vast array of powerful illustration tools for drawing arrows, shapes and other markers on top of images and videos; these include different pen sizes (in a range of colors) and an eraser feature. This element is particularly useful for sports and weather newscasters, as they must often reference specific sections of their supporting images for clarity.Equipped with advanced graphics capabilities, NewsTouch also supports the broadcast of video fragments, freezing frames and permitting users to add comments with its instantly retrievable writing tools. Additionally, NewsTouch incorporates a web browser which allows journalists and TV presenters to outline live material directly from the web with ease, as well as providing integrated support for social networks like Facebook, Twitter and LinkedIn.Texts, graphics, images and multimedia material can also be visualized live or saved before the show on a local disc in order to guarantee a smooth access to the network content during the broadcast.

Compact & Complete

NewsTouch is a compact product that can be used in a stand-alone mode by a single journalist; simplicity and user friendliness are key features of this tool. Even though it is a powerful and versatile instrument, it can be used by anyone, immediately and without training. Boasting four different pre-sets for color, layout and transparency, users can easily and precisely superimpose their own notes onto the background. Furthermore, NewsTouch has "no-panic" functions to distribute the presentation content evenly to a default zoom level, complete or selective cancelling tools, customizable menus and the option to exclusively visualize the essential information required during a live show, guaranteeing maximum concentration levels, without unnecessary distraction from excessive buttons and icons.

Dynamic Possibilities

With NewsTouch, create any kind of program that features dynamic and engaging presentations: from news, sports and weather reports, to special events like an election coverage, talk shows and much more. Apart from press clippings and web material, anchors can take control of live video inputs coming from other studios or the field. Output on the presenter display and on air is HD- enabled.

Supports Professional Mobile Devices

NewsTouch now supports professional tablets, starting with Microsoft Surface Pro 2, making it more flexible and convenient to use, than ever before. By using a Surface Pro 2, journalists or news anchors can now freely move around during their presentations. Some news anchors are also already used to using tablets in their news reports, thereby making it easier to incorporate NewsTouch as another delivery tool for their compelling and dynamic reports.

Compatibility

Through its HD-SDI and HDMI outputs, NewsTouch covers all features for a video mixer, interactive graphics, web video and so much more. External secondary events can be managed via IP by means of a specific video matrix with a maximum of 16 inputs (4 standard). Available for an extremely affordable price which does not compromise its outstanding performance and smooth graphics with elastic effect, NewsTouch does not require any installation or training costs, and is operated by a single connection to LAN and video matrix.News Touch is compatible with the following formats:

• Images: GIF, TIFF, JPG, PNG, BMP, PCX


• Container video: MXF, AVI, MPG, M2P, MP4, MOV (OPTIONAL)


• Video CODEC: H264 FLV, MPEG2, MPEG4, MPEG1, DV, DVCAM, RAW, DVIX, XVID


• Audio CODEC: AC3, PCM, MPEG1, MP3


• File audio: MP3, WAV


• File PDF: UNPROTECTED PDF, SINGLE AND MULTIPAGE PDF